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US Edition of Corporate Art Collections: International Edition: (excluding the US)
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Mailing Address[ PO Box 400, Pennant Hills NSW 2120 AUSTRALIA. (02) 634-9111 Personnel[ Real Estate Project Manager, Jim Thelan; Art Consultant, Julie Nicholson (6 Olive Street, Paddington NSW 2021). Governing[ Corporation. Business[ Computer manufacturer. Year[ 1984. Size[ 27 works in Sydney. Description[ There are collections in each of the major cities[ Brisbane, Canberra, Perth, Adelaide, Melbourne and Sydney. For Sydney, the "Cumberland Forest Art Collection" follows a theme of fauna and flora. Paintings, prints and a tapestry are by Australian artists, and include David Aspden, Heather Dorrough, Margot Hutcheson, Geoff La Gerche, Colin Lanceley, Mandy Martin, Susan Norrie, Jeff Rigby, Sally Robinson, Bryan Westwood. Sculptures are by Paul McKenzie, Michael Nicholson, Robert Parr, Peter Taylor. Location[ Head office for Sydney[ Cumberland Forest, West Pennant Hills. Selection[ Art consultant, Julie Nicholson. Programs[ Art Gallery Society of NSW "Private Eye" tour of the collection, August 1988. Publications[ Cumberland Forest Art Collection, illustrated booklet, 1988, 26 pages.
Personnel[ Public Relations. Governing[ Corporation. Business[ Computer manufacturer. Year[ 1978. Size[ Over 50 pieces. Description[ A collection of post 1960 art by Belgian artists. Media include graphics, paintings, sculpture, and works on paper. Location[ In a special gallery at the company. Viewing[ Not accessible without prior arrangements. Status[ Ongoing, with occasional acquisitions. Source[ Artists, galleries, auctions. Selection[ Committee of corporate personnel and outside consultants. Status[ Not available for loan.
Personnel[ Albert Schaefer. Governing[ Corporation. Business[ Business machines and computers. Size[ Over 200 works. Description[ A collection of 20th century German graphics, sculpture, paintings and photographs. Viewing[ Not accessible. Status[ Ongoing with occasional additions. Selection[ Committee of corporate personnel. Status[ Will consider loans to art museums only.
Personnel[ Director of Corporate Programs, Micislas Orlowski. Governing[ Corporation. Business[ Business machines and computers. Size[ Less than 200 items. Description[ A collection of works by French artists, created since 1960.Media include lithographs, paintings, and textiles. Location[ Company headquarters. Viewing[ Not available. Status[ Ongoing with occasional additions. Source[ Artists, galleries, commissions. Selection[ Committee of corporate personnel and outside advisors. Status[ Each request considered individually. Programs[ In-house publications. Support[ The company began a corporate arts support program in 1978, and since then has funded 18 exhibitions. In 1991, the company sponsored the "Seurat" exhibition at the Grand Palais. Other exhibition sponsorships have included "Monet-Rodin" at the Muse Rodin in Paris, and "Max Jacob and the Artists of his Time," at the Muse des Beaux-Arts d'Orlans. Bibliography[ "IBM France[ Bringing Culture to a Wide Audience is the Strategy," Corporate ARTnews, August 1991, pp. 3-4.
Personnel[ R. van Hoeken. Governing[ Corporation. Business[ Office equipment. Year[ 1950. Size[ Over 100 works. Description[ Collection features work by Dutch artists, created since 1960. Media include graphics, paintings, sculptures, works on paper, and textiles. An extensive commission by Babette Treumann is located in the corridors of three floors of IBM Nederland BV, Uithoorn. Location[ Throughout the building. Viewing[ Not accessible for viewing. Status[ Ongoing. Source[ Artists, art advisors. Selection[ Committee of corporate personnel and outside consultants. Status[ Not available for loan. Support[ The company sponsored the important Frans Hals exhibition in 1990. Bibliography[ "Monumentale Kunst na 1945," Bert Steevensz and Macha Roesink, Kwartaalblad, December 1988, pp 4-9. "IBM[ Kijk op Kunst," Kwartaalblad, Number 4, 1987, p. 25. "Babette Treumann voor IBM Nederland, kleur en systeem," Marjan Unger, Kwartaalblad, Number 3, 1987, pp. 6-9.
Personnel[ Managing Director. Governing[ Corporation. Business[ Computer manufacturer. Description[ A group of original works by New Zealand artists; media include paintings, works on paper and pottery. Location[ In the offices in Wellington. Viewing[ Not accessible for viewing. Status[ Completed. Source[ Company sponsored art competitions. Selection[ Committee of corporate personnel and outside consultants. Status[ Works are not loaned from the collection.
Personnel[ Peter Wingrave. Governing[ Corporation Business[ Manufacturer of office equipment, computers, etc. Year[ c. 1965. Size[ About 4000 pieces by 300 artists. Description[ The company was the recipient of the 1985 Art and Work Award for their importance as patrons of contemporary British art since the 1960's, and their belief that "art is an integral part of the office environment." The art collection is displayed in over 60 locations in the United Kingdom. The collection includes work by Richard Smith, Robyn Denny, Sue Ridge, Adrian Berg, Ben Johnson, John Bellaney and is primarily focused on modern British contemporary art. Location[ In 60 sites in the United Kingdom. Viewing[ Not accessible for viewing. Programs[ IBM (UK) Ltd has an active program of commissioning artworks. The company works with architects, designers, art consultants and specialized organizations to commission works of art by both established and newer artists. Other Corporate Arts Sponsorship[ Recent major sponsorships of the Renoir and Leonardo da Vinci exhibitions in London at the Hayward Gallery. Exhibitions[ "The New Patrons Exhibition of 20th Century Art from Corporate Collections," Christies, January 3 - 24, 1992. Sponsored by the National Art Collections Fund. Support[ The company sponsored "Rediscovering Pompeii" at the Italiana Accademica in London during 1992. The exhibition featured about 200 treasures and artifacts. Bibliography[ The New Patrons, the catalogue from the exhibition organized by the National Art Collections Fund at Christie's, London, January 3 - 24, 1992, pp. 58-59. "Art for the Office-worker's Sake," The Independent, May 5, 1990, p. 46. Category[ musfile, galfile
Personnel[ Public Affairs: Carol Morrison. Governing[ Corporation Business[ Chemical manufacturing company Year[ 1962 Size[ 250 works Description[ In 1980, while C-I-L House Toronto was being built, an art program was initiated to add color, warmth, and creative expression throughout the interior. 12 artists were commissioned to design and create works for specific areas of the building. The philosophy of the commissioned art was to display the many different mediums and materials used by Canadian artists and to reflect many moods of artistic expression. A selection of approximately 150 prints and drawings were also purchased across the country to exhibit in common areas throughout the building. The works selected represent the many regions of Canada and cover drawing and the complete spectrum of printmaking including lithography, etching, silkscreen, collography and other combinations of techniques. Location[ The Collection is located throughout the Corporate building. Viewing[ The Collection is accessible for public viewing, tours may be arranged, call or write to arrange. Status[ Complete. Source[ Artists, art dealers. Selection[ Committee of Corporate personnel with art consultant Willia Boyle of Toronto. Review[ Will not accept unsolicited materials (slides, catalogues, etc.). Status[ Works are generally loaned from Collection, each request is considered individually. Exhibitions[ Some selected works have been loaned for special exhibitions in Canada, the US, the UK and Europe. Activities[ The Corporation has donated the C-I-L Travelling Collection (250 works) to the McMichael Canadian Art Collection in Klienburg, Ontario. Teacher's manual and slides for educational use in conjunction with the C-I-L Travelling exhibition. Publications[ The C-I-L Collection, catalogue of the collection, 1984; Focus on Art, brochure on The Corporate Collection, 1982. & Keywords[ graphics, sculpture, works on paper, painting, photography, textile and fiber art, Canadian artists. C-I-L TRAVELING COLLECTION The Corporation has donated the C-I-L Travelling Collection (250 works) to the McMichael Canadian Art Collection in Klienburg, Ontario: Year[ 1962. Size[ 90 paintings. Description[ A collection of art by 83 leading Canadian artists, including Riopelle, Colville, Pratt, Molinari, Bloore, Lemieux, Kurelek, Lindner, Pellan, Shadbolt, Snow, Town, Tousignant, and Danby. Location[ It toured across the continent since 1962 (more than 250 exhibitions). Category[ musfile
Governing[ Corporation Description[ The collection was initiated with the company's move to their Millbank headquarters in London in 1988. Major examples include a Bridget Riley work in the front reception area, and large abstract paintings by John Hoyland and Bruce McLean. Three Patrick Caulfield works are located in the back reception area, and a diptych by Kate Whitehead is in the staff dining room. Location[ Through the offices and public areas of the company headquarters. Viewing[ Accessible in public areas. Status[ Ongoing Selection[ Through the Contemporary Art Society Bibliography[ "Parsimony Paints a Poor Picture," Antony Thorncroft, Financial Times, August 8, 1992, p 14. "Artful element of the corporate plan: Big Business," London Independent, by Geraldine Norman, October 6, 1990, page 51. Keywords[British artists, painting, sculpture, mixed media, works on paper, graphics. ORICA [formerly known as ICI AUSTRALIA LIMITED] See the Appendix for ICI Australia
Personnel[ Instituto de Credito Oficial President, Miguel Muiz de las Cuevas; Director of the Collections, Aurelio Torrente Larrosa. Governing[ Instituto de Credito Oficial. Business[ Bank. Description[ Works of art by contemporary Spanish artists. Some of the artists included are Carlos Alcolea, Frederic Amat, Eduardo Arroyo, Miquel Barcelo, Jose Manuel Broto, Miguel Angel Campano, Cristian Donecq, Francisco Farreras, Alfonso Fraile, Ferran Garcia Sevilla, Jose Guerreo, Albert Rafols-Casamada, Esteban Vicente, Jose Maria Sicilia. Location[ In the Instituto de Credito Oficial. Viewing[ With prior appointment only. Status[ Ongoing.
Fax[ +81-3-3213-8473 Website Address[ http://ryowa-oil.co.jp/goannai/goannai.html Personnel[ Takashi Eto, Curator, Idemitsu Art Museum. Governing[ Idemitsu Kozan Company, Ltd. Business[ Importer and manufacturer of gasoline and other types of fuel. Year[ The museum opened in 1966. Description[ The nuseum was founded by the late Mr. Idemitsu Sazo, the founder of the company. The core of the collection includes Japanese calligraphies and paintings, Chinese and Japanese ceramics, paintings by the Zen master Sengai (nearly 2000 works) and a large selection of works by Sam Francis. A large collection of Middle Eastern pottery is housed in a special museum in Mitaka. Recently however, the company has sold some of the examples of Chinese and Japanese antique ceramics, paintings and calligraphy from its collection Location[ The collection is located in the Idemitsu Museum of Arts, as well as in two branch museums[ 1) The Idemitsu Art Museum, (Idemitsu Bijutsukan), 2-8-26 Daimyo, Chuo-ku, Fukuoka-shi (this is the 4th floor of the Idemitsu Building); tel (092) 761-1831; and 2) The Middle Eastern Culture Center which opened in 1979 (Chukinto Bunka Senta), at Osawa 3- 10-31, Mitaka-shi, Tokyo; tel (0422) 32-7111. Viewing[ 9:30-4:30; closed Monday. Status[ Ongoing Exhibitions[ Chinese Ceramics from Japanese Collections, an exhibition of Chinese ceramics from public and private collections in Japan, The Asia Society, 1977. This exhibition traveled to the Asia House Gallery, Seattle Art Museum, Kimbell Art Museum, and the Asian Art Museum of San Francisco. Other Corporate Art Support[ The company recently donated $6.5 million to Oslo's Munch Museum, principally to refurbish the museum's declining physical plant. Publications[ A catalogue of the collection is available (9 volumes). Treasures of Asian Art, illustrated with English text. Bibliography[ "Japan loses its shame over selling," by Georgina Adam, The Art Newspaper, October 17, 2002. Laurance P. Roberts, Roberts' Guide to Japanese Museums of Art and Archaeology, Simul Press, Tokyo, 1987, pp. 91-93. "The Great Corporate Art Collections of Japan," Rand Castile, Corporate Design and Realty, October 1985, pp. 58-60. Susan Chira. "Art Inc., Japanese businessmen pay top yen all over the world to stock their corporate museums." New York Times Magazine, (May 3, 1987):pp 39, 55-56. New York: New York Times Publishing Company. Middle Eastern Culture Center, (Chukinto Bunka Senta) 10-31 Osawa, 3-chome, Mitaka-shi, Tokyo, JAPAN (0422) 32-7111 Description[ This collection of objects from the Ancient Near East and Egypt, as well as works from the early years of the Islamic era to the 17th century, belongs to the Idemitsu Museum. Location[ In the Middle Eastern Culture Center Viewing[ 10:00-5:00, closed Mondays Programs[ Research center and library. Bibliography[ Laurance P. Roberts. Roberts' Guide to Japanese Museums of Art and Archaeology. Tokyo, Japan: Simul Press, 1987. Revised and updated edition. English. Trubner, Henry, "Treasures from the Idemitsu ", Orientations, August 1981. Category[ musfile, galfile
Personnel[ Secretary, M. Drinkwater. Description[ A selection of paintings and prints relating to the history of the Association and the gas industry. Exhibitions[ "Capital Painting, Pictures from Corporate Collections in the City of London," Barbican Art Gallery, 19 April to 10 June 1984, London. Bibliography[ Paul Atterbury. Capital Painting. London: Barbican Art Gallery, 1984. pp. 15, 33.
Governing[ Corporation Business[ Insurance company Exhibitions[ "Ontario Corporations Collect", McMichael Canadian Art Collection, Klienburg, Ontario, November 13 - February 5, 1995. Bibliography[ Hidden Values by Robert Swain, Douglas & McIntire, Vancouver/ Toronto 1994, 164p, 100 ill.
Personnel[ Chairman, President, and Chief Executive Officer, R. B. Peterson; Corporate Art Consultant, Susan E. Young. Governing[ Corporation. Business[ Oil and gas company. Year[ 1965. Size[ Approximately 7000 works. Description[ The collection is a cross section of historical and contemporary Canadian art, including works on paper, paintings, glass work and sculptures. It was the recognition of the importance of artists to the cultural life of society, and of the need to help support and encourage promising younger artists, that sparked the decision in 1965 to build the collection. Location[ The collection is housed in the head office and regional offices across Canada. Viewing[ The collection is not accessible for public viewing since the paintings are an integral part of the work areas. Status[ Ongoing. Source[ Artists, art dealers, consultants. Selection[ Committee of corporate personnel. Status[ Works are not loaned from the collection. Exhibitions[ "Canadian Survey: Selected Works from Imperial Oil Ltd., exhibition organized by the Art Gallery of Ontario, where it was shown January 12 - February 17, 1980. The collection also circulated extensively throughout Canada during 1974-1980. Imperial Oil Ltd. feels the collection has had sufficient exposure at this time and the collection is no longer available for tour. Bibliography[ "Working with Art," by Katherine Harding, Globe and Mail, Wednesday, August 20, 2003 - Page C1. Canadian Survey: Selected Works from the Collection of Imperial Oil Ltd, catalogue by Gerry Moses, Mount Allison University, Owens Art Gallery, Sackville, NB. 50 pages, 38 illustrations. An Essay on Private and Public Art Collecting in Canada, by Georges Loranger, 1985, Toronto, Canada. An essay written in 1985, following the award of an Explorations Grant from the Canada Council. 55 pages. Keywords[graphics, painting, sculpture, photography, works on paper, mixed media, crafts, textile and fiber art, folk art, advertising or cover art, glass, Canadian artists, 19th century art, commissioned art Category[ musfile, galfile, artfile
Personnel[ Corporate Affairs Assistant Manager, Mrs. Claire Peddell. Governing[ Corporation. Business[ The Inchcape Group includes over 600 companies trading in more than 60 countries. Description[ A collection which reflects the origins of the Inchcape Group and its trading associations, particularly in India and the Far East, and emphasizes 18th and 19th century artworks. Exhibitions[ "Capital Painting, Pictures from Corporate Collections in the City of London," Barbican Art Gallery, 19 April to 10 June 1984, London. Bibliography[ Paul Atterbury. Capital Painting. London: Barbican Art Gallery, 1984. pp. 15, 37, 38, 39.
Fax[ (416) 361-7788 Personnel[ Curator & Administrative Assistant, Office of the Secretary Carole N. Racci. Governing[ Corporation Business[ Mining Year[ 1977 Size[ 165 works, including paintings, drawings, graphics, sculptures, photography, works on paper, mixed media and fiber art. Description[ A collection concentrating on contemporary Canadian art and focusing on important pieces, milestones in the artist's careers and periods of the art world. Artists represented include Jack Bush, Jack Shadbolt, David Blackwood, Jean Paul Riopelle, Dusan Kadlec, Christopher Pratt, Toni Onley, Harold Town and Takao Tanabe. Location[ In the corporate head offices. Viewing[ The collection is accessible for public viewing and tours. In the past Art Gallery of Ontario has conducted tours its their members. Status[ Ongoing, works are added to the collection as needed. Selection[ In house corporate staff person and an Art Committee which includes members from the board of directors. Review[: Will accept unsolicited material (slides, catalogues, etc). Loan[: Will loan to special exhibitions. Exhibitions[ "Hidden Treasures", McMichael Gallery, Kleinburg, Ontario, November 1994 - February 1995; "The Automatists Then and Now", Galeric Dresdnere, Toronto, May, 1986; "Recent Painting of Ivan Eyre", Winnipeg Art Gallery & University of Calgary, August - November, 1983. Publications[ Catalogue in draft form. Bibliography[ "Inco's art collection is both modest and impressive", TD SCENE, Vol, 23, #6, July/August 1989, p.1+ Keywords[Canadian artists, painting, works on paper, graphics, sculpture, photography, mixed media, crafts, decorative arts, textile and fiber art. Category[ musfile, galfile, artfile
Personnel[ Head of the Art Department, Mrs. Sacha Tanja. Governing[ Corporation. Business[ Banking/financial services. Year[ 1974. Size[ 8000 works. Description[ A collection of contemporary paintings, graphics, sculpture, works on paper, mixed media and crafts, primarily by Dutch artists. Works of art have been incorporated in the structure of the building in the form of stained glass, marble panels and floor mosaics, water features within the building and on the landscaped terraces, hand painted fabrics and furnishings. Some of the artists represented with paintings or mixed media works include Ton Albers, Gerrit Benner, Gerti Bierenbroodspot, Eugene Brands, Pieter Defesche, Jan van Eijk, Alphons Freymuth, Bas Kloens, Reinier Lucassen, Nico Molenkamp, Anton Rooskens, Jan Sierhuis, Jan van Tongeren, Ruudt Wackers and Ysbrandt. Some of the sculptors represented include Eric Claus, Jean Houben, Nel van Lith, Nic Jonk, Arthur Sproncken, Ossip Zadkine, and Theresia van der Pant. The bank was the recipient in 1988 of the Art and Work Award for the Most Outstanding Contribution to Art in the Working Environment. Location[ In the corporate headquarters and branch offices. Status[ Ongoing. Source[ Artists, art dealers, auctions. Selection[ In-house corporate staff persons. Review Policy[ Write or call before attempting to visit. Status[ Each request considered individually. Exhibitions[ 1993, Uit de Kunst van de Bank: An exhibition from the collection of the ING Bank, Amsterdam Museum Markiezenhof, Bergen-Op-Zoom, The Netherlands. 1992, Markiezenhof Museum. Uit de Kunst van de Bank: (Selections from the ING Bank Collection). Bergen-Op-Zoom, The Netherlands. Jubilee Exhibition of the Stuyvesant Foundation, Turmac Tobacco Company, Zevenaar, November 1985. Programs[ Art facilities for staff include an in-house art gallery and art library where staff may purchase works and read about artists represented in their working environment. Support[ Sponsorship of Museum Overholland, and other museum exhibitions. Publications[ 1992, Markiezenhof Museum. Uit de Kunst van de Bank: (Selections from the ING Bank Collection). Bergen-Op-Zoom, The Netherlands. The Art of Banking, The art collection of the NMB Bank, published by the NMB Bank & the Enterprise and Art Foundation, 1990. The Art of Banking, The Art Collection of the Internationale Nederlanden Bank, Sacha Tanja, 204 pages. Bibliography[ Dirk Vellenga, "The Bank, the Benefactors, and Worship in the Markiezenhof - The Dutch Fairy Tale of Michael Ryan," De Stem, December 9, 1994. "Monumentale Kunst na 1945," Bert Steevensz and Macha Roesink, Kwartaalblad, December 1988, pp 4-9. "Beeldende Kunst in het NMB-hoofdkantoor[ Het resultaat is de kwaliteit van het proces," Micha Ouwendijk, Kwartaalblad, December 1987, pp. 10-13. KUNSTwerk, catalogue to the Jubilee Exhibition of the Peter Stuyvesant Foundation, 1985, Dutch language, pp. 92-101. Category[ musfile, artfile, galfile *
Personnel[ President, R. E. Glover. Governing[ Corporation. Business[ Manufacturer of food products. Year[ 1988. Description[ A collection of modern British paintings and drawings. Location[ At the company's European headquarters in London. Viewing[ Not accessible for viewing. Status[ Completed. Source[ Art dealers. Selection[ Senior management of the company with outside art consultant: Diane Dunning, ArtCo, London Office, 24/25 New Bond Street, London W1Y 9HD; 01 629 3331. Review Policy[ Will not accept unsolicited material; selections are made only through art consultant. Status[ Works are not loaned from the collection.
Fax[ (852) 2560 0619 Email[ jeinfo@swireproperties.com Website Address[ http://www.islandeast.com.hk/homepage.html Governing[ Swire Properties. The Swire Group is a multinational, multi-disciplined, commercial group. Its principal areas of operation are in Asia, the Pacific Rim , Australia and the USA, with additional interests in the UK. Founded in Liverpool, England in 1816, the Group's privately-owned parent company, John Swire & Sons Limited, is headquartered in London. Business[ The Swire Group's core businesses in Hong Kong are held by the publicly-quoted Swire Pacific Limited, which is organised into five divisions: property, aviation, beverages, trading and industrial, and marine services. Description[ Island East Artwalk, created by Swire Properties in Hong Kong, has a collection of sculpture and artworks. Many sculptures, paintings and site specific installations are on the walls, corridors, open areas, lobbies and bridges in the Island Eastern Corridor. Art was created by local and international artists. The website at http://www.islandeast.com.hk/leisure/body_artwalk.html has background information on the artists and a map showing the location of specific works. Also see the listing for Butterfields. Some of the artworks featured on the Artwalk include: The Watergarden, Artist: Michael Lau; Location: Cornwall House. A selection of acrylic paintings by local artist, Michael Lau. First seen in Island East at "A Taste for Art Festival" in 1996, and later chosen for permanent display in Cornwall House. Ceramic Cityscape, Artist: Michel Santry, Location: Devon and Dorset House. The large mural (12.5 x 9m) in Dorset House complements the architectural style of the building. The modular patterns in hand made tiles, manufactured in North Wales, are arranged to avoid any conflict with the diagonal line made by the adjacent escalator. The use of stainless steel inserts echoes the building plan and helps control the tile layers in a consistent design over such a large area. In Devon House there is one large mural (8 x 10m) and two smaller ones (4 x 5m) and here, the tiles were hand made in a Spanish workshop. The two smaller works were taken and developed from the larger one to create a unity in design, with each tile again being hand fired. The Devon House murals took 12 months to create while the large work in Dorset House was completed in 18 months. Shan Shui, Artist: Danny Lane; Location: Devon and Dorset House. Facing the taxi stand between Devon and Dorset House, Shan Shui (literally meaning "mountain and water") is created by the American sculptor, Danny Lane. Shan Shui is made of two ten-ton sculptures of ratified low iron float glass distinguished by its extremely transparent nature - ten times more transparent and clearer than any ordinary window glass. The larger piece measures 3.5 metres high, 2 metres wide and is 0.5 metre thick. The smaller piece measures 3 metres high. Through the soothing green luminosity, water flows in an unbroken cycle, symbolising perfect karma. Lane's understanding of context, direct use and combination of contradictory materials such as metal, glass and wood, has established him as a key figure within the international art and design arena. Two to Tango, Artist: Allen Jones; Location: Devon and Dorset House. This monumental, six metres high sculpture weighing 3 tons, shows two entwined figures, and was originally inspired by the international communication of dance, a universally recognised symbol of harmony. This is expressed in the flowing male and female forms and in the sculpture's flat steel sections, which make reference to the Chinese ribbon dance. Deeply influenced by Jung and Nietzsches' philosophies, Jones demonstrates that the creation of art depends on artists merging the male and female elements of their natures. Thus the figures melt into one another. Chronos Trilogy, Artist: Warren Carther; Location: Lincoln House. A suite of three glass works of art, created by Canadian artist Warren Carther. Made of abrasive-blast-carved glass, each piece is painted with translucent paint and partially laminated to produce different optical effects by reflecting light in different ways. The sculptures represent the past, present and future and are respectively named "Vestige", "Sea of Time" and "Approach of Time". Carther feels that time has a special quality in Hong Kong and his interpretation of this is found in each work. For example, the "Sea of Time" on the West side of the lobby represents the seamless passage of time from the past to the future, the sea analogy sharing a visual rhythm with the relentless advance of time. The final piece, the "Approach of Time", on the North East corner, shows the prow of a boat above the plan form of a boat's hull. The vessel represents a journey into the future while making reference to the Taikoo Dockyards of the past. The three works were especially designed to integrate with the environment and created over 12 months in Carther's Winnipeg studio. The 25 ton commission includes the tallest free standing glass sculpture in the world - standing 13 metres high. Warren Carther lives and works in Winnipeg, and his work is to date comparatively rare in Asia, even in North America. The Canadian embassy in Tokyo boasts one striking piece but the finest, by and large are to be found in Manitoba or Ontario. His work, however, has received notable awards in America as well as Canada and has been exhibited in Europe and Canada. Ad Infinitum IE and Ad Gloriam, Artist: Zoya Frolova; Location: Oxford House. Works by the Russian painter Zoya Frolova -- Ad Infinitum IE measures two metres high and six metres long, while Ad Gloriam measures four by four metres. In the two paintings, the ancient tales of flight, "Icarus" and "Horus" are explored and inter-woven into new visions of struggle and triumph by Frolova, who has been known for her unique application of ancient languages and mythologies in her works. Expressed in warm, vivid tones of orange and red, the paintings present Frolova's distinctive technique of applying glaze and varnish in rich layers. Both are stencilled with Latin phrases to further convey universal allegories of life and achieve greater depth and meaning. Born in the Ukraine, Frolova studied monumental painting in the former Soviet Union. Her work was first shown in the U.S. in 1989 and for the past ten years, she has lived in New York. Frolova was in a group exhibition at the China Club, Hong Kong in 1990, and her paintings are in private collections throughout the world. Golden Pine, Artist: Makoto Fujimura; Location: Oxford House. By the American-Japanese artist, Makoto Fujimura, Golden Pine, measures 7 metres by 5 metres, and is painted with the traditional technique of Nihonga (literally meaning "Japanese painting"). It uses mineral pigments from semi-precious stones such as azurite, malachite and cinnabar, as well as thousands of gold and silver leaves and hundred-year-old sumi ink, applied on mulberry-gampi paper and laid over synthetic canvas. The painting echoes the reflection of the trees from the adjacent plaza in the massive glass wall at the base of the building and seems to produce a golden light of its own to respond to the late afternoon sun that illuminates it. In its aesthetic and material nature, Golden Pine also symbolizes the interaction of the traditions of the East and the West. Fujimura lives and works in New York, where he has shown his artpieces at the Soho-based Dillon Gallery. His paintings are included in virtually every museum exhibition of contemporary Nihonga in Japan and he has had a two-part museum retrospective in Tokyo. His work hangs permanently in the Asian art collection of the St. Louis Art Museum as well as in many museums in Japan. The Watcher, Artist: David Williams-Ellis; Location: Oxford House. Located in the lobby of Oxford House, the Watcher features a life-sized figure squatting on top of a pillar in the poise of a man contemplating and serenely watching over the passers-by. A bronze by the Welsh sculptor David Williams-Ellis, the sculpture measures 3.2 metres high and weighs half a ton. David Williams-Ellis, now living and working between London, Wales and the North of England, he enjoys an artistic reputation for creating life-sized works, portrait pieces and contemporary figure bronzes for collectors from Europe, the United States and Japan. Abstracts, Artist: Barnaby Gorton; Location: Somerset House. The three colourful abstracts are by British artist, Barnaby Gorton, after the American abstract expressionist, Mark Rothko. The formless canvasses give off the feeling of containing some burning truth and evoke the spirit of the movement, of which Rothko was a leading figure. Trained at the Cheltenham Art College, he is a Contemporary Master of the ancient art form of murals and trompe l'oeil. Suspense and Subjectivity, Artist: Lincoln Seligman. Location: Warwick House - West Linkbridge. A "trompe l'oeil" comprising three panels, each approximately 5 meters high, and a floating gold coloured "ingot" which continues down to the floor against the supporting existing architectural column. By British artist, Lincoln Seligman, the murals are designed on a theme of red and gold panels which draw reference from gold taels, representing all that is precious and valuable, thereby adding immeasurably to the positive "Fung Shui" of the building. The rich glow which they emit gives a very positive and distinctive welcome to Warwick House. Lincoln Seligman graduated from Oxford and has held one man shows in New York and London. His commissions grace the buildings and collections of the BBC, British Airports Authority, Broadgate, SmithKline Beecham, and the Berkeley Hotel among others. Keywords[new listing, painting, sculpture, commissioned art
Personnel[ Kinuko Kato. Governing[ Corporate and individual. Business[ Leisure service, shipbuilding, distribution center. Year[ 1965. Size[ Unknown (about 40 works are permanently exhibited in the Museum). Description[ A main collection of Andrew Wyeth, Renoir, Bonnard, Utrillo and other European Impressionists and Japanese artists influenced by the Impressionists. Location[ In the Kato Modern Museum. Viewing[ 9:00 - 5:00 PM; closed on Mondays. Status[ Suspended. Selection[ Takugu Kato, owner of the corporation. Category[ musfile
Personnel[ Curator, Joanne Heyler, Assistant Curator, Jeannie Denholm. Governing[ Corporation. Business[ Los Angeles based Kaufman and Broad Home Corporation is the largest builder in metropolitan Paris, France, responsible for a wide variety of residential housing products as well as commercial properties and residential investment properties. The company has maintained an active presence in France since 1968. Size[ 82 works. Description[ The Paris office of the company has 82 works on display, on loan from the SunAmerica/Kaufman and Broad Home Corporation Collection, based in Los Angeles (see entry under SunAmerican/Kaufman and Broad Home Corporation Collection). This collection emphasizes Southern California- based artists, and includes Roger Herman, Mary Jones, Marc Pally, Linda Yaven, and Richard Misrach. Location[ In the offices of the company in La Dfense. Viewing[ Not accessible for public viewing. Bibliography[ "California Goes to Paris," Corporate ARTnews, October 1986, pp. 4-5.
Fax[ +31 263 516 708 Personnel[ Governing[ corporation. Business[ Year[ 2001 Size[ Approximately 100 works. Description[ The collection began with the decision to decorate the new company offices in Arnheim. The collection features contemporary graphics and works on paper. Currently, the collection includes 72 graphic art pieces, 17 original works on paper, and 3 glass objects by 43 different artists. Location[ In the new offices of the company in Arnheim. Viewing[ Status[ Ongoing. Source[ The art advisor for the project is Onderneming & Kunst (Enterprise and Art), in Amsterdam. Selection[ The art committee works with the Onderneming & Kunst for the selection of artworks. Keywords[new listing
Personnel[ Director, Itsuji Yoshikawa. Governing[ Foundation. Business[ Railway company. Year[ 1960. Size[ 2000 works of Far Eastern art (excluding books). Description[ The collection was begun by the late Mr. Oita Torao, President of the Kinki Nihon Railway Company. The excellent collection of Far Eastern art includes paintings, sculpture, calligraphy, ceramics, lacquer, textiles and prints. The collection was primarily assembled by Professor Yashiro Yukio, Director of the museum from 1960 until his death. Some of the major works in the collection include two famous 12th century Heian illustrated scrolls: the Nezame Monogatari, and the Ichiji Rendai Hokke-kyo. Chinese paintings include works attributed to Ma Yuan, Zhao Da-nian, and Mao Y. Japanese sculpture is represented by a rare figure of a Shinto deity and a few early Buddhist figures. Chinese metalwork includes gold filigree ornaments of the Six Dynasties and Chinese ceramics are represented by good tomb figures from the Han to the Tang dynasty. Location[ In the Museum of Yamato Bunkakan. Viewing[ 10:00-5:00, closed Mondays. Status[ Ongoing. Source[ Dealers. Selection[ Curator. Status[ To public museums. Exhibitions[ "Hokusai," Autumn, 1987; "Lee Dynasty Screen," Spring, 1987. Programs[ There is usually a loan exhibition each autumn, with several exhibition changes during the year. Publications[ Selected Catalogue, a 7 volume catalogue of the collection, in English and Japanese. Yamato Bunka, (Biannual Journal of Eastern Art), in English and Japanese Bibliography[ Laurance P. Roberts. Roberts' Guide to Japanese Museums of Art and Archaeology. Tokyo, Japan[ Simul Press, 1987. Revised and updated edition. English. pp. 341-343. Category[ musfile
Personnel[ Curator, Francine Ellman; Assistant Curator, Stacy Hochheiser. Governing[ Corporation. Business[ Department store. Size[ 150 pieces. Description[ A cross section of contemporary art including works on paper, canvas, photography and sculpture. Artists represented include Kazuko Watanabe, Alan Sonneman, Mary Boone Wellington, David Kupferman, Henry Isaacs, Cecelia Davidson, Brian Peeper, Chris Knipp, Ann Thornycroft, Jacqueline Warren, Nancy Louise Jones, David Garcia, Graham Moody, Anne Burke, Melita Cowie, Michael Ledet, Glenn Brill, Mark Polland, Hiroshi Morinue, Karou Mansour, Carol Stouthomer, Meredith Dean, Rebecca Crowell, Laddie John Dill, Linda Adelstein, Rod Grier, Linda Lyke, Marsha Steinberg, Giselle Maya, Manuel Fuentes, Richard Carter, Dennis Olsen, Clayton Campbell, Gary Hollon, Rebecca Friedman, David Rudolph, Vasa, Susan Shapiro, Georgia Satoris. Location[ The Kintetsu Department Store in Nara, Japan. Viewing[ Yes, during regular store hours. Status[ Completed. Source[ Artists. Selection[ Outside consultant: Francine Ellman, Art Source L.A., Inc, 1416 Sixth Street, Santa Monica, CA 90401; 310-917-6688. Category[ galfile
Personnel[ Director of the Museum/Corporate Chief Executive Officer, Toshio Kitazawa. Governing[ Corporation. Business[ Valve manufacturing. Year[ 1960. Size[ 600 glass works, 100 Japanese paintings. Description[ Art Nouveau glass works by Emile Gall and Daume, paintings by Japanese grand masters. Location[ Housed in Kitazawa Museum in Suwa city, Nagano prefecture. Viewing[ 9:00 - 6:00 (November through March until 5:00). Open throughout the year. Status[ Ongoing. Source[ Artists and dealers. Selection[ Director and curators. Status[ To museums. Exhibitions[ Gall exhibition (museum collection); Kai Higashiyama Exhibition (museum collection and loans from the artist). Publications[ Exhibition catalogues. Category[ musfile, galfile
Personnel[ Curator. Governing[ Corporation. Description[ A collection which features a survey of the history of the combustion engine, spanning a period of over 100 years. The museums includes examples of engines as well as a collection of personal documents, designs and photographs relating to the important personalities of engine technology. Location[ In the Klckner-Humboldt-Deutz AG Engine Museum. Viewing[ Monday - Friday 9:00 - 4:00; guided tours and groups by appointment only. Status[ Ongoing. Bibliography[ Museums in Cologne, Hugo Borger, Published by Prestel-Verlag, 1986, pp. 99-101.
Personnel[ Financial Director, Andrew Blain Governing[ Corporation. Business[ Outdoor advertising contractors. Year[ 1987. Size[ Fewer than 50 items. Description[ A collection of post-1960 British art which includes graphics, works on paper, paintings, and photography. Location[ Throughout the corporate headquarters. Viewing[ Not accessible. Status[ Completed Source[ Galleries, specialized corporate art company. Selection[ In-house corporate staff person. Status[ Not available for loan. Keywords[graphics, works on paper, painting, photography, British artists
Personnel[ F. J. de Witt. Governing[ Corporation. Business[ Paper production. Year[ 1950. Size[ Less than 100 items. Description[ A collection of works by Dutch and regional artists, created since 1960. Media include graphics, photography, works on paper. Also a collection of advertising art related to paper production. Location[ Throughout the corporate headquarters and rotation among branch offices. Viewing[ Not available for viewing. Status[ Ongoing. Source[ Artists and galleries. Selection[ In-house corporate staff person. Status[ Not available for loan.
Personnel[ Public Relations, Francis Irons. Governing[ Corporation Business[ Producer of photographic goods. Description[ On April 3, 1989, the Kodak Museum opened at the National Museum of Photography, Film, and Television, in Bradford, West Yorkshire, England. The collection of the Kodak corporate museum at Harrow was transferred to special galleries in the National Museum. In a joint effort with the museum, Kodak provided a portion of the funding for the 21,500 square foot galleries, and has donated 50,000 cameras and photographs which date from the mid-1800's to the present day. Displays in the museum are highly interactive, giving the visitor "hands on" experience of the exhibits wherever possible. During 1990 and 1991 the company supported the Royal Photography Society, the Design Museum National Museum of Photography, and the Royal Academy of Arts. Viewing[ The museum is open to the public daily, Tuesday-Sunday, 11 am--6 pm. Support[ During summer 1989, Kodak Ltd sponsored a large celebration for the 150th anniversary of the invention of photography. On July 15th and 16, at Lacock Abbey, the former home of William Henry Fox Talbot, a two-day "fete" was scheduled which included exhibitions of original Fox Talbot works, a concert by the Royal Philharmonic Orchestra, and other special events. The company provided financial assistance for the Grierson Award offered through the British Film Institute and Grierson Trust for the most promising newcomer in documentary filming; supported exhibitions at the Victoria and Albert Museum, the Royal Photographic Society's Octagon Gallery and the Photographers' Gallery. Kodak Ltd sponsored "The Living Body Exhibition" for the Royal Photographic Society at the National Centre of Photography in Bath. Bibliography[ Annual Report 1984/1985, Association for Business Sponsorship of the Arts, London, 1985. "Kodak's Growing Role as Patron," Corporate ARTnews, April 1989, pp. 1-2. Keywords[photography, memorabilia, historical artifacts. Category[ musfile
Personnel[ De heer A. Tailleur. Business[ Chain of department stores and retail centers which include Magazijn `de Bijenkorf', Hema. Year[ 1947. Description[ The collection began in 1947, following World War II, with an emphasis on the work of young emerging artists. One work which had been created during the 10 years following the war, was acquired by each artist. At this time, the company also commissioned a sculpture memorial by Ossip Zadkine, dedicated to the many Jewish workers who died during World War II. In 1957, with the opening of the new store in Rotterdam, a sculpture was commissioned by Lipschitz. Some of the artists represented in the collection include Karel Appel, Theo Wolvecamp, Jeroen Henneman, Eugne Brands, Piet Ouborg, Lucebert, Anton Rooskens, and Ossip Zadkine. Status[ Ongoing. Exhibitions[ Jubilee Exhibition of the Stuyvesant Foundation, Turmac Tobacco Company, Zevenaar, November 1985. Bibliography[ "Koninklijke Bijenkorf Beheer[ Ontmoeting in licht en roestvrijstaal," Kwartaalblad, Number 4, 1987, p. 25. KUNSTwerk, catalogue to the Jubilee Exhibition of the Peter Stuyvesant Foundation, 1985, Dutch language, pp. 70-79. Category[ galfile Corporation[ KPMG PO Box 31, 199 Bay Street, Toronto, ON, CANADA M5L 1B2. (416) 777-8500 Personnel[ Director of Administration, Mr. James McCray. Governing[ Corporation Business[ Radio Station Description[ A collection of works by Canadian artists. Exhibitions[ "Ontario Corporations Collect", McMichael Canadian Art Collection, Klienburg, Ontario, November 13, 1994 - February 5, 1995. Bibliography[ Hidden Values by Robert Swain, Douglas & McIntyre, Vancouver/ Toronto 1994, 164p, 100 ill. & Keywords[ Canadian artists
Personnel[ Head of the Press and Public Relations Department, Piet Jaspaert. Governing[ Corporation. Business[ Banking and financial services. Year[ ca. 1945. Size[ Over 200 works. Description[ A collection of Belgian and international art which dates from the 17th century to the present. Media include paintings, graphics, sculpture, works on paper, textiles and historical artifacts and documents. The 17th century works are on display in the Maison Rockox in Antwerp (at 12 Keizerstr.) Location[ In the bank headquarters In Brussels, and Maison Rockox in Antwerp. Viewing[ Accessible for viewing at the Maison Rockox in Antwerp. Status[ Ongoing with occasional acquisitions. Source[ Artists, auctions. Selection[ Committee of corporate personnel and outside consultants. Status[ To art museums only. Programs[ The bank sponsors an exhibition area for the display of regional artists, and national traveling exhibitions. Support[ The bank has a "Jonge Kunst" award program, and has supported past museum and traveling exhibitions. Category[ musfile, galfile
Personnel[ Per C. Knudsen. Governing[ Corporation. Business[ Banking and financial services. Size[ Over 500 works. Description[ A collection of pre-19th century, 19th-century and 20th century Norwegian art. Media include graphics, paintings, sculpture, photography, works on paper, decorative arts, mixed media, textiles, crafts, and folk art. Location[ Throughout the headquarters and branches. Viewing[ Works in public areas are accessible. Status[ Completed. Source[ Artists, galleries, auctions. Status[ Each request considered individually. Category[ musfile
Website Address[ www.kronenhalle.com/e/restaurant.html Personnel[ Owner, Gustav Zumsteg. Business[ Restaurant. Year[ The restaurant was founded during the 1850's, and was purchased by Hulda Zumsteg in 1920. Description[ A collection of artworks by Miro, Picasso, Chagall, Braque, Vuillard, Matisse, Giacometti, Klee, and other great painters of the 20th century. Today the restaurant is a treasured haunt for Zurich society, and the Kronenhalle was also where many of the 20th century's great artists, like Stravinsky, Brecht, Joyce, Nureyev, Devenue and Saint Laurent, enjoyed an evening out. The fin-desicle dcor is ideal for displaying the exceptional collection originally formed by Hulda Zumsteg and now owned by her son, Gustav. The brass lamps in the restaurant bar were designed and built by Diego and Alberto Giacometti, and the interior decoration, is a masterpiece by Robert Haussmann. Location[ Main dining hall and two smaller rooms upstairs. Viewing[ Accessible. Bibliography[ "Diners in Zurich eat among the masters," by Joanne Shields, Swissinfo, May 3, 2003. From the website: http://www.swissinfo.org/sen/ swissinfo.html?siteSect=411&sid=1830732 "Food Imitates Art," George Lang, Travel & Leisure, April 1988, pp. 60-64. Category[ musfile
Personnel[ Curator, Iaki Moreno Ruiz de Eguino. Governing[ Kutxa-Caja Guipuzkoa. San Sebastian. Business[ Savings Bank. Year[ 1967. Size[ 3,800 works. Description[ A collection of antique and contemporary art, with Spanish artists and and an emphasis on Basque artists. Location[ Social and Cultural Foundation Kutxa, Sonostia, San Sebastian. Viewing[ Garibai, 15, San Sebastian. Status[ Ongoing. Source[ Artists, private collections, etc. Selection[ Curator of the collection. Review Policy[ c/ Garibai, 15, San Sebastian, Donostia. Status[ Each request considered individually. Exhibitions[ Active program through the two exhibition rooms Garibai and Arrasate. Programs[ Publishing of catalogues and books; conferences, lectures; film programs; social and cultural activities; exhibitions and sponsors for artists. Publications[ Colection Antologias Bask Art. Category[ musfile, galfile
Personnel[ Secretary, Kirsi Nuuttila-Koopela. Governing[ Corporation. Business[ Dairy. Size[ Fewer than 50 items. Description[ A collection of post-1945 Finnish art. Media includes graphics, paintings and textile/fiber art. Viewing[ Not accessible. Status[ Ongoing with only occasional acquisitions. LABATT BREWING COMPANY Formerly John Labatt Ltd. See Appendix
Personnel[ Chief Operating Officer, William J. Bryden. Governing[ Partnership. Business[ Law firm. Year[ 1960. Size[ 143 works. Description[ A collection of graphics, paintings, sculpture, works on paper by contemporary British Columbian and Canadian artists; Canadian Indian art and artifacts; historical artifacts. Some of the artists represented include Jack Shadbolt, Gordon Smith, Jack Bush, Robert Davidson, Gathie Falk, Maureen Enns, Ted Goodwin, Chris Hayward, Richard Hunt, Don Jarvis, and Toni Onley. Location[ In the officers on Burrard Street. Viewing[ No, selected small groups only. Status[ Ongoing. Source[ Consultants. Selection[ Committee of corporate personnel and outside consultants. Review Policy[ Selections are made only through art consultant: Contemporary Art Collections, (604) 926-3705 or 926-9403. Keywords[Canadian artists, graphics, painting, sculpture, works on paper, Native American art and artifacts, historical artifacts. Category[ galfile
Website Address[ http://www.laporteplc.com Personnel[ Chief Executive Officer, Jim Leng; Curator and Director of the Collection, Paul Liss. Governing[ Corporation. Business[ Specialty chemical company. Year[ Art program began in 1998. Size[ 192 works by 68 British artists Description[ A small number of paintings were acquired during the 1980s, including an industrial landscape by L.S. Lowry, which was sold at auction at Christie's on November 27, 1997 for 330,000 pounds. The proceeds were then used to form a collection that is now locatd in the company's new corporate offices in London. The corporation's collection is based on the following criteria: (1)works are all of a museum quality; (2) the collection favors the work of artists who, though often historically important, have subsequently become unfashionable or are now poorly documented. Therefore the collection presents an alternative view of British art during the last 120 years. And (3) works should be connected in some way with the company's historic and present activities. Some works were also commissioned for key sites, included a cycle of paintings by Arturo Di Stefano. The earliest painting in the collection is Willy Wastle the Weaver by Ebenezer Crawford (c. 1880). Other artists represented include Sir Frank Brangwyn, Harry Epworth Allen, Sir Alfred East, John Tunnard, Sir Thomas Monnington and Christopher Nevinson. The most recent painting is a commissioned work by Keith New of Clophill, a Laporte quarry in Bedfordshire. The collection presents the diversity of British art during the years in which the company has grown. Location[ In the company headquarters in London, on the 8th and 9th floors of Nations House. Status[ Completed but with occasional acquisition of relevant historical works. Source[ Through the art consultant, Paul Liss. Selection[ A four person Art Committee acts in an advisory capacity. Review[ Through Paul Liss. Publications[ .A catalogue of the collection, with an introductory essay by John Russell Taylor is being published in May 2000. Keywords, new listing, 19th century, painting, British artists Category[ musfile, galfile
Personnel[ Mme. Franoise Sellier; M. Franois Philipotteaux. Governing[ Socit Anonyme. Business[ Production and marketing of champagne. Year[ 1989. Size[ Less than 50 works. Description[ A collection of graphics and artifacts on the history of the company. Location[ Currently being installed in the company headquarters. Viewing[ Yes with prior arrangements. Status[ Ongoing. Status[ Not available for loan. Programs[ In-house exhibitions; internal publications. Publications[ In-house publication, Rtrospective Laurent-Perrier. LAVALIN, INC. See Appendix
Personnel[ Chairman, Jacques Gelardin; Corporate Real Estate and Facilities, Joyce Baker. Governing[ Corporation. Business[ Financial services. Year[ 1987. Size[ 86 works. Description[ A collection British art by living artists which sculpture, paintings and drawings by David Hockney, Antony Gormley, Howard Hogkin, John Walker, Pablo Picasso, Jim Dine, Gilbert & George, Lucien Freud, Steven Campbell, Christopher Le Brun, Hamish Fulton and Bruce McLean. Location[ In the European headquarters, London. Viewing[ Not accessible for public viewing. Status[ Ongoing. Source[ Art dealers, auctions. Selection[ Committee of corporate personnel and outside consultant. Review Policy[ Will not accept unsolicited material (slides, catalogues, etc.); selections are made only through art consultant: Artco Affiliates, 24/25 New Bond Street, London W1Y 9HD; 1 629-3331. Programs[ Sponsors an exhibition gallery in the corporate facilities for the display of traveling exhibitions. Status[ Art museums only; each request considered individually through art consultant. Exhibitions[ The Tate Gallery, Liverpool, May/June 1988. Standing Man and Crouching Figure, resin sculptures by Antony Gormley.
Personnel[ Chief Executive Officer. Governing[ Corporation. Business[ Construction. Year[ c. 1910. Size[ Fewer than 50 items. Description[ A collection of 19th and 20th century art by Finnish artists. Media include graphics, paintings, sculpture, photography, works on paper, textile and fiber art, crafts, advertising/cover art, memorabilia and historical artifacts. Location[ In the corporate offices. Viewing[ Not accessible. Status[ Ongoing with occasional acquisitions. Source[ Artists, galleries, auctions, special corporate art company. Selection[ Committee of corporate personnel and in-house corporate staff person. Status[ Not available for loan. Programs[ The company sponsors an exhibition area in the corporation for the display of travelling exhibitions.
Personnel[ Chairman and Chief Executive Officer, J. C. Kerr; Executive Assistant, Ms. Patricia Masse. Governing[ Corporation. Business[ Manufacturing of forest products. Year[ 1955. Size[ Approximately 100 - 200 works. Description[ A collection of major Canadian artists, such as the Group of Seven, Emily Carr, Bush, Shadbolt, etc., and contemporary American artists including Warhol, Rauschenberg, Lichtenstein, and others. Media include painting, sculpture, works on paper and folk art. Location[ In the corporate headquarters. Viewing[ Yes, with prior request. Status[ Ongoing. Source[ Artists, art dealers, consultants, auctions. Selection[ In-house corporate staff person. Review Policy[ Write or call before attempting to visit. Status[ Each request considered individually. Exhibitions[ "Vancouver Collects," Vancouver Art Gallery, January 1993. Keywords[Canadian artists, painting, sculpture, works on paper, folk art. Category[ galfile
Personnel[ Mr. Nigel Reid. Business[ Solicitors. Year[ 1983. Size[ Over 200 works. Description[ A collection of post-1960 art by British and international artists. Media include graphics, paintings, sculpture, works on paper, and fiber art. Location[ Throughout the building. Viewing[ Not accessible. Status[ Ongoing with regular additions. Source[ Artists, galleries, specialized corporate art company, commissions. Selection[ Committee of corporate personnel. Status[ Each request considered individually. Category[ galfile
Personnel[ General Manager. Business[ Mining. Year[ c. 1900. Size[ Over 500 items. Description[ 19th century art by Swedish and international artists. Media include graphics, paintings, sculpture, photography, works on paper, decorative arts, textiles, crafts, folk art, and historical artifacts. Location[ Throughout the headquarters. Viewing[ Available on special occasions. Status[ Ongoing with occasional additions. Source[ Artists, galleries, auctions. Selection[ In-house corporate staff person. Status[ Each request considered individually. Programs[ The company sponsors an art club. Support[ The company has sponsored art awards and donated works of art to museums. Category[ musfile, galfile
Personnel[ Paul Dransfield. Governing[ Corporation. Business[ Insurance. Year[ 1991. Size[ Approximately 60 works. Description[ The collection includes large abstract paintings by young emerging British art. Dillwyn Smith, Sophie Knight, Estelle Thompson and Richard Elliott each have a number of works in the collection. Location[ Corporate headquarters. Viewing[ Not available. Status[ Ongoing. Source[ Artists, art dealers. Selection[ Committee of corporate personnel and outside consultants: Sarah Long, Long and Ryle Art International, 4 John Islip Street, London SW1P 4PX; tel (44 171) 834 1434. Review Policy[ Will not accept unsolicited material. Status[ Works are not loaned from the collection. Bibliography[ "Elegant Abstraction Amid a Sea of Grey Desks," by Joanna Pitman, Times of London, Saturday, October 12, 1996. Keywords[painting, British artists.
Personnel[ Curator. Governing[ Corporation. Description[ The large and impressive headquarters building of Lloyd's Bank, designed by Richard Rogers features a viewing gallery which has been used for exhibitions, as well as a historical display on the 4th floor. The Bank also has a tradition to commission a portrait of the Chairman at the end of their tenure. The Bank therefore has a collection of portraits which spans many decades. Lloyds TSB took over the Hill Samuel Group collection in 1987. Location[ In the Boardroom of the Bank; Hays Galleria offices of Lloyds Bank Exhibitions[ "Capital Painting, Pictures from Corporate Collections in the City of London," Barbican Art Gallery, 19 April to 10 June 1984, London. Bibliography[ "Radical Change of Art," Rupert Morris, Financial Times, January 7, 1994, p. 9. "Corporate Collections 1987," Art & Auction, October 1987, pp. 166+ Paul Atterbury. Capital Painting. London: Barbican Art Gallery, 1984. pp. 15. Annual Report 1984/1985, Association for Business Sponsorship of the Arts, London, 1985.
Personnel[ Communications Department. Governing[ Corporation. Business[ Insurance. Description[ The collection includes 17th and 18th century works by a wide range of artists as well as a number of modern and contemporary paintings by English, European and Commonwealth artists. The majority of the subjects are portraiture and marine related subjects. Status[ Completed.
Personnel[ President. Governing[ Corporation. Business[ Building materials, electronics. Year[ C. 1920. Size[ Over 100 works. Description[ A collection of 20th century art by Finnish artists. Media include graphics, paintings, sculpture, works on paper, and textile/fiber art. Location[ Throughout the corporate building. Viewing[ Accessible with prior arrangements. Status[ Ongoing with regular acquisitions. Source[ Artists, art competitions sponsored by the company. Selection[ In-house corporate staff person. Status[ Each request considered individually.
Personnel[ Art Consultant, Sarah Guinan [Curwen Gallery, London]; Interior Designer, Pauline Hoffman. Governing[ Corporation. Business[ Banking and financial services. Year[ 1986. Size[ Over 50 works. Description[ A collection of post-1960 art by both British artists and artists with an international reputation. Media include graphics, paintings, sculpture, works on paper, mixed media, and textiles and fiber art. Some of the artists represented include Nigel Hall, Juliet Barclay, Nathan Cohen, Jonathan Gibbs, Rebecca Salter, Yuko Shiraishi and Katherine Virgils. Location[ Throughout the company's offices. Viewing[ Not accessible. Status[ Completed. Source[ Artists, galleries, commissions. Selection[ Outside art consultant: Sarah Guinan, Curwen Gallery, 4 Windmill Street, London W1; 01.636.1459. Status[ The company does not lend. Publications[ Catalogue of the collection. Bibliography[ Business Magazine, March 1987.
Fax[ 514-864-8803 Website Address[ http://www.loto-quebec.com; for the art collection: http://www.loto- quebec.com/web/jsp/MainPage.jsp?Params=Y.CA.60312.0 Email address[ louis.pelletier@loto-quebec.com Personnel[ Curator, Louis Pelletier. Governing[ Corporation. Business[ Provincial lottery. Year[ 1979. Size[ Approximately 3000 works from 800 artists. Description[ A collection of contemporary art (post-1950), by approximately 800 Qubec artists only. Some of the artists represented include Riopelle, Pellan, Bellefleur, Cosgrove, Fox, Dumouchel, Muhlstock, Lemoyne, Gaucher,Hurtubise, Simonin, Gigure. Media include graphics, oil paintings, sculptures, and drawings. Viewing[ The Collection Loto-Qubec can be seen at the Gallerie Loto-Qubec, in public centers (Cultural center, museums, offices of Loto-Qubec) throughout the province of Quebec and on the website. Status[ Ongoing, approximately 200 works are acquired each year. Source[ Artists, art dealers, consultants, art competitions sponsored by museums or other art organizations. Selection[ Committee of corporate personnel, in-house staff person. Review Policy[ Will accept unsolicited material (slides, catalogues, etc); write or call before attempting to visit; selections are made through art curator. Status[ Each request considered individually. Exhibitions[ Muse du Sept-Iles, Sept-Iles, Qubec, November 14 - December 22, 1991. Muse Laurier, Arthabaska, Qubec, December 16 - January 27, 1991. Muse du Bas-St-Laurent, Rivire-du-Loup, Qubec, June 23 - September 10, 1989. Programs[ Loto Qubec is associated with different cultural events that take place in Qubec. Support[ The corporation also organizes its own art awards called the Concours d'estamples Loto-Quebec, open to Quebec artists only. Publications[ Slides catalogue, and press documentation Bibliography[ Articles have appeared in Vie des arts, Magazin'Art, AILE Magazine (international lottery magazine), Parcours, Topo Magazine. Keywords[graphics, painting, sculpture, works on paper, mixed media, photography, decorative arts. Category[ musfile, galfile, artfile
Personnel[ Michael Ritter. Governing[ Corporation. Business[ Airline. Year[ c. 1970. Size[ Over 500 works. Description[ A collection of 20th century German and international graphics, photography, works on paper, mixed media and historical artifacts. Lufthansa has assembled a collection of over 260 graphics and illustrated books by Max Ernst, dating from the years 1919-1974. The collection traveled around the world for about six years. The Ernst collection was assembled under the direction of Professor Werner Spies. Viewing[ The drawing collection is available for viewing when on loan to museums around the world. Corporate Arts Support[ Lufthansa has been a major supporter of the arts in Germany and around the world. A few years ago, the company donated to the Museum Ludwig in Cologne, an art collection of 130 graphics by 54 artists, which it had commissioned for a traveling exhibition. This exhibition featured works by artists during the 1950's and 1960's. Lufthansa also assembled and circulated as a traveling exhibition a collection of 123 drawings by 43 contemporary German artists. The collection was divided into 8 categories of drawings: Tradition of Informal and Art Brut; Tradition of Zero; Drawings and Sign Programs; Drawings by Sculptors from Southwest Germany; Drawings of Projects for Architecture and Space; Self- Portraits; Individual and Society; and Art about Art and Life. This collection was also presented to the Ludwig Museum in Cologne. The airline underwrote the 1992 exhibition, "The Great Utopia: The Russian and Soviet Avant- Garde 1915-1932." The project was jointly organized by the Guggenheim, Moscow's Tretyakov Gallery, Russian Museum of St. Petersburg, and the Schirn Kunsthalle in Frankfurt. Lufthansa underwrote an exhibition of watercolors by Wassily Kandinsky at the Kunstsammlung Nordheim-Westfalen in Dsseldorf during 1992. The company also sponsored an exhibition of about 380 models, objects and photographic documents by masters and pupils of the Bauhaus Metal Workshopa at the Bauhaus Archive in Berlin during 1992. Publications[ Deutsche Zeichnungen der Gegenwart/Contemporary German Drawings, Bibliography[ "Lufthansa Sponsorships Continue Full Force in Germany," Corporate ARTnews, April 1992, p. 4. "Lufthansa's Roving Ambassador: Max Ernst Graphics," Corporate ARTnews, September 1991, p. 3. Category[ musfile, galfile
Personnel[ Partner, John R. Houghton; Counsel: James A. Millard. Business[ Law Office Year[ 1970 Size[ 140 works Description[ The works in this collection are by Canadian artists from across Canada. They include paintings in all media, some sculpture and a small number of photographs. There is a balance between traditional and non-objective works and all are displayed in public areas of the office. Notable artists included are Harold Feist, Doug Haynes, A.C. Leighton, Wynona Mulcaster, Anne Meredith Barry, Jack Shadbolt and Otto Rogers. Location[ Pubic areas of Law Office. Viewing[ The collection is not accessible for public viewing. Status[ Completed. Source[ Art dealers, consultants. Selection[ Committee of corporate personnel & outside consultants. Review[ Will not accept unsolicited material. Status[: The firm is receptive to lending works for exhibitions featuring artists in the collection. Each request considered individually. Exhibitions[ "A.C. Leighton Retrospective," Whyte Museum, Banff, AB, July - August 1989; "Hidden Values," Edmonton Art Gallery, Sepember - November 1994; "Geo. Mihalchean Retrospective," Triangle (Civic) Gallery, Calgary, September-October 1995. Activities[ Introduction to the collection for firm members and interested clients. Bibliography[ Hidden Values: Contemporary Canadian Art in Corporate Collections, Robert Swain, 1994, p. 158. Keywords[Canadian artists, painting, sculpture, photography..
Personnel[ President and CEO, Mr. John Tory. Governing[ Corporation Business[ Publisher Location[ Corporate offices. Exhibitions[ "Ontario Corporations Collect", McMichael Canadian Art Collection, Klienburg, Ontario, November 13, 1994 - February 5, 1995. Bibliography[ Hidden Values by Robert Swain, Douglas & McIntyre, Vancouver/Toronto 1994, 164p. 100 ill. Keywords[Canadian artists
Personnel[ Art and Decor Committee (Senior Management); Supervisor of Office Services, Elspeth Creith. Governing[ Corporation. Business[ Forestry company. Year[ 1970. Size[ Over 300 pieces. Description[ A varied collection which includes Native Indian art (bowls, masks, headdress, rattles, etc.); a general collection of Canadian artists (Roberts, Bobak); the Lansdowne Collection of Birds (22); Watercolors; Eskimo sculptures and prints. Location[ In the corporate headquarters. Viewing[ Not available for general public viewing. Status[ Completed. Source[ Artists, art dealers, consultants. Selection[ Committee of corporate personnel and outside consultants. Review Policy[ Will accept unsolicited material (slides, catalogues, etc.). Status[ Each request considered individually. Support[ Past support of museum and traveling exhibitions. Keywords[Native American art and artifacts, graphics, works on paper, painting, sculpture, Canadian artists. Category[ musfile
Website Address[ http://www.macquarie.com.au/au/index.html Personnel[ Chairman Macquarie Bank Art Committee, Julian Beaumont; Art Advisor, Nick Waterlow ( +61 2 9385 0726; fax +61 2 9385 0603; Ivan Dougherty Gallery, College of Fine Arts, UNSW, Selwyn Street, Paddington NSW AU 2021) Governing[ Corporation. Business[ Banking and financial services. Year[ 1986. Description[ Macquarie Bank takes its origins from the merchant bank Hill Samuel Australia (HSA), a wholly-owned subsidiary of Hill Samuel & Co. Limited, London. Established in Australia in 1969, it began operations in Sydney in January 1970. Authority for HSA to become Macquarie Bank Limited was received from the Federal Treasurer on 28 February 1985, making it only the second private trading bank to be established in Australia in the 20th century. Macquarie Bank adopted its name from Governor Lachlan Macquarie, a pioneer and the man responsible for transforming the early settlement in Australia from a penal colony into a dynamic economy. The Bank's collection consists of new contemporary Australian art inspired by the landscape. Some of the artists represented in the collection include William Robinson, Tim Maguare, Bronwyn Oliver, Rosalie Gascoigne, Louise Hearman, Emily Kngwarreye, Turkey Tolson, Tim Burns, David Keeling, Mandy Martin Location[ Throughout public areas, client areas, and offices of the bank. Viewing[ Works in public spaces are accessible for viewing during banking hours. Status[ Ongoing Selection[ Approval through the Macquarie Bank Art Committee. Art Advisor Nick Waterlow, has been Director of the Ivan Dougherty Gallery , and a senior lecturer in the Master of Art Administration degree, School of Art History and Theory, since 1991. He was also the Director of the Sydney Biennale in 1979 and 1986. ( +61 2 9385 0726; fax +61 2 9385 0603; Ivan Dougherty Gallery, College of Fine Arts, UNSW, Selwyn Street, Paddington NSW AU 2021). Support[ In conjunction with the National Gallery of Australia, the Macquarie Bank Foundation has committed $500,000 over three years to create a national sculpture and prize exhibition in order to support and recognise contemporary Australian sculpture. The National Sculpture Prize and Exhibition was established in 2000 as a partnership between the National Gallery of Australia and Macquarie Bank to support and promote sculpture in Australia. It is one of the largest awards for contemporary art, with a $50,000 award for the winning work, and the Macquarie Bank People's Choice Award of $4,000 for a work chosen by visitors to the exhibition. Exhibitions[ The 2003 National Sculpture Prize and Exhibition included works by twenty- one artists from around Australia. Works addressed a wide range of issues, from the personal to the political, and utilise both the languages of abstraction and figuration. The diversity of the works in the exhibition reflected the pluralism of current sculptural practice. The winning sculpture, Political Ape by Lisa Roet, consists of a series of seven bronze busts of chimpanzees and a sound installation piece, combining traditional sculptural technique with new technology. The 2003 National Sculpture Prize and Exhibition was on display at the National Gallery of Australia from 21 March to 9 June 2003. Bibliography[ "Goldfish in the Waiting Room - The Evolution of Corporate Art Collections," Genevieve Murphy, Artwrite 2000, Issue # 20, University of South Wales (http://www.cofa.unsw.edu.au), ISSN 1441-5712. "Collecting: Artistic Licence," Emily Ross, BRW Magazine, December 19, 2002. Keywords[New listing, painting Category[ musfile, galfile
Governing[ Corporation. Business[ Mechanical engineering, electronics, information technologies, plumbing, etc. Size[ Approximately 250 works. Description[ A collection of 19th and 20th century art by German and international artists. Media include graphics, painting, sculpture, works on paper and mixed media. Some of the artists represented include Max Ackermann, Otmar Alt, Jules Bissier, August Bromeis, Bernhard Bter, Eduardo Chillida, Max Clarenbach, Winfried Damrow, Patrick Dupr, Fiorini, Johny Friedlaender, Nikolaus von Georgi, Richard Gessner, Hans Hartung, Caspar Henselmann, Hans Jrgen Kallmann, Fritz Kohlstdt, Hans Kohnen, Kurt Kranz, Heinz Mack, Constantin Meunier, Joan Miro, Robert Motherwell, Josef Neyers, Emil Nolde, Pablo Picasso, Serge Poliakoff, Niki de Saint Phalle, Karl Schmidt-Rottluff, Pierre Soulages, Hugo Vogel, Max Zander, Johann Ziegler. Location[ Throughout the headquarters. Viewing[ Not accessible for viewing. Status[ Ongoing with occasional additions. Source[ Galleries Category[ musfile
Personnel[ Head Office Facility Manager, Robert W. Dods. Governing[ Corporation. Business[ Life insurance. Size[ Over 50 works. Description[ A collection of 19th century, early 20th century, and contemporary Canadian and Ontario art. Viewing[ Not accessible for viewing. Status[ Completed. Source[ Art dealers, consultants. Review Policy[ Will not accept unsolicited material; write or call before attempting to visit. Current Art Consultant: John A. Libby Fine Art, 463 King Street East, Toronto, Ontario M5A 1L6; (416) 364-3730; email: libbygallery@home.com. Status[ Works are not loaned from the collection. Keywords[19th century art, Canadian artists.
Personnel[ Office Manager, Lynn Knott (ext. 2002). Governing[ Corporation. Business[ Manufacturer of food products. Year[ 1930. Size[ 250 paintings. Description[ A collection of primarily Canadian art, notably the "Group of Seven". Artists include A. Y. Jackson, Lawren Harris, F. Carmichael, F. Varley, J. H. MacDonald, Emily Carr, Tom Thomson, David Milne, Carl Schaefer, Paraskeva Clark. Also includes a small collection of Mexican art (15 works) and 1 Inuit wallhanging. J.S. McLean of Canada Packers was probably the first corporate collector in Canada. He began collecting in 1927 and extended his collections into the offices of Canada Packers. McLean died in 1954 and a small committee continues to acquire contemporary Canadian art for the collection. Location[ In the head office in Toronto and branch office in Vancouver. Viewing[ The collection is not accessible for public viewing. Status[ No longer continuing with purchase program. Source[ Artists, art dealers, consultants. Review[ Will not accept unsolicited material; write or call before attempting to visit. Status[ Each request considered individually. Past loans to museums and traveling exhibitions. Exhibitions[ "The Canada Packers Collection," a traveling exhibition sponsored by the Art Gallery of Ontario, 1982-84. "The J. S. McLean Collection of Canadian Painting," Art Gallery of Ontario, 1968. Support[ An Art Committee has extablished a program to buy additional works by Canadian artists. The purpose is to fill gaps in the collection and help new Canadian artists. Bibliography[ An Essay on Private and Public Art Collecting in Canada, by Georges Loranger, 1985, Toronto, Canada. An essay written in 1985, following the award of an Explorations Grant from the Canada Council. 55 pages. The J. S. McLean Collection of Canadian Painting, Art Gallery of Ontario, 1968, catalogue for the exhibition. The Canada Packers Collection, Art Gallery of Ontario, 1982. Catalogue for the traveling exhibition. Keywords[Canadian artists, painting, works on paper. Category[ musfile
Personnel[ President Governing[ Corporation. Business[ Manufacturer of food products. Year[ 1924. Size[ Approximately 80 paintings and 40 sculptures. Description[ A collection of paintings and sculpture. Special features include a large fresco by Hilding Linnqvist in the Personnel Dining Hall, and a Fountain with seven reliefs by Eric Grate in front of the Dining Hall. The works of sculpture are located throughout the grounds of the company headquarters. Some of the sculptors represented include Jean Arp, Leonard Baskin, Charles Despiau, Raymond Duchamp-Villon, Christian Eriksson, Emile Gilioli, Eric Grate, Bror Hjorth, Ivar Johnsson, Anders Jnsson, Arvid Knppel, Henri Laurens, Aristide Maillol, Marino Marini, Arnaldo Pomodoro, Auguste Rodin. Some of the painters represented in the collection include Jean Bazaine, Pierre Haubensak, Tage Hedqvist, Andr Masson, Arne Nilsson, Rolf Erling Nygren, Lennart Rodhe, Alf Rolfsen, Ragnar Sandberg, Leoo Verde. Location[ In offices, personnel dining hall, and park of the Corporate headquarters. Viewing[ The park is open for the public from May 15 until September 1, weekdays from 1:00 - 4:30 PM. Guided tours only on special request. Status[ Ongoing. Source[ Artists, art dealers. Selection[ In-house corporate staff person. Review Policy[ Write or call before attempting to visit. Status[ Each request considered individually. Exhibitions[ "Hilding Linnqvist," Museum of Modern Arts, Stockholm, December 25, 1986- February 22, 1987; and Art Museum of Gothenburg, March 7 1987-May 10, 1987. Publications[ Art at Marabou, Ragnar von Holten, 1974. A revised edition will be published in approximately a year. Category[ musfile
Personnel[ Manager, Head Office Furniture and Furnishings, Jenny Watson. Governing[ Corporation. Business[ Retailer. Year[ 1930's-1950's. Size[ Over 200 works Description[ A collection of art from 1900-1945 and post-1960 work by British artists. Media include paintings, graphics, works on paper, and historical artifacts and documents. Location[ In offices and public spaces in the head office building. Viewing[ Not accessible for public viewing. Status[ Ongoing Source[ Artists, galleries and art advisory firms. Selection[ In-house corporate staff person. Status[ No loans are considered.
Personnel[ Partner, Mr. Maurice A. Forget; Technical Assistant, Ms. Marie Winkler. Governing[ Partnership. Business[ Law firm. Year[ 1978. Size[ Over 250 works. Description[ A collection of contemporary Canadian art, with an emphasis on Qubec artists. The collection is strong in works of the 1950's and 1960's and work created since 1985. Location[ Throughout the law firm's offices. Viewing[ Available to curators and limited non-profit groups (museum members, etc.) by prior application. Status[ Ongoing. Source[ Art dealers, consultants, auctions, art competitions sponsored by museums or other art organizations. Selection[ In-house corporate staff person. Review Policy[ Will not accept unsolicited material (slides, catalogues, etc.); write or call before attempting to visit. Status[ Each request considered individually. Exhibitions[ "Temps Forts - Extraits de la Collection Martineau Walker," L'Espace d'Hortense, Saint-Camille, Quebec, May 1993. "La Collection Martineau Walker," Universit de Montral, April 1992. "Entre Libre l'Art Contemporain," Contemporary Art Fair, Montreal, December 1990 and November 1991. "La Collection Martineau Walker," Galerie du Centre, St. Lambert, Qubec, April 1989. Programs[ An in-house newsletter; advertising program in selected art magazines (Vie des Arts; Espace, ETC showing art from collection; corporate philanthropic involvement in Montral art community. Support[ The firm sponsors second prize in the "Duchamp-Villon" annual art competition at Edouard-Montpetit College, Longuevil, Qubec. The firm has a significant arts and communications law practice and its members are very much involved in community organizations (museums, alternate spaces, etc.) in visual arts. As directors or volunteer counsel firm members participate actively in the corporate art collectors association, Montral. Keywords[Canadian artists, painting, works on paper, graphics. Category[ musfile, galfile
Personnel[ Alan Reid, Honorary Archivist. Governing[ Corporation. Business[ Merchant and shipowning business. Matheson & Company represents the interests of Jardine, Matheson in the United Kingdom and Europe. Corporate Arts Patronage[ The company has provided support for many art organizations and institutions. Description[ A collection which illustrates the company's interests in China, South Africa, the Middle East and Australia. Some of the artists represented include George Chinnery, and Thomas Daniell. Exhibitions[ "Capital Painting, Pictures from Corporate Collections in the City of London," Barbican Art Gallery, 19 April to 10 June 1984, London. Bibliography[ Paul Atterbury. Capital Painting. London[ Barbican Art Gallery, 1984. pp. 15, 38-40.
Personnel[ Chief Executive Officer of Matsuoka Corporation, Seijiro Matsuoka. Governing[ Corporation. Business[ Real estate and properties corporation. Year[ The museum opened in 1975; the collection was begun approximately 75 years ago. Size[ 1,600 works. Description[ The museum contains the collection of Seijiro Matsuoka, the founder and chairman of Matsuoka. The collection includes Chinese sculpture, bronzes and ceramics; Korean ceramics; Khmer sculpture; Japanese ceramics; Egyptian and Roman sculpture and ceramics; and European paintings. Some of the artists represented in the European section include Chagall, Millais, van Dongen, Utrillo, Sisley, Picasso, Laurencin, Bouguereau, and Renoir. Location[ The museum is located on the 8th floor of the Matsuoka Building. Viewing[ 10:00-5:00, closed Mondays Status[ Ongoing. Source[ Auctions. Selection[ Seijiro Matsuoka. Status[ Loans to museum exhibitions. Exhibitions[ "Japanese Paintings from Muromachi to the Present," March 1987; "Masterpieces of European Paintings: Impressionists." Support[ Plans are currently underway for a large open-air museum in the hot-springs resort of Atami, southwest of Tokyo. Publications[ There are illustrated catalogues of the Chinese and Far Eastern ceramics, with checklists in English. Bibliography[ Laurance P. Roberts. Roberts' Guide to Japanese Museums of Art and Archaeology. Tokyo, Japan[ Simul Press, 1987. Revised and updated edition. English. Susan Chira. "Art Inc., Japanese businessmen pay top yen all over the world to stock their corporate museums." New York Times Magazine, (May 3, 1987):pp 39, 55-56. New York[ New York Times Publishing Company. Category[ musfile, galfile
Personnel[ Partners and Chairman of Art Committee, Brian Pel. Governing[ Partnership. Business[ Law firm. Year[ 1968. Size[ 450 works. Description[ A collection of contemporary, post-1960 Canadian art. Location[ Throughout the law firm's offices on 9 floors. Viewing[ Each request for a private viewing is considered individually. Status[ Ongoing. Source[ Art dealers. Selection[ Committee and outside consultant. Review Policy[ Selections are made only through outside art consultant with approvals by Art Committee. Composition of Art Committee changes from time to time. Art Consultant:: Jeanne Parkin, 4 Lowther Avenue, Suite 307, Toronto, Ontario M5R 1C6; tel /fax 416-922- 8111. Status[ Accredited art museums and some private gallery exhibitions. Exhibitions[ "Listening Area #3" by Carol Wainio. Musee d'art de Joliette, Quebec, October 22, 1999 - January 21, 2000 "Speak Silence," by Sorel Cohen, Concordia Museum, Montreal, May 4, 2000. "Two Kinds of Confidence," by Micah Lexler, Musee d'art Contemporain Montreal, June 17 - September 20, 1998."Rose/Blue" by Regan Morris, Southern Alberta Art Gallery, November 15, 1997 - April 30, 1998. "House in Strathcona, Vancouver BC," by Roy Arden. Art Gallery of York University, Toronto, March 6 - April 11, 1997. "Roy Arden" exhibition, Belkin Gallery, University of British Columbia, Vancouver, November 21, 1997 - January 31, 1998. "Caribbean Festival, Vancouver, BC, 1992, " by Roy Arden, The Friendly Village, Milwaukee Institute of Art and Design, September 19 - October 21, 1995. Galerie Rene Blouin, Montreal, September 2 - October 14, 1995; and S.L. Simpson Gallery, Toronto, May 29 - July 7, 1995. "General Idea: Infected Mondrian #9." Canadian Museum of Contemporary Photography, loaned Stan Denniston: The Natural World, 1988, June 14 - September 10, 1995. "Richard Gorenko," University of Waterloo Art Gallery, January 21 - March 7, 1993. "Peterson Ewen: Critical Works," Art Gallery of Hamilton, June 25 - September 1, 1992. "Regan Morris: In Absentia," Oakville Galleries, March 28 - May 10, 1992. Keywords[painting, works on paper, mixed media, photography, sculpture, video, Canadian artists Category[ musfile, galfile
Fax[ 780-482-9100 Website Address[ http://www.mross.com Personnel[ Liz Hughes. Business[ Barristers & Solicitors; legal services. Description[ a collection of contemporary and modern art by artists from Western Canada, that includes paintings, works on paper, and sculpture. Also included are examples of North American Indian art and artifacts and Western Art. Exhibitions[ "Hidden Values - Contemporary Canadian Art in Corporate Collections," Edmonton Art Gallery, September - November 1994. Bibliography[ Hidden Values by Robert Swain, Douglas & McIntire, Vancouver/Toronto 1994, 164 pp, 100 illus. Keywords[painting, sculpture, works on paper, regional artists (Western Canada), North American Indian art and artifacts, art of the North American west
Personnel[ Chairman, Peter Ritchie. Governing[ Corporation. Business[ Administers McDonald's restaurants in Australia. Year[ 1983. Size[ Approximately 100 works. Description[ A collection of contemporary paintings by Australian artists, and aboriginal art. Location[ In the company's headquarters near Sydney. Viewing[ Only in public areas. Status[ Ongoing. Exhibitions[ "Hidden Treasures," Art in Corporate Collections, SH Ervin Gallery, January-March 1996. Bibliography[ Hidden Treasures, Art in Corporate Collections, exhibition curator, Anne Loxley, published by The National Trust of Australia for the exhibition, 1996. "Art in an Australian McDonald's," Corporate ARTnews, June 1990, pp. 6-7.
Personnel[ Office Services Manager, Ferne Phillips. Governing[ Corporation Business[ Restaurant chain. Exhibitions[ "Ontario Corporations Collect", McMichael Canadian Art Collection, Klienburg, Ontario, November 13, 1994 - February 5, 1995. Bibliography[ Hidden Values by Robert Swain, Douglas & McIntyre, Vancouver/Toronto 1994, 164p, 100 ill. & Keywords[ Canadian artists.
Personnel[ Director. Governing[ Corporation. Business[ Banking and financial services. Year[ 1990. Size[ Approximately 20 works. Description[ A collection of post-1960 primarily British paintings. Works included are predominantly of a figurative nature. Media include painting and works on paper. Location[ Throughout the corporate building. Viewing[ Not accessible for public viewing. Status[ Ongoing with regular additions. Source[ Artists, art dealers. Selection[ Committee of corporate personnel and outside consultant: Long and Ryle Art International, 4 John Islip Street, London SW1P 4PX; Tel (44 171) 834 1434. Status[ Works are not loaned from the collection. Keywords[British artists, painting, works on paper.
Personnel[ Partners, Margaret C. McNee and John Kazanjian. Governing[ Partnership Business[ Law Firm Year[ 1976 Size[ 110 works Description[ Contemporary Canadian with a special emphasis on photography. Location[ Throughout the Law Offices. Status[ Ongoing. Source[ Artists, art dealers, consultants and auctions. Selection[ A committee of corporate personel. Review[ Selections are made only through the art consultant, Catherine Williams, The Business of Art, 33 Bishop Street, Toronto, ON M5R 1W3 (416) 961-9388. Status[: Each request is considered individually. Exhibitions[ "K.M. Graham", St. John's & Fredericton, 1994, "Hidden Values", Kleinberg, ON, November 1994 - February 1995, Barbara Astman - Reasoned Persona, Hamilton, Kitchner, Edmonton, Kamloops and Windsor, March 1995 - December 1996. Bibliography[ Hidden Values by Robert Swain, Douglas & McIntire, Vancouver/Toronto 1994, 164 pp, 100 illus. Keywords[photography, Canadian artists. Category[ musfile, galfile
Personnel[ President, Juan Fernandez-Layos Rudio; Director, (no director currently) Governing[ Sponsored by the MAPFRE VIDA Cultural Foundation. Business[ MAPFRE VIDA is an insurance company. Year[ During the 1970's. Size[ Approximately 175 works. Description[ The Rafael de Penagos Collection; Jos Gutierrez Solana Collection; drawings and sculpture by contemporary artists. Location[ At the Foundation in Madrid. Viewing[ Not accessible for viewing. Status[ Ongoing. Selection[ An art selection committee. Status[ Each request considered individually. Exhibitions[ Numberous exhibitions. Some of them have included "Juan Barjola" (1993); "Alberto Greco" (1992); "Jos Gutierrez Solana" (1992); "Venancio Blanco, Antologica" (1992); "El Dibujo, Belleza, Razon, Orden y Artificio" (1992); "Jos Gutierrez Solana, Coleccion Fundacion Cultural MAPFRE VIDA" (1991); "El Autorretrato en la Pintura Espaola" (1991); "El Surrealismo entre Viejo y Nuevo Mundo" (1990). Programs[ The Drawing Prize Rafael de Penagos, annually; the Journalist Prize Csar Gonzalez Ruano, annually. Publications[ Setteccento Veneciano, Aspectos de la Pintura Veneciana del siglo XVIII, 1990. Carmen Laffon, Bodegones, Figuras y Paisajes, 1992. Keywords[painting, Spanish artists, works on paper, sculpture.
Personnel[ Managing Director, Jos Luis Yuste; Exhibitions Director, Jos Capa Eiriz. Governing[ Foundation. Business[ Cultural foundation. Year[ 1970. Size[ 1,200 contemporary Spanish art works. Description[ A collection of paintings and sculpture by contemporary Spanish artists. Location[ In the Foundation Juan March in Madrid; the Spanish Museum of Abstract Art in Cuenca; the MARCH Collection of Contemporary Spanish Art in Palma de Mallorca. Viewing[ The Spanish Museum of Abstract Art in Cuenca is at Casas Colgades. The MARCH Collection of Contemporary Spanish Art in Palma de Mallorca is on Sant Miquel 11. And the Juan March Foundation in Madrid. Status[ Ongoing. Source[ Artists, galleries. Selection[ Committee advisor. Exhibitions[ A large variety of exhibitions and catalogues including monographs on Ben Nicholson, Mark Rothko, Irving Penn, Rene Magritte, Odilon Redon, and Diebenkorn; and exhibitions of "Cubism in Prague," "Zero, A European Movement," "Spanish Art in New York," and the Russian Vanguard, 1910-1930." Programs[ Music programs, concerts, conferences and seminars, library, contemporary Spanish theater, publications. Support[ Sponsorship of artists, temporary exhibitions, publications, art restorations, grants. Publications[ Catalogues, posters, lithographs and serigraphs; and the 18- volume study of art (Tierras de Espaa). Category[ musfile, galfile, artfile
Personnel[ President, Achille Maramotti; Curatorial Advisor, Mario Diacono Governing[ Corporation / private collection Business[ Designer fashion house. The first Italian firm to make affordable, fashionable ready- to-wear clothing for career minded women. Size[ Over 100 works. Description[ A discering collection of post-war Italian and current international art that will ultimately be housed in a private regional museum of 20th century art. The collection protrays the process of new art as it emerges in Italy and internationally with one or two seminal works each by major figures and an in-depth collection of Jannis Lounellis and Enzo Cucchi. Some of the artists represented include Georg Baselitz, Richmond Burton, David Salle, Alex Katz, Ray Smith, Gerhard Merz, Giorgio de Chirico, Mario Sironi, Carlo Carra, Giorgio Morandi, Lucio Fontana, Giulio Paolini, Piero Manzoni, Pino Pascali, Cy Twombly, Philip Taaffe, Moira Dryer, Sherrie Levine, David Bowes, Richmond Burton, Arturo Martini, Fauslo Melotti. Location[ Works are in the Reggio Emilia headquarters of the company. Viewing[ In public areas of the firm. Status[ Ongoing Source[ artists, art dealers, auctions . Philosophy[ .Achille Maramotti believes that art in the work environment is an important stimulus to the imagination, especially of the design staff. "We create fashion as a business that is highly attuned to the changes of the times. You are always at a border. You must develop an attitude of getting accustomed to seeing what happens. Art represents the ultimate in this thinking...With the heavy concentration of creative people here, I have always tried seriously to educate their eye. I expose them to what is new. The physical presence of the art embodies the attitude I want here." (From Art for Work, M. Jacobson, p 146) Bibliography[ Art for Work, The New Renaissance in Corporate Collecting, by Marjory Aronson, Harvard Business School Press, Boston, Massachusetts, 1993. PP 144 - 147 Keywords[new listing, painting, sculpture Category[ musfile, galfile
Personnel[ Laboratory Director, Mr. Rodney C. Ellis; Human Resources, Ms. Sheila Dawson. Governing[ Corporation Business[ Medical Laboratory Year[ 1988 Size[ 90 works Description[ The Collection contains Contemporary Canadian art mostly from Ontario. Included in the Collection are paintings, graphics, sculpture, photography and works on paper. Some of the artists represented in the Collection are Paul Fournier, Jan Poldaas, Paul Sloggett, Andy Patton, David Clarksn, J.C. Heywood, Don Philips, O. Tamasauskas, Jamie Evard, David Bolduc, Harold Town, J.P. Riopelle, Margaret Priest, David Blackwood, Graham Coughtry, Andrew Smith, Tony Calzetta, Don Holman, Michael Earle, Marsha Stonehuse, April Hickoy, Anton C,tin, Brian Boigon, Peter Johnson and G. Zeldin. Location[ In the Head Office. Viewing[ by appointment. Call or write before attempting a visit. Status[ Completed. Source[ Art Dealers. Selection[ A committee of corporate personnel. Review[ Will not accept unsolicited material. Status[ Works are generally not loaned, exceptions may be made to art museums. Exhibitions[ "Ontario Corporations Collect", McMichael Canadian Art Collection, Klienburg, Ontario, November 13, 1994 - February 5, 1995. Support[ The Corporation supports the Canadian Opera Company and Music Toronto. & Bibliography[ Hidden Values by Robert Swain, Douglas & McIntyre, Vancouver/Toronto 1994, 164p, 100 ill. & Keywords[ graphics, painting, sculpture, photography, works on paper, Canadian artists
Personnel[ Public Relations Manager, M Struyf. Governing[ Corporation. Business[ Insurance. Year[ 1975. Size[ Over 500 works. Description[ A collection of post-1960 Belgian art. Media include graphics, paintings and sculpture. Location[ On display in a special corporate gallery. Viewing[ Accessible for regular viewing. Status[ Ongoing with regular acquisitions. Source[ Artists. Selection[ Committee of corporate personnel. Status[ Works are not loaned. Category[ musfile, artfile, galfile
Personnel[ Service Informations, M. Michel Pierre Teixier. Governing[ Socit Anonyme. Business[ Automobile importer. Year Begun Activities[ January 1987. Size[ Less than 50 works. Description[ The collection includes graphics, paintings and sculpture by international artists, created since 1960. Using a different theme each year, the Foundation promotes artistic creation in all its forms using three methods[ homage to a major figure in the chosen theme; a competition for emerging young artists; and an exhibition of works by a young artist. During 1987 in Paris, the Foundation sponsored the exhibition "Hommage Raymond Loewy," one of the greatest industrial designers of the 20th century, which was on display in Paris from April 30 - June 28, 1987. Location[ Throughout the company offices. Viewing[ Accessible in public areas. Status[ Ongoing. Source[ Artists. Selection[ Corporate staff person. Status[ Not available for loan. Programs[ The company sponsors in-house exhibitions with openings. Publications[ Raymond Loewy, le designer qui a marqu son temps, catalogue of the exhibition, 1987.
Personnel[ Ms. Krystyna Jukubiak. Governing[ Trust Business[ Private Trust Viewing[ Not available for public viewing. Status[ Art museums only, each request is considered individually. Exhibitions[ "Ontario Corporations Collect", McMichael Canadian Art Collection, Klienburg, Ontario, November 13, 1994 - February 5, 1995. Bibliography[ Hidden Values by Robert Swain, Douglas & McIntyre, Vancouver/Toronto 1994, 164p, 100 ill. & Keywords[ painting, Canadian artists.
Personnel[ Manager, Corporate Communications, R. Spiegelburg. Governing[ Corporation. Business[ Financial services. Year[ When the company relocated in 1975, 1980, 1983, and 1988. Size[ Nearly 100 works. Description[ A collection of 19th century and post-1960 art by British and international artists. Media include graphics, paintings, photography, works on paper, fiber art, and memorabilia. Location[ Throughout the building. Viewing[ Not accessible. Status[ Ongoing with occasional additions. Source[ Specialized corporate art company, commissions. Selection[ In-house corporate staff person. Status[ Not available for loan. Support[ The company has been a past sponsor of selected traveling exhibitions.
Personnel[ Director of the museum, Maritta Pitknen. Governing[ Gosta Serlachius Fine Arts Foundation. Size[ 1000 works for the Foundation, the collection of the Metsa-Serla Corporation is about 100 works. Description[ The Gsta Serlachius Fine Arts Foundation was created in 1933. Its primary task was to maintain a museum with an outstanding collection of Finnish and foreign art in the small town of Mntt in central Finland. The museum was opened in 1945 in the former home of the industrialist Gsta Serlachius, designed by Jarl Eklund, with interior ornamentation by Lennart Segerstrale, Irina Bcksbacka, and Hanne Autere. The building was renovated in 1983-84, and in 1987 restoration continued on a 500 square meter exhibition area on the lower floor. The art collection includes 19th- and early 20th-century Finnish paintings, in addition to works by Italian and Spanish Renaissance masters and 17th-century Dutch paintings (Quentin Massys, Jacopo Tintoretto, Juseppe de Ribera, Salomon van Ruysdael, David Teniers II). The museum is now governed by the Gosta Serlachius Fine Arts Foundation, and has its own independent board. Some of the artists represented in the collection of Metsa-Serla include Lennart Segerstrale, Emil Wikstrom, Marcus Collin, Hugo Simberg, Verner Thom and Alf Danning; and many works from the collection were donated to the Gosta Serlachius Museum of Fine Arts in 1986. Location[ In the museum: Gsta Serlachius Museum of Fine Arts, Joenniemi Manor, 35800 Mntt, Finland; telephone (934) 412 111 Viewing[ Call for museum hours. Status[ Ongoing. Publications[ Catalogue of the collection, reproductions, postcards and posters. Category[ musfile, galfile, artfile
Personnel[ Archivist, Mr. Edwin Green. Governing[ Corporation. Business[ Banking/financial services. The Bank has over 1700 offices in England and Wales. Corporate Arts Patronage[ The company has provided support for a wide range of performing and visual arts organizations and institutions. Description[ The collection includes portraits and other paintings and prints that relate to the history of the Bank, and examples of 20th century British art. The collection is now part of the HSBC Holdings Collection. Exhibitions[ "Capital Painting, Pictures from Corporate Collections in the City of London," Barbican Art Gallery, 19 April to 10 June 1984, London. Bibliography[ Paul Atterbury. Capital Painting. London: Barbican Art Gallery, 1984. pp. 16, 51, 53. ASBA Annual Report 1991-92, Association for Business Sponsorship of the Arts, Colin Tweedy, November 1992, London.
Website Address[ http://www.migrosmuseum.ch Personnel[ Leiter Abteilung Bildende Kunst, Rein Wolfs (Limmatstrasse 152, Postfach 266, 8031 Zerich; 1/ 277 20 52). Governing[ Corporation. Business[ Consumer goods co-operative. Migros S.A. was founded in 1925, and was transformed into a co-operative in 1941. Year[ 1977. Size[ Over 1000 works. Description[ A collection of 19th and 20th century art, by Swiss and international artists, with the major of the works created since 1960. Media include graphics, paintings, sculpture, works on paper, and mixed media. The Migros Museum of Contemporary Art opened in 1995. The migros museum is presenting in alternating different, sometimes contrary viewpoints of contemporary art. The work of young is placed alongside with pieces from the in solo and group . Thematic exhibitions will explicitly seek to connect with reality: the focus here is on interfaces between art and society at a visual level. In recent years, the museum's acquisition policy has been consciously focusing on the art of the 1990s. As current media, installation and video have an important place in this. The is regarded as work-in-progress and documents modern artistic production from a deliberately subjective viewpoint. The migros museum for contemporary art is an institution of the Migros Culture Percentage. Location[ The majority of the collection is located throughout the co-op's headquarters in Zurich. Viewing[ Not accessible in private offices. Visiting hours for the Migros Museum are : Tuesday - Friday from 12 - 6 pm; Saturday and Sunday from 11am - 5 pm. Status[ Ongoing. Source[ Artists, galleries. Exhibitions[ Internationale neue Kunst aus der Sammlung MGB: Erwerbungen 1977-1984/Nouvel art international de la collection FCM: acquisitions 1977-1984/New international art from the FMC collection: acquisitions 1977-1984. May 11 - June 17, 1984, Kunsthaus Zurich, Zurich, Switzerland. Exhibited a selection of 50 works recently purchased by the MGB chain in Switzerland. Support[ Migros has a long history of cultural sponsorship and support for the arts. In 1957 the percent for art program was founded. In 1969 Migros offered its first study awards for musicians and instrumentalists. In 1971, its first ballet awards program; 1975: Chamber Music competitions. In 1976, Migros created a separate department to oversee cultural affairs. Other important projects have included: Launching a youth theater and "Theater at Work" program in 1978; Singing awards program (1979); promotion of film creation (1979); Study awards for both German and French dramatic expression; funding of a series of CDs of Swiss music (1997); video and cinema competitions (1999). In 1998, Migros opened its Office of Culture in Zurich, and another one in Bern in 2000. Publications[ Internationale neue Kunst aus der Sammlung MGB: Erwerbungen 1977- 1984, Geleitworth: Feliz Baumann, Text: Pierre Arnold, Arina Kowner, Christel Sauer, 118 pp, 51 illus, in German, English and French. Category[ musfile, galfile, artfile
Fax[ (65) 6336-9833 Pontiac Land Group, One Temasek Avenue , #41-00, Millenia Tower , Singapore 039192. Tel: (65) 6332-8888 ; Fax: (65) 6338-9292. MILLENIA WALK Service Desk: (65) 6883 1122; 9 Raffles Boulevard, Singapore 039596. Governing[ Corporation. Business[ Property developer. Year[ 1996 Description[ The Millenia Singapore development houses one of the finest and largest corporate art collections in Southeast Asia. The collection is particularly strong in American contemporary art. Many of the works were commissioned or selected by international art consultants. The project is an integrated mixed-use development spanning a site area of 80,231 square meters, and includes two office towers -- Millenia Tower and Centennial Tower -- two luxury hotels -- The Ritz-Carlton Millenia Singapore and Conrad International Centennial Singapore -- and a range of retail, entertainment and food and beverage outlets at Millenia Walk. The developer for the project was the Pontiac Marina Private Limited and the cost was $52 billion. Some of the important works include murals by Frank Stella and James Rosenquist as well as a sculpture by Philip Johnson. The company's arts collection includes works from around the world that reflect the company's desire to inspire a creative vision in each individual through an artistic environment. According to the company, the collection is about synergy - synergy that brings together different elements in a fusion of colours, meanings, textures and ideas. Some of the works in the collection include sculptures and paintings by Roy Lichtenstein, Frank Stella, James Rosenquist, Tom Wesselman, as well as work by seminal local artists like Tay Bak Koi and Tan Chin-Chin. Some of the major works are: Hillside Farm, by Tom Wesselman; Sunflowers No. 46, by Zhu Wei; and Persistence of Electrical Nymphs in Space, James Rosenquist (currently in the foyer of Centennial Tower at Millenia Singapore). Inside Millenia Tower are a group of media artworks by American artist Frank Stella, are part of the Pontiac Marina Land Collection. Soaring Helix by Philip Johnson, a sculpture which seems to turn as you move past it, is located in Millenia Walk. The Roy Lichtenstein Sculpture Plaza is the most recent addition to the public art program. The Sculpture Plaza, designed by Lichtenstein, comprises an open pavilion with grass beds and holds his "Six Brushstrokes", 1996 series. The collection of six tall, colorful sculptures are whimsical calligraphic renditions of nature. The Ritz-Carlton Millenia Singapore which opened in 1996, features a suspended sculpture by Frank Stella, and an important collection of art by modern Western masters such as Robert Motherwell, Sam Francis, and Andy Warhol. The Moby Dick Series, by Frank Stella, represents a unique installation in The Stella Gallery at The Ritz-Carlton, Millenia Singapore. Located in the Conrad International Centennial Singapore are: Kites, two 20 x 32 feet textile sculptures by Tan Chin-Chin (displayed on the second level of Conrad Centennial Singapore, overlooking the grand lobby.); Gathering, by Tay Bak Koi (displayed in Conrad Centennial Singapore's lobby guest lounge.); Three Definitely Red Trees, by Jeremy Ramsey (displayed on Level Two of Conrad Centennial Singapore); Location[ The collection is located and is part of Marina Centre, in Singapore, a commercial and entertainment district. The Ritz Carlton Millenia Singapore is located at 7, Raffles Avenue, Singapore 039799. Tel. 800-241-3333, 65-337-8888. Millenia Walk is located at 9 Raffles Boulevard, Singapore 039596; Tel: (65) 6883-1122 Keywords[new listing, commissioned art, sculpture, painting, textile, mixed media. Category[ musfile Corporation[ MILLER THOMSON Box 27, Suite 2500, 20 Queen Street West, Toronto, ON, CANADA M5H 1S1. (416) 595-8500 Fax[ 416-595-8695 Website Address[ http://www.millerthomson.ca Personnel[ Partner, Mr. David Brennan. Governing[ Partnership Business[ Law firm Year[ 1980 Size[ 50 works Description[ The Collection is made up of predominantly contemporary Canadian graphics, paintings, sculpture, photography, works on paper,crafts, mixed media, decorative arts and fiber art. Location[ Toronto and Markham, Ontario offices. Viewing[ The Collection is not accessible to the public. Status[ Ongoing. Source[ Artists, art dealers and consultants. Selection[ Committee of corporate personnel and outside consultant. Review[ Will not accept unsolicited material, write or call before attempting to visit. Status[ Each request considered individually. Exhibitions[ "Ontario Corporations Collect", McMichael Canadian Art Collection, Klienburg, Ontario, November 13, 1994 - February 5, 1995. Bibliography[ Hidden Values by Robert Swain, Douglas & McIntyre, Vancouver/ Toronto 1994, 164p, 100 ill. Keywords[graphics, painting, sculpture, photography, works on paper, mixed media, decorative arts, textile and fiber art, Canadian artists. Category[ galfile
Governing[ Partnership Business[ Lawyers Year[ 1965 Size[ 200 works Description[ Contemporary American and Canadian ceramics, paintings and sculptures especially colour field paintings, modernish sculpture, contemporary prints and works on paper. Some of the artists included in the collection are Kenneth Noland, Jules Olitski, Robert Motherwell, Helen Frankenthaler, Peter Voulkos, Jack Bush, Larry Poons, Daryl Hughto, Susan Roth, Ken Ferguson, Anthony Caro and Michael Steiner. Location[ Throughout the offices of the firm. Viewing[ The collection is available for public viewing. Status[ The Collection is ongoing (works are continually being added). Source[: Artists, art dealers and auctions. Selection[ Committee of corporate personel. Review[: Will not accept unsolicited material, write or call before attempting to visit. Status[ Art museums only. Exhibitions[ "Collector's Eye", Koffler Gallery, Toronto, 1995 "Hidden Values", McMichael Gallery, Toronto, 1995 "McDonald Stewart," Guelph Gallery, Guelph, 1990-1996; Nelson Atkins Museum, Kansas City, Missouri, 1995. Activities[ Lectures by Aaron M. Milrad. Support[ : Has donated works of art to many art museums in Canada. Publications[ "The Collectors Eye", exhibit catalogue, Koffler Gallery, Toronto, 1995. Bibliography[ Hidden Values by Robert Swain, Douglas & McIntire, Vancouver/Toronto 1994, 164 pp, 100 illus. Niagara University, USA, October 1996. Keywords[painting, Canadian artists, crafts, sculpture, works on paper, graphics. Category[ musfile, galfile
Personnel[ Director (Founder, Minami Group), Masao Nangaku. Governing[ Corporation. Business[ Electronics consumer sales, real estate, hotel. Year[ The museum opened in 1986. Description[ Salvador Dali's paintings and jewelry, other European paintings and sculptures. Location[ In the Minami Museum. Viewing[ During special exhibitions, 10:30 - 6:00. Status[ Ongoing. Source[ Dealers, auctions. Exhibitions[ Salvador Dali Exhibition, 1987. Category[ musfile
Personnel[ Director, Pablo Rico Lacasa; Artistic Department, Aina Bibiloni, Pilar Baos. Governing[ Foundation. Business[ Cultural foundation. Size[ Over 1150 works. Description[ A collection of works by Miro from the 60's until his latest works; works created on Mallorca. Location[ In the foundation. Viewing[ Opened on April 1, 1993, commemorating the centennial of Miro's birth. Source[ Donation from Miro. Status[ Each request considered individually. Programs[ Temporary exhibitions. Publications[ Libro Homenaje a Joan Miro; Libro Arquitectura New Building, (constructed by Moneo). Category[ musfile, galfile
Personnel[ Curator, Nobuyuki Hiromoto Governing[ corporation Business[ Precision machinery parts trading firm. Year[ 1989. Size[ 260 lithographs and paintings. Description[ The collection was begun in 1989 by the co-founder of the firm, Hiroshi Taguchi, for the new headquarter's building in Tokyo. Mr. Taguchi retired from the corporation in 2002, but continues as executive advisor to direct the art program. The collection is a collection of contemporary American lithographs and paintings. Some of the artists represented in the collection include Ed Ruscha, Andy Warhol, Jasper Johns, Roy Lichtenstein, Peter Halley, Kevin Appel, Vik Muniz, Carroll Dunham. Location[ At the company headquarters. About 60-70 works are always on display and the art is rotated several times a year. Viewing[ With prior appointment only Status[ Ongoing Source[ Primarily through art galleries and dealers. Selection[ Through the Curator of the collection Exhibitions[ ."We Love Paintings: Contemporary American Art from the Misumi Collection," February - March 2003. At the Tokyo Museum of Contemporary Art. 100 paintings from the Misumi Collection. Bibliography[ "Japanese Corporation Buys American," by Kay Itoi, ARTnews, March, 2003, p. 76. (Misumi Corporation) Keywords[new listing, paintings, lithographs, graphics Catalogue[ galfile, musfile
Personnel[ Director, Kazuo Yamaguchi. Governing[ Foundation. Year[ The museum was opened in May 1985. Size[ 1800 items. Description[ A collection of classical Japanese, Chinese, and Korean arts collected by the Mitsui family, founders of the Mitsui Corporation. The works include No masks, swords, tea- bowls, calligraphy, and paintings. Location[ In the Mitsui Bunko Annex in Tokyo. Viewing[ Call ahead for hours, as the museum is closed frequently. Status[ Ongoing. Source[ Gift from Mitsui families. Status[ Loans are made to museums. Exhibitions[ "Japanese Porcelain," Tokyo National Museum, 1985; "Taiko Exhibition," MOA Museum, 1986; "Chinese Drawings," Tokyo National Museum, 1987. Publications[ To be prepared. Bibliography[ Laurance P. Roberts. Roberts' Guide to Japanese Museums of Art and Archaeology. Tokyo, Japan[ Simul Press, 1987. Revised and updated edition. English. Category[ musfile
Personnel[ Division Manager Commercial, Lend Lease Property Management Pty Ltd, Bruce Cleary (14th Level, Tower Building, Australia Square, Sydney NSW 2000; (02) 236-6111). Governing[ Corporation. Business[ Insurance. Year[ 1972-78. Size[ 5 works. Description[ Sculptures: Charles Perry's Mercator and S; Josef Albers' structural constellation Wrestling; Tapestries; Alexander Calder's Les Oignons, and Josef Albers Homage to the Square. Location[ Main lobby, Theatre Royal foyer, and open plaza, MLC Centre, Sydney. Viewing[ Accessible for viewing. Status[ Completed. Selection[ Harry Seidler, architect of MLC Centre. Bibliography[ Two Towers--Harry Seidler[ Australia Square, MLC Centre, text by Philip Drew, photography by Max Dupain, 1980, 56 pages. "Mathematical Monoliths," Sandra McGrath, The Australian, July 28, 1978. Category[ musfile
Personnel[ Ms. P. D. Sands.Public Affairs Adviser. Governing[ Limited Company. Business[ Oil production. Patronage[ The company has provided support to many arts organizations and institutions. Some of the projects have been the establishment of the Scottish National Photographic Archive, National Galleries of Scotland; sponsorship of "Modern Masters from the Thyssen-Bornemisza Collection" at the Royal Academy of Arts; "Eisenstaedt/Aberdeen - Portrait of a City" at Aberdeen Art Gallery; "Royal Residences of the Victorian Era," exhibition at the Palace of Holyroodhouse; "Allan Ramsay, 1713-1784," exhibition at the Scottish National Portrait Gallery in 1992; and support for establishing a computer aided cataloguing system at the Aberdeen Art Gallery. Size[ 110 works. Description[ Paintings and prints by contemporary Scottish artists have been assembled for the company's offices in Aberdeen. At the Mobil Building in London, a collection of contemporary British art was formed, beginning in the mid-1970's. The company was the recipient of a 1986 Art and Work Award, of the Wapping Arts Trust. Location[ In the Corporate Offices in Aberdeen, St. Fergus and on the Beryl A and Beryl B offshore platforms. Status[ Ongoing on a modified plan. Bibliography[ "Mobil North Sea Boosts Art in Britain with Sponsorship," Corporate ARTnews, September 1992, pp. 2-3. Annual Report 1984/1985, Association for Business Sponsorship of the Arts, London, 1985; and Annual Report 1991-92. Keywords[painting, graphics, Scottish artists Category[ musfile
Personnel[ Manager External Relations & Legal, Paul van Grevenstein. Governing[ Corporation. Business[ Marketing of petroleum products. Year[ c. 1970's. Description[ A collection of works by Dutch artists, created since 1960. Media include works on paper, paintings, textiles. All includes a group of memorabilia on the oil industry. Location[ Throughout the building. Viewing[ Not accessible. Status[ Completed. Source[ Artists, galleries, art advisory companies. Selection[ In-house corporate staff person. Status[ Each request considered individually. Support[ The company has sponsored museum exhibitions.
Personnel[ Communications Manager, Michael T. Noon. Governing[ Corporation. Business[ Petroleum industry. Description[ A group of paintings by New Zealand artists which were acquired at the time of the renovation of the present company offices. There is no on-going art program now and works are not being added to the collection. Location[ In the offices in Wellington. Viewing[ Not accessible for public viewing. Status[ Completed.
Personnel[ Gilbert Monin, Vronique Mignot. Governing[ Holding company. Business[ Building, tourism, public works, packing. Year[ 1986. Description[ A collection of contemporary art, which includes the works of young contemporary artists - Hans van den Ban, Jenny Holzer, Franois Perrodin, Betrand Lavier, Bazilebustamante, Barbara Kruger. The collection was created on the occasion of the centenary of the company, and the goal is to acquire, in accord with the museums of the Rhone-Alpes region, and with their recommendations, art works which will be integrated into the collections of these institutions and presented and labeled with the double mention of the Collection Entreprise Monin and of the receiving museum. Each work is on deposit for three years minimum to the museum. Location[ A private collection, but exhibited permanently in contemporary art museums in the Rhone-Alpes region. Status[ Ongoing. Source[ Artists, galleries. Support[ The company has supported exhibitions in the framework of the museum programs; private commissions. Publications[ Groupe Monin 1886-1986, Cent Ans, Un Tremplin pour Demain, "Collection Entreprise Monin," page 14.
Personnel[ Vice Presidente, Dr. Nilo Salvatici; Direttore Generale, Carlo Zini. Governing[ Corporation. Business[ Banking and financial services. Year[ 1472. Size[ Several hundred works. Description[ In 1481, to commemorate the Bank's founding, Benvenuto di Giovanni was commissioned to execute the Madonna of Mercy fresco. This fresco remains on display at the Bank's headquarters in Siena. Thereafter, works were regularly commissioned from local artists such as Arcangelo Salimbeni, Vincenzo Rustici, Francesco Vanni to mark significant stages in the bank's history. The bank's role as the leading patron of Siennese arts is reflected in its magnificent buildings and remarkable art collection. The bank's collection of painting and sculpture ranges from the 14th to the 20th century, tracing the artistic development of Siena. It includes works by Pietro Lorenzetti, Andrea di Bartolo and Sassetta and has regularly been enhanced by significant local donations, including the Chigi Saracini collection, housed in a palazzo close to the Piazza del Campo. Many of the 13,000 works of art belonging to the bank hang in Siena's world-famous public museums. The collection includes paintings, frescoes, furniture and painted sculpture, assembled through the centuries. The Bank also maintains a large number of documents attesting to many centuries of economic, social and political history, which are gathered at the Bank's Historical Archives for scholars, researchers and guests. Location[ In the Bank's main offices in Siena: the 13th century Palazzo Salimbeni, the 15th century Spannocchi Palace, and the 16th century Tantucci Palace. Viewing[ Available for viewing at the headquarters offices in Siena. telephone 0577-290000 for an appointment Status[ Ongoing. Sponsorship[ The exhibition, "Art and Economics: Sienese Paintings from the Dawn of the Modern Financial Age," on display at the Corcoran Museum of Art in Washington, DC from July 31, 2002 - October 14, 2002, was sponsored by the Banca Monte dei Paschi and Fondazione Monte dei Paschi. Exhibitions[ "The Art and Culture of Siena," an exhibition from the collections of Banca Monte dei Paschi di Siena and Fondazione Accademia Musicale Chigiana, October 6, 2001 - December 9, 2001, on display in the Tokyo Station Gallery of the East Japan Railway Culture Foundation, Japan. This exhibition featured about 100 paintings, sculptures, and ceramics other items from the early Renaissance until the 18th century, none of them shown before in Japan. "Selected Baroque Paintings from Italian Banks," National Gallery of Art, Washington, D.C., September 26 - November 11, 1990; and the Art Gallery of Ontario, Toronto, December 19, 1990 - January 27, 1991. Support[ Every aspect of the cultural life of Siena has benefited from the bank which remains the largest taxpayer in the city. It sponsors national and international exhibitions of Siennese art, supports music festivals in Tuscany and funds the restoration of historic Siennese buildings, including the medieval hospital, the Santa Maria della Scala, the Palazzo Publico and the Torre del Mangia. It also sponsors the race on horseback, the medieval Palio. The Bank has a 500- year tradition of supporting major cultural activities. The latest in a series of projects was the exhibition, "Painting in Renaissance Siena: 1420-1500", which was on display at the Metropolitan Museum of Art during 1989, and the "Works of the Mannerist Painter Domenico Beccafumi which was on display in Siena during 1989. Other art projects have included the restoration of art treasures in Siena, commissioning of work from Sienese artists, as well as the funding of a series of exhibitions of Sienese masterpieces. Publications[ La sede storica della Banca Monte dei Paschi di Siena : l'architetura e la collezione delle opere d'arte. A cura di Luciano Bellosi ; testi di Patrizia Agnorelli, Francesca Ceccherini, Maria Merlini ; foto di Andrea Lensini e Fabio Lensini. [Siena] : Banca monte dei paschi di Siena ; Empoli : Editori dell'Acero, c2002. Gian Lorenzo Bernini e i Chigi tra Roma e Siena. Angelini, Alessandro. Siena :Banca Monte dei Paschi di Siena, c1998. Bibliography[ "The Banks, Banking, and the Internationalists (Banksters), David Brierley, The Sunday Telegraph, June 27, 1999. "Selected Baroque Paintings from Italian Banks," introduction by Pier Giovanni Castagnori, Marsilio Editori, Venice, 1990, pp. 11-12, 32- 35, 80-87. "Monte dei Paschi di Siena," Corporate ARTnews, March 1989, pp. 1-2. Category[ musfile
Personnel[ Head of Corporate Affairs, Mr. J. G. Murray. Governing[ Corporation. Business[ Investment banking Year[ C. 1980. Description[ A collection of late 18th century landscapes, late 19th and early 20th century London views and contemporary works. In the future, Morgan Grenfell will also emphasize artworks associated with regions where the Bank is active. Deutsche Bank and Morgan Grenfell recently merged and is now known as Deutsche Morgan Grenfell. The collection has become part of the Deutsche Morgan Grenfell collection. Exhibitions[ "Capital Painting, Pictures from Corporate Collections in the City of London," Barbican Art Gallery, 19 April to 10 June 1984, London. Bibliography[ Paul Atterbury. Capital Painting. London: Barbican Art Gallery, 1984. pp. 16, 35, 50, 57. Keywords[pre-19th century art, 19th century art, painting
Personnel[ Managing Director. Governing[ Corporation. Business[ Banking and financial services. Year[ 1973. Size[ Fewer than 50 items. Description[ A collection of 20th century Belgian art which includes graphics, paintings, sculpture and advertising/cover art. Location[ In public and employee areas Viewing[ Not accessible for viewing. Status[ Ongoing with occasional acquisitions. Source[ Artists, auctions. Selection[ In-house corporate staff person. Status[ Will consider loans on an individual basis. Programs[ The bank sponsors an exhibition gallery for the display of regional artists and traveling exhibitions. Support[ The bank has sponsored museum and traveling exhibitions.
Fax[ +44 / 020 7425 8990 Personnel[ Vice President Firm Management, Ms. A. Fawcett. Business[ Financial services Year[ 1999-2000 Size[ c. 35 artworks Description[ A collection of contemporary British art. Media include original paintings -- oils on canvas, gouaches on paper, pastels on paper, mixed media; and photography -- iris and toned silver prints. Location[ Level 11 of the company's offices in Canary Wharf Viewing[ Not accessible for public viewing. Status[ Completed. Source[ Through art consultant: Peter Harris, International Art Consultants Ltd, 15 Dock Street, London E1 8JL; tel +44 / 0171 481-1337; fax +44 / 0171 481-3425; email iac@artservs.demon.co.uk Status[ Works are not loaned Keywords[new listing, painting, photography
Personnel[ Image Director, Josep Vila i Tiana. Governing[ Hotel Committee. Business[ Hotel chain. Year[ 1982. Size[ 3,000 works. Description[ Works by young contemporary artists. Location[ In 60 hotels owned by N H Hoteles in Spain. Viewing[ In all public areas. Status[ Ongoing. Source[ Artists. Selection[ Josep Vila i Tiana. Programs[ Graphic arts, illustration, packaging design, advertisements. Publications[ Quarterly magazine on the N H Hotels. Category[ musfile, galfile, artfile
Personnel[ Manager, HRD. Governing[ Corporation. Business[ Wholesale, retail. Year[ 1935. Size[ Over 500 works. Description[ A collection of modern and contemporary Norwegian art. Media include graphics, paintings, sculptures, photography, and works on paper. Location[ Throughout the headquarters. Viewing[ Not accessible. Status[ Ongoing with regular acquisitions. Source[ Galleries. Selection[ In-house corporate staff person. Status[ Each request considered individually. Programs[ The company regularly donates 6-10 items to the employee welfare club for a lottery among the members. Category[ musfile, galfile
Personnel[ Corporate Relations, Haydn Park. Governing[ Corporation. Business[ Banking and financial services. Year[ 1975. Size[ 368 works. Description[ Collection "The Seventies" included paintings by John Brack, William Delafield Cook, Lesley Dumbrell, Ivan Durrant, Denise Green, Dale Hickey, Michael Johnson, Lloyd Rees, Jan Senbergs, Martin Sharp, Jeffery Smart, Eric Thake, Bryan Westwood; six tapestries woven by the Victorian Tapestry Workshop. Artworks acquired in merger with Commercial Banking Company of Sydney in 1981 include artists William Boissevain, Neville Cayley, Sir William Dargie, Russell Drysdale, Elioth Gruner, and George Lambert. Location[ Head office, state administrations, selected branches and overseas offices. Viewing[ By appointment. Status[ Completed. Selection[ Art committee which included two directors: Mr. W. R. M. Irvine, Mr. D. R. Argus. The collection has been assembled with the assistance of Melbourne art dealer, Georges Mora (deceased). Status[ Most works are available for loan. Exhibitions[ "The Seventies," National Gallery of Victoria, Melbourne, October/November 1982. Support[ Contributions to Art Foundation of Victoria and Art Gallery of SA Foundation. Publications[ The Seventies, catalogue of exhibition, 1982. Bibliography[ "National Australia Bank Assembles New Art Collection," Corporate ARTnews, October 1991, p. 5. "Banking on the seventies," Memory Holloway, The Age, October 20, 1982, p. 14. Keywords[painting, textile and fiber art, Australian artists. Category[ musfile
Fax[ (514) 394-6258 Personnel[ Curator, Mrs. Francine Paul. Governing[ Corporation. Business[ Banking and financial services. Year[ 1960. Size[ 4500 original works. Description[ A collection of works by Canadian and Qubec artists. Location[ In the corporate headquarters, 600 branches in Canada and offices around the world. Viewing[ On advance reservation only. Status[ Ongoing. Source[ Artists, art dealers, consultants, auctions. Selection[ In-house corporate staff person. Review Policy[ Will accept unsolicited material (slides, catalogues, etc.); write or call before attempting to visit. Status[ Art museums only. Exhibitions[ "Collection of the National Bank of Canada," Robert McLaughlin Gallery, Oshawa, Winter 1995. "Adrien Hbert," Museum of Qubec, 1993. "Moments Choisis," Art Gallery of the Universit du Qubec Montral, January - February 1993. "Jean-Paul Riopelle," Museum of Fine Arts, Montral, November 1991 - January 1992. Programs[ Traveling exhibitions. Support[ The bank sponsors many museums including the Montral Museum of Fine Arts, Montral Museum of Contemporary Art, Montral International Center for Contemporary Art. The bank also supports cultural institutions such as orchestras, theater companies, artistic associations, etc Publications[ Brochure. Bibliography[ La Presse, Montral, January 23, 1993. Keywords[Canadian artists, painting, works on paper, mixed media, graphics, sculpture, historical artifacts, photography Category[ musfile, galfile, artfile
Personnel[ Department of Archives, Annelies Koldeweg. Governing[ Corporation. Business[ Insurance. Year[ c. 1900. Size[ Over 300 items. Description[ A collection of works by Dutch artists, created between 1900-1945, and since 1960. Media include graphics, paintings, sculpture, works on paper, decorative arts, and historical artifacts. Location[ Works are exhibited throughout the corporate building. Viewing[ Not accessible for viewing. Status[ Ongoing. Source[ Galleries and commissions. Selection[ In-house corporate staff person. Status[ Each request considered individually. Programs[ Since 1975, the company has continued the tradition of commissioning Dutch artists to illustrate its annual report. Bibliography[ "Een representatief beeld," Robert-Jan-Mller, Kwartaalblad, October 1991, pp. 24-30. "Hetgrensgebied van de kunstenaar," Bart de Vries, Kwartaalblad, Number 3 1987, pp. 18-21. Category[ musfile, galfile
Personnel[ Chief Executive Officer, John Perham. Governing[ Corporation. Business[ Superannuation and pension fund managers. Year[ 1988. Size[ Fewer than 50 items. Description[ A collection of post-1960 art by New Zealand artists. Media include graphics, paintings, sculpture, photography, works on paper, mixed media, and crafts. Location[ Corporate headquarters. Viewing[ Accessible on special occasions. Status[ Ongoing. Source[ Artists, galleries, commissions. Selection[ Committee of corporate personnel and outside consultants. Status[ To art museums only. Support[ In 1988, 1989 and 1990, the National Provident Fund sponsored an inaugural award "Innovation in Craft" in association with the New Zealand Academy of Fine Arts--two awards were given for a total of $4,000.
Personnel[ General Manager, Gabriel Guzman. Governing[ Foundation. Business[ Banking and financial services. Year[ 1980. Description[ A diversified collection including contemporary and modern paintings. Some of the artists represented include Saura, Guerrero, Hernandez Pijoan, Rusinol, Santiago, Gustavo Torner, Vassarely, Frederic Amat, Burgillos, Campano, Mompo. Location[ Throughout the buildings in offices and public areas in the bank. Viewing[ Viewing available in public areas. Status[ Ongoing. Programs[ Large art gallery with continuing exhibitions and cultural activities. Photography exhibitions about natural environments. Category[ musfile, galfile
Description[ The National Heritage Memorial Fund is funded by the British National Lottery. The Fund's first acquisition in 1995 26 paintings of Dada and Surrealist art, from the Roland Penrose estate. Artists represented included Delvaux, Tanquy, Magritte, Man Ray, Dali, Masson, Ernst, Arp, Brauner, Picasso. These works will be on permanent display in the Scottish National Gallery. The lottery raised $480 million (300 pounds sterling) for the National Heritage Memorial Fund for 1995-96. Bibliography[ "British National Lottery Enters the Art Market," Godfrey Barker, ARTnewsletter, July 25, 1995, p 1.
Personnel[ Curator, NatWest Group Art Collection, Rosemary Harris. Governing[ Corporation Business[ Banking/financial services. Sponsorship[ The NatWest Group is undertaking a detailed review of its arts sponsorship policy. We are currently in the process of making a limited return to national arts sponsorship through the support of a small portfolio of activities. These are being assessed in terms of success in associated NatWest with creativity, quality and excellence particularly amongst young people, making arts more accessible to communities in which we operate and offering corporate hospitality opportunities. The main features are the NatWest 90s Prize for Art, which is open to artists who are age 35 or less and the Royal Shakespeare Company/NatWest regional tour. The Prize for Art is in its fifth year, and is the most valuable arts award in the United Kingdom. The RSC regional tour brought world class theatre to 16 venues across the country. On a national level, it is unlikely that the NatWest Group will enter into new commitments until its review is completed. Description[ The NatWest Group Art Collection contains paintings, sculptures, drawings, prints, silver, porcelain, clocks, furniture, and tapestries. It was originally formed from the combined works owned by the National Provincial Bank, Westminster Bank and District Bank, when they merged to form National Westminster. The collection includes historic works from the seventeenth-century onwards, notably by George Romney, John Russell, Antonio Joli, Gerrit van Honthorst, Jan Baptist Weenix, William Beechey, and twentieth- century British art. Some of the artists represented include: Frank Auerbach, Gilbert and George, David Hockney, Patrick Caulfield, Ivon Hitchens, Bridget Riley, Patrick Heron, Michael Craig-Martin, Howard Hodgkin, and Arthur Boyd. Currently there is a focus on acquiring works by contemporary British artists. Exhibitions[ "Elisabeth Vellacott," Kettle's Yard, Cambridge, July 27 - September 10, 1995. "Anne Redpath 1895-1965: Centenary Exhibition," Portland Gallery, London, June 23 - July 21, 1995. "Medardo Rosso's Contemporaries," The Henry Moore Centre for the Study of Sculpture, Leeds, July 14 - August 20, 1994. "Canaletto and England," Birmingham Museum and Art Gallery, October 14, 1993 - January 9, 1994. "Hidden Treasures from Oxfordshire Houses," Ashmolean Museum, Oxford, July 27 - October 17, 1993. "Capital Painting, Pictures from Corporate Collections in the City of London," Barbican Art Gallery, 19 April to 10 June 1984, London. Bibliography[ "Eye for Art," Times of London, Melinda Wittstock, May 4, 1993, Business Section. "Investing the Shareholders' Money, Anthony Thorncroft, Art Newspaper, vol. 5, no. 41, October 1994, p. XIV. "News from Everywhere," Harry Morton, Going, Sotheby's Educational Studies Alumni Newsletter, Summer 1993, p. 4. "National Westminister Bank Forms Contemporary Collection," Corporate ARTnews, February 1992, p 2. Paul Atterbury. Capital Painting. London[ Barbican Art Gallery, 1984. pp. 16, 33, 34, 42, 57, 59, 120, 121. "Banking on Art," Paddy Kitchen, Country Life, vol. 183, June 8, 1989, pp 306-308. ASBA Annual Report 1985/86, Association for Business Sponsorship of the Arts, Colin Tweedy, November 1986, London. Keywords[painting, British artists, sculpture, works on paper, graphics, decorative arts, textile and fiber art, pre-19th century art, 19th century art. Category[ musfile, galfile DE NEDERLANDEN VAN 1870 See Generali verzekeringsgroep nv
Personnel[ President. Governing[ Corporation. Business[ Engineering. Year[ 1971. Size of Collection:Over 50 works. Description[ A collection of post-1922 art which features Finnish artists. Media include graphics, paintings, sculpture, and textile art. Location[ Throughout the corporate headquarters. Viewing[ Accessible to customers and staff. Status[ Ongoing with occasional acquisitions. Source[ Galleries. Selection[ President of the company. Status[ Each request considered individually.
Personnel[ President, H.H.M. Groen. Governing[ Corporation. Business[ Financial services. Year[ 1988. Size[ Less than 100 works. Description[ A collection of works by Dutch artists, created since 1945 up to the present. Media include paintings, sculpture, photography, works on paper, decorative arts, mixed media. Location[ In the corporate headquarters, in public areas and throughout the building. Viewing[ Not accessible for viewing. Status[ Ongoing. Source[ Artists, galleries. Selection[ Committee of corporate personnel and outside consultants. Status[ Each request considered individually. Support[ The company has sponsored museum exhibitions. Publications[ Items from the collection are usually reproducted in the annual report.
Website Address[ http://www.nestle.com/Html/Responsibility/donation.asp Personnel[ Responsable de la Dcoration Artistique, Department des Communications Visuelles, Grard Hartwig. Business[ Food products, pharmaceuticals, cosmetics, etc. Size[ Several hundred works. Year[ The majority were acquired after 1985. Description[ Nestle's headquarters are located in Vevey in a landmark Modernist-style aluminum building designed in 1959-60 by the Swiss architect Jean Tschumi who was awarded the Reynolds Memorial Prize in 1960 for his creative use of aluminum at Nestle. The collection originated when Paul Jolles, the eminent Swiss diplomat and internationally distinguished economist became Chairman of the Board of Directors in 1984. The core collection was assembled by a committee of recognized authorities: Maurice Besset, Professor of Art History and Architecture at the University of Geneva; Franz Meyer, former Director of the Kunstmuseums in Basel; Jean-Christophe Ammann, director of the Museum of Contemporary Art in Frankfurt and Kasper Konig. A 20th century collection of art in all media, the majority by established or emerging young Swiss artists, with additional works by international artists. Some of the important works commissioned for the Nestl Research Center in 1986 include an exterior ceramic and enamel wall designed by Edouard Chapallaz, Fleurs d'Argile; a stained glass window by Charles Cottet; a stone sculpture by Gaspart Delachaux; a group of 4 sculptures by Owsky Kobalt; a bronze by Pierre Oulevay; an oil painting on aluminum, The Fall of Icarus by Pietro Sarto; and a suspended acrylic construction by Anouk Stussi. Some of the other artists represented in the main headquarters include Eduardo Chillida, Calder, Sol LeWitt, Christo, Lurat, Tinguely, Hodler, Csar, and Erni. Media include graphics, paintings, sculpture, photography, works on paper, textiles, mixed media. The company also acquires paintings and works of art for its offices and conference rooms, as well as for the Nestle collection at the Musee des Beaux Arts in Vevey, site of our corporate headquarters. The acquisition policy is to acquire contemporary works by reasonable well- known Swiss or foreign artists who have lived or shown their work in Switzerland. The works on display at the Musee des Beaux Arts in Vevey are sometimes used when the museum organizes exhibitions around a certain theme along with those that belong to the museum itself. The collection has also been the subject of exhibitions illustrating the collaboration between Nestle and the museum. Location[ The art collection is located throughout the corporate headquarters in Vevey and in Nestle's resesarch center. Museum: Tuesday - Sunday, 10:00 - 5:00; closed from 12:00 - 2:00 every day. Viewing[ Generally not accessible for viewing except those works that are located on the exterior grounds of the headquarters in Vevey. Status[ Ongoing. Source[ Artists, galleries. Selection[ Committee of corporate personnel and outside consultants. Status[ Museums only. Support[ Nestl Company is an active supporter of the arts. It was the sponsor for the exhibition of the "Collection of the Maharaja of Jaipur," at the Muse de l'Elyse in Lausanne, June-August 1987. The company contributes to the operating costs of the Muse d'Alimentation in Vevey, Switzerland. This museum deals with the history, production, transport, marketing and consumption of food, and the delicious pleasures of the gourmand. It features antique and modern equipment and decorative arts, graphic exhibits and audiovisual reconstructions. FONDATION NESTLE POUR L'ART Rue Bellefontaine 2 , CH-1003 Lausanne, SWITZERLAND Tlephone: +41 (0)21 329 01 73 Fax: +41 (0)21 329 01 74 General Secretary, Rosmarie Richner. Nestl S.A.'s long commitment to the arts was specifically recognised in 1991 by the creation of the Fondation Nestl pour l'Art on the occasion of the company's 125th anniversary. Its mission is to encourage and support artistic quality and innovation in Switzerland and to promote international contacts. Acting in a field complementary to that of the founding company, being audacious and taking risks, unlocking potential, encouraging a new approach and striving for excellence at all levels are the challenges the Foundation faces every day. The Foundation operates in the areas of visual arts, music, theatre and other related activities. It also supports projects whose interdisciplinary character exclude them from support from more specialised institutions. The Foundation operates throughout Switzerland and grants support to Swiss individuals, associations and institutions and to foreign artists involved in creative projects or activities that contribute to enhancing the country's cultural environment. In some cases it may also contribute to exhibits or performances abroad that encourage international exchange or are related to the Swiss cultural scene; for the production and dissemination of new works of art in a public environment. The area of the visual arts, covering all supports used, is key focus of the activities of the Foundation. The preference is for exhibitions by individual artists or a group of artists, either Swiss or foreign, which make it possible to discover new works created especially for a certain place. The choice of the artist or artists, the quality of the concept and also the commitment to a place favouring contemporary art in general are the factors taken into consideration for evaluating the projects submitted. Requests for funding or support of an exhibition must be made to the Foundation by the organiser of the event. The Foundation is not involved in: buying works of art ; exhibition in private galleries ; films (long or short) ; or publishing works Publications[ The Nestle Art Collection, The. Vevey 1993. 124 pages,. quer 4to. kart. Rueckriem, Kirkeby, Ellsworth Kelly, Calder, Fischli/Weiss, Boetti, Cesar, Christo, Graeser, Hodler, LeWitt, Tinguely u.a. - Kunstfoerderung? [Kunst/ Arts/ ] Bestellnummer 46275 | EUR 18.48 Collection Nestl, the 1986 edition reproduces 24 works from the collection, the 1987 edition illustrates 30 works. Bibliography[ Art for Work, Marjory Jacobson, Harvard Business School Press, Boston, 1993, pp. 140-143. Category[ musfile, galfile, artfile
Personnel[ Corporate Services Assistant Manager, J E Bladon. Governing[ Corporation. Business[ Insurance / financial services Year[ 1984. Size[ Over 50 artworks. Description[ A collection of 19th-, early 20th-, and post-1960 British art.Media include graphics, paintings, sculpture, photography, works on paper, mixed media, crafts, fiber art, memorabilia, and historical artifacts. Eight embroidered/ appliqued/ painted panels were commissioned for the reception area. The company moved into its new head office in 1984, and the art collection was selected and commissioned to complement the new building. Location[ Throughout the corporate headquarters. Viewing[ Portions of the collection are accessible for public viewing. Status[ Completed. Source[ Through specialized art consultant: Peter Harris, International Art Consultants Ltd, 15 Dock Street, London E1 8JL; tel +44 / 0171 481-1337; fax +44 / 0171 481-3425; email iac@artservs.demon.co.uk Selection[ Committee of corporate personnel. Status[ Not accessible for loan. Keywords[19th century art, graphics, painting, sculpture, photography, works on paper, mixed media, crafts, textile and fiber art, memorabilia, commissioned art, British artists.
Personnel[ Director (President of Nichido Gallery), Tokuhichi Hasegawa. Governing[ Foundation (Founders[ Mr. & Mrs. Jin Hasegawa, founders of the Nichido Gallery). Business[ Art gallery, dealer. Year[ The museum opened in 1972. Description[ The museum was founded on the occasion of the 45th anniversary of the Nichido Gallery. The collection consists of Japanese paintings, drawings and sculptures since the Meiji era as well as European paintings and sculptures including Kisling and Manzu. Location[ Kasama Nichido Museum. Viewing[ 9:00 - 6:00 April through September; 9:00 - 5:00 October through March. Status[ Ongoing. Source[ Former collection of Mr. & Mrs. Jin Hasegawa, Nichido Gallery. Category[ musfile, galfile
Personnel[ Ms. Margaret Dippolito. Exhibitions[ "Ontario Corporations Collect", McMichael Canadian Art Collection, Klienburg, Ontario, November 13, 1994 - February 5, 1995. Bibliography[ Hidden Values by Robert Swain, Douglas & McIntyre, Vancouver/Toronto 1994, 164p, 100 ill. Keywords[Canadian artists. NMB BANK See ING Bank
Personnel[ Administrator, Office Services: Debra Heemeryck. Governing[ Corporation Business[ Oil & Gas Size[ 200 works Description[ The Collection is currently under review and is being liquidated. Viewing[ The Collection is not accessible for public viewing. Status[ Complete. Review[ Will not accept unsolicited material. Status[ Each request considered individually. Exhibitions[ "Western Corporations Collect", The Edmonton Art Gallery, September 17 - November 6, 1994 Bibliography[ Hidden Values by Robert Swain, Douglas & McIntyre, Vancouver/Toronto, 1994
Personnel[ Art Committee; Head of Information, Liv Kielland. Business[ Central Bank. Year[ 1956. Size[ 930 works. Description[ A selection of contemporary Norwegian art that includes graphics, paintings, sculpture, works on paper, and textiles. Some of the artists represented include Bruce Carter, Chrix Dahl, Herman Bendixen, Gunnvor Advocaat, Henrik Finne, Rolf Nerli, Else Hagen, Paul Gawgin. Location[ Throughout the headquarters. Viewing[ Available for viewing on special occasions; otherwise by prior appointment. Status[ Ongoing with regular acquisitions. Source[ Galleries, specialized corporate art company. Selection[ Committee of corporate personnel and outside consultants. Status[ Each request considered individually. Category[ musfile, galfile
Personnel[ Head of Information. Governing[ State-owned corporation. Business[ Banking and financial services. Year[ 1982. Size[ Over 50 works. Description[ A collection of post-1960 Norwegian graphics, paintings, sculpture, works on paper, decorative arts, textiles, crafts. Some of the artists represented include Thorstein Rittun, Harald Oredam, Fritz Roed, Leonard Rickhard, Ingunn Skogholt, Anne-Marie Komissar, Ase Pedersen, Kjell Torriset, Snorre Kyllingmark, Ingrid Mortensen, Thore Heramb. Location[ Throughout the building. Viewing[ Not accessible. Status[ Ongoing with occasional additions. Selection[ In-house corporate staff person. Status[ Each request considered individually.
Website Address[ http://www.transcanada.com Personnel[ Property and Services; Art Consultant. Governing[ Corporation. Business[ Natural gas transmission and marketing; petroleum, petrochemicals, manufacturing and consulting and research. Year[ 1978. Size[ Over 2000 works. Description[ The collection includes sculpture, paintings, works on paper and photographs from Canada with a limited number of works by American and European artists. Major Canadian artists include Jean-Paul Riopelle, Yves Gaucher, Charles Gagnon and Gershon Iskowitz. American artists include Frank Stella, Claes Oldenburg and Alex Katz. Location[ Primarily in the Calgary Head Office, but there are also works in some of the subsidiary offices. Viewing[ The collection is primarily for the benefit of employees. Tours are conducted occasionally depending on group size and interest. Selected works are exhibited occasionally in the public areas of the company's head office complex. Status[ Purchases are currently on hold but will be resumed in the future with the aim of continually upgrading the collection. Source[ Artists, art dealers, consultants, auctions. Selection[ Committee of corporate personnel and outside consultant. Review[ Will not accept unsolicited material (slides, catalogs, etc). Status[ Each request considered individually. Bibliography[ Canadian newspapers and magazines have carried articles on the collection. Keywords[graphics, sculpture, paintings, works on paper, mixed media, crafts, folk art, textile and fiber art and weavings, commissioned works, art by American artists, photography, Canadian artists. Category[ musfile, galfile, artfile
Personnel[ Vice President and General Manager Corunna Business, R. D. Kennedy; Art Consultant, Kathleen McGugan. Governing[ corporation. Business[ Manufacturer of petrochemicals. Year[ c. 1978. Size[ Over 100 works. Description[ The collection is representative of contemporary Canadian art, reflecting current trends and including artists, both established and emerging from all areas of Canada. Includes paintings, prints, drawings, wall hangings and some sculpture. Artists from all parts of Canada are represented including both native Inuit and Indian artists. The collection was selected for the administrative offices in Sarnia. Location[ The collection is displayed in the Novacor offices and public areas. Viewing[ The collection is not accessible for viewing. Status[ Completed. Source[ Consultants. Review Policy[ Will not accept unsolicited slides, catalogues, etc.). Status[ Works are not loaned. Bibliography[ "Polysar Opens Its Doors to Art," Jeanne Parkin, Business Quarterly, Volume 44, Spring, 1979, pp. 76-79. Keywords[Canadian artists, painting, graphics, works on paper, textile and fiber art, sculpture, Native American art and artifacts.
Personnel[ Secretary, J. B. Cooke; Mrs. Brenda Mather. Governing[ Corporation. Business[ Banking/financial services, insurance. Year[ 1972. Size[ Approximately 110 pieces. Description[ A representative collection of New Zealand Art, i.e., important works by established New Zealand artists from 1840 to the present. Works include paintings, works on paper and historical artifacts. Location[ In the offices in Auckland. Viewing[ Not accessible at the present time, it for in-house viewing only. Status[ Ongoing. Source[ Artists, art dealers, consultants, auctions, company sponsored art competitions. Selection[ Committee of corporate personnel and outside consultants. Review Policy[ Will accept unsolicited material (slides, catalogues, etc.); write or call before attempting to visit; selections are made only through art consultant: Mrs. Betty Logan, 39 Chreviot Road, Kaltbourne, Wellington, New Zealand. Status[ Works are not loaned from the collection. Support[ The company has sponsored museum exhibitions: "Real People" exhibition by Duane Hansen at the Wellington City Art Gallery, November/December 1988; Monet, Canaletto, and a display of the recently excavated "Chinese Army" in ceramic at the Auckland City Art Gallery.
Personnel[ Dr. J. J. A. Meertens. Business[ Development, manufacturing and marketing of reproduction and communications equipment and document materials. The company employs 12,000 people in 25 countries. Headquarters, Research and Manufacturing is located in Venlo. Year[ Early 1950's. Description[ The Oc Art Collection began in the early fifties when one of the managing directors purchased some works of Rooskens, one of the members of the then still unknown, COBRA Group. The collection gained an important boost with the inauguration of a new headquarters building in 1975 wien large works were commissioned from such artists as Jef Diederen, Will Fruytier and Ivan Conteras Brunet. During the following years, the collection expanded rapidly. Currently works of art from Niek Kemps, Hans Reijnders, Michel Schierbeek, Richard Smeets, Frans Smeets, Jan Martens, Gerda Edens, Toon Teeken, Fons Haagmans, Ab van Hanegem, Han Schuil, Benoit Hermans, Koen Kaayk, Lataster, Pieter Defesche, Har Sanders and many other contemporary Dutch and foreign artists make up the Oc collection which creates an agreeable working environment for thousands of employees working at the Ic sites in Venlo. Location[ Throughout the Oc offices, laboratories and manufacturing departments and surroundings in Venlo. Viewing[ Works located in public areas are available for viewing. Status[ Ongoing. Source[ Artists, art schools and galleries. Exhibitions[ "KUNSTzaken," Beurs van Berlage Amsterdam, 1988. "KUNSTwerk," the Jubilee Exhibition of the Stuyvesant Foundation, Turmac Tobacco Company, Zevenaar, November 1985. Support[ Since 1961 the company has published an annual calendar featuring well-known artists such as Sol Lewitt, Peter Struycken and Jan Dibbets and architects such as Gerrit Rietveld and Aldo Rossi. Oc also sponsors the Amsterdam Academy of Fine Arts, the Dutch Student Orchestra and the local Museum of Contemporary Arts. Publications[ KUNSTzaken, catalogue to the exhibition, 1988. KUNSTwerk, catalogue to the Jubilee Exhibition of the Peter Stuyvesant Foundation, 1985, Dutch language, pp. 102-109. Category[ musfile, galfile
Personnel[ Executive Director, Eastransco Ltd., W. Rathbone. Governing[ Corporation. Business[ Industrial and distribution services. Year[ 19th century. Size[ Over 100 items. Description[ A collection of 19th and 20th century British art. Media include graphics, paintings, works on paper, and mixed media. A special feature of the collection is a group of works by the 19th century Hong Kong School. Location[ Throughout the headquarters and rotation among the branches. Viewing[ Not accessible for viewing. Status[ Ongoing with regular acquisitions. Source[ Galleries, auctions, commissions. Selection[ Committee of corporate personnel. Status[ Will consider requests, but loans from the collection are rarely approved. Support[ Occasional past donations to the National Maritime Museum. Past support for the National Maritime Museum, and the Walker Art Gallery in Liverpool. Category[ musfile, galfile
Personnel[ Chairman, Dan Huesmann. Governing[ Corporation. Business[ Insurance. Year[ 1980. Size[ Less than 100 works. Description[ Post-1945 paintings, photographs, works on paper and decorative arts by regional artists. Location[ Throughout the company's headquarters building. Viewing[ Available on special occasions. Status[ Ongoing. Selection[ Committee of corporate personnel. Status[ Not available for loan. Programs[ The company sponsors an exhibition area for the display of works by regional artists. Publications[ Only internal publications.
Website Address[ http://www.olivetti.com/cgi-bin/Societa/olivetti_arte.asp Personnel[ Director of Cultural Affairs and Design, Paolo Viti; Cultural Relations, Anna Galeazzi. Giorgio Soavi Governing[ Corporation. Business[ The leading European manufacturer of office and information equipment. Year[ 1969, art sponsorship activities began Size[ approximately 1000 works. Description[ The company has always endeavoured to combine product excellence and functionality with a focus on aesthetic values. To this end it has used the best artists and designers - Schawinski Herbert Bayer, Nizzoli, Dudovich, Pintori, Bonfante, Sottsass, Bellini, Mari, De Lucchi - who worked side by side with the product engineers to create objects with an artistic quality that have won them places as works of art in the world's museums. The collection has been built up over the years by Renzo Zorzi, custodian of the company history and the person who has coordinated the major arts events organised by Olivetti since the 1960s. The Olivetti collection includes prints, drawings, paintings and sculpture of primarily European contemporary artists. Olivetti's interest in art has fostered the gradual creation of a corporate art collection consisting of approximately one thousand works, mainly by twentieth- century Italian artists. Some of the artists represented include Pierre Alechinsky, Jean Michel Folon, Franco Gentilini, Oscar Saccorotti, Roland Topor, Giuseppe Viviani. The exhibition in Ivrea noted below, showed 79 works by 55 artists, mostly Italian, although some European names are also present: Alechinsky, Bonnard, Kandinskij, Klee, Sutherland, Vasarely and Vuillard, each of whom is present with one work. The collection grew up in two ways: first, from works purchased for Olivetti locations around the world, designed between 1940-65 by leading architects including Gae Aulenti, Carlo Scarpa, Franco Albini, who created sites where the works coming on to the art market could be displayed to their best advantage. Guttuso's Boogie-Woogie was in the Olivetti shop in via del Tritone in Rome, while Klee's Spettro di guerriero and Campigli's Maternit were in the Paris shop. The London offices were dominated by Graham Sutherland's oil painting Standing form against foliage. The shop on New York's Fifth Avenue designed by the prestigious BPPR studio featured a cement-faced wall on sand shapes designed by Costantino Nivola, which is now at Harvard University; in the "Spazio Olivetti" shop in Venice, named as a listed building by the Ministry of Culture, Alberto Viani's "Nudo al sole" bronze can still be seen. Since the end of the 1960s, part of the Olivetti collection has been commissioned from young artists to create the illustrations for Olivetti's annual gift books and desk diaries. In its promotion of art, Olivetti has often commissioned lithographs or other gift objects from established or emerging artists. A second group of works were purchased as furnishings for Olivetti offices and showrooms, and were selected by the directors of Olivetti's cultural activities at various times - Geno Pampaloni, Ludovico Zorzi, Luciano Codignola, Libero Bigiaretti, Renzo Zorzi, Giorgio Soavi, Riccardo Musatti and Paolo Volponi - or by illustrious experts like former chairman Bruno Visentini. Great intellectuals, friends, the minds behind the great exhibitions that made Olivetti a household name around the world - memorably those on Licini, Soldati, Casorati, Rosai, Spazzapan, the "Corrente" movement - from which some of the works were purchased. In other words, the collection is the result of a specific historical period in Italian culture, the tastes of the men who headed Olivetti, and their friendships. For this reason it does not have a unifying theme, but consists of a variety of works from a variety of schools of painting: the Roman school with Mafai and Melli, then Guttuso and Dorazio, the Venetian school with Cadorin, Semeghini, De Pisis and Santomaso, present with four canvases in the exhibition, the Tuscan school with Rosai and Marini. Also Birolli, Carr, Casorati, Cassinari, De Chirico, Morandi, Morlotti, Nizzoli, Tosi, to mention just the best known names. Sculptors include Emilio Greco, Arnaldo Pomodoro, Carlo Scarpa, Alberto Viani. Today, Olivetti's architectural assets - factories, offices, shops, housing, agricultural and social facilities - are part of an innovative museum system opened in 2001 by the Ivrea Town Council: the a series of guided pedestrian itineraries where people can learn more about the unique architectural and town-planning heritage built up by the Olivetti company. The history of the Olivetti collection can be divided into two main periods: the first is the period covered by the Ivrea exhibition listed below, the second is the period since the 1970s, when Giorgio Soavi began to commission work from contemporary artists to illustrate Olivetti's desk diaries and gift books. Support[ Olivetti's activities have tended to focus on three main areas: 1) the organisation of major exhibitions - including the important events dedicated to Gauguin, Mantegna, Leon Battista Alberti, Giulio Romano, The Horses of St Mark's; the last was seen by three million, two hundred thousand visitors, a record that has never been matched since; 2) important restoration projects, including the frescoes by Masaccio, Masolino and Filippino Lippi in the Brancacci Chapel, the Wedding Chamber frescoed by Mantegna in Palazzo Ducale, the Sala dei Cavalli painted by Giulio Romano in Palazzo Te, Mantua, the Baronial Hall in Manta Castle (Saluzzo), the restoration of the Cimabue Crucifix in Santa Croce in Florence, and the extraordinary restoration of Leonardo's Last Supper in Milan; 3) and promotion of contemporary artists and creation of a company art collection, comprising around one thousand pieces, mainly by 20th-century Italian artists. Some of the exhibitions which Olivetti supported were: "Italian Majolica" in the University of Cambridge's Fitzwilliam Museum and the publication of the definitive catalogue in 1995 (Olivetti Research Limited and Olivetti UK Ltd), "Mantegna," at the Royal Academy of Arts in 1992; "The Art of Ancient Mexico," in 1992 at the Hayward Gallery in London; the "Treasures of San Marco," in 1984; and in 1969 the company produced the catalogue for "The Great Age of Fresco." Exhibitions[ From November 21, 2002 - December 15, 2002. In 2002 Olivetti showed the key works from its collection in an exhibition entitled "55 Twentieth-Century Artists from the Olivetti Collection". The exhibition presented 79 works of art, mainly paintings as well as a small group of sculptures, by 55 Italian artists of the 20th century. The works of art represented a variety of schools of painting: the Roman school with Mafai, Melli, Guttuso and Dorazio, the Venetian school with Semeghini, De Pisis and Santomaso, the Tuscan school with Rosai and Marini, and also Birolli, Carr, Casorati, Cassinari, De Chirico, Morandi, Morlotti, Nizzoli, Tosi. European artists included Alechinsky, Bonnard, Kandinskij, Klee, Sutherland, Vasarely and Vuillard. Sculptors included Emilio Greco, Arnaldo Pomodoro, Carlo Scarpa, Alberto Viani. The venue was the historic Officina H, designed in 1957 by Eduardo Vittoria as a project covering the courtyard of the "New I.C.O." building and renovated in 2001 to house art, culture and entertainment events. With its 20 skylights, the roof is light and luminous, almost suspended, while the slightly blue tilted glass windows create a tranquil minimalist atmosphere in the 6000 sq.m area. The exhibition layout has been designed by Michele De Lucchi, author of some of Olivetti's most successful products since the 1970s. "Os artistas e a Olivetti" ("Artists and Olivetti"), April 15 - May 15, 1976, Museu de Arte, Sao Paulo, Brazil. 170 artworks exhibited. Bibliography[ Information about the collection is available on the company's website: http://www.olivetti.com/cgi-bin/Societa/olivetti_arte.asp 55 Twentieth-Century Artists from the Olivetti Collection: Key Works from the collection of the top Italian Company, 2002, published by Skira to accompany the exhibition listed above. "Corporate Art Collections," Art & Auction "Olivetti" by Deborah Gimelson, October 1987, p. 169. Os artistas e a Olivetti Renzo Zorzi, P. M. Bardi, Museu de Arte, Sao Paulo, 1976, 149 pp. Keywords[graphics, painting, sculpture, works on paper. Category[ musfile, galfile, artfile Corporation[ OMERS Ontario Municipal Employees Retirement Board Suite 1000, One University Avenue, Toronto, ON, CANADA M5J 2P1. (416) 369-2400 Website Address[ http://www.omers.com Personnel[ Mr Michael Beswick; Art Advisor, Patricia James. Governing[ Association / Pension Fund Business[ Municipal Pension Fund Management. Year[ 1986 Size[ 200 works Description[ The Collection contains contemporary works by resident Ontario artists and craftspersons. It includes original graphics, paintings, sculpture, photography, works on paper (drawings, watercolours, etc), mixed media, textile / fiber art, ceramics, and glass. Location[ Head Office. Viewing[ By appointment. Status[ Ongoing. Source[ Outside consultant. Selection[ Outside consultant. Review[ Selections are only made through art consultant Patricia James, 92 Heddington Avenue, Toronto, M5N 2K8. Telephone (416) 482-0514; fax 416-486-7090. Status[ Each request is considered individually. Exhibitions[ "Celebrating Ontario - OMERS Art Collection", Tom Thomson Memorial Art Gallery, Owen Sound, Ontariio, October 1994. "Ontario Corporations Collect", McMichael Canadian Art Collection, Klienburg, Ontario, November 13, 1994 - February 5, 1995. Activities[ "Meet the Artist" sessions and Consultant Talks for employees. Publications[ Celebrating Ontario, exhibition brochure, 1994. Bibliography[ Hidden Values by Robert Swain, Douglas & McIntyre, Vancouver/Toronto 1994, 164p, 100 ill. & Keywords[ graphics, painting, sculpture, photography, works on paper, mixed media, fiber art, crafts, Canadian artists, regional artists (resident Ontario) Category[ musfile, galfile
Personnel[ Joan Ferneyhough. Governing[ Commission Business[ Transporation Description[ Collection of works by Canadian artists. Exhibitions[ "Ontario Corporations Collect", McMichael Canadian Art Collection, November 13, 1994 to February 5, 1995. Bibliography[ Hidden Values by Robert Swain, Douglas & McIntyre, Vancouver/ Toronto 1994, 164p, 100ill. & Keywords[ Canadian artists.
Personnel[ Chairman of the Board, Arvi Paloheimo. Governing[ Corporation. Business[ Building materials. Year[ 1930. Size[ Over 50 works. Description[ A collection of pre-World War II 20th century art by Finnish artists. Media include graphics, paintings, sculpture, photography, and works on paper. Location[ Throughout the corporate building. Viewing[ Only with prior appointment. Status[ Ongoing with occasional acquisitions. Source[ Artists, commissions. Selection[ In-house corporate staff person. Status[ To non-profit organizations. Programs[ Sponsors an exhibition area for the display of regional artists.
Personnel[ General Manager, Ruth Harrison. Governing[ Corporation. Business[ Hotel. Year[ 1968. Size[ 18 art works. Description[ Sculpture by UK artists: Lynn Chadwick's The Beast and Man and Woman, and Elisabeth Frink's Man on Horse. Paintings by William Boissevain, Ray Crooke, Robert Juniper, Leon Pericles, Guy Warren. Also collection of antique furniture. Location[ Lobbies, bar, restaurant, function rooms, and hotel rooms. Viewing[ Yes, but only in public areas. Status[ Completed. Keywords[sculpture, painting, commissioned art, decorative arts.
Year[ 1991 Size[ Over 120 pieces. Description[ A selection of contemporary art by British artists-- both established as well as emerging artists. Some of the artists represented include Michael Sandle, Joanna Buxton, Peter Doig, Zoe Benbow, Jenny Franklin, Maggi Hambling, John Keane. Media include paintings, sculpture, and textiles. Status[ Ongoing Selection[ Contemporary Art Society, 17 Bloomsbury Square, London WC1A 2LP; tel +44 171 831 7311; fax +44 171 831 7345. Bibliography[ "Parsimony Paints a Poor Picture," Antony Thorncroft, Financial Times, August 8, 1992, p 14. Keywords[British artists, painting, sculpture, textiles and fiber art.
Personnel[ Corporate Affairs, Sue Cox. Governing[ Corporation. Business[ Passenger, container and bulk shipping; road transport; warehousing, harbour and ferry operations; house building; property construction, development and investment; service industries including exhibition services, catering and security. Year[ Collected over 150 years. Size[ 800 prints and drawings, 182 ship models and various memorabilia. Description[ A collection of paintings, prints, ships models. The collections reflects the interests of the company in shipping, and its historical trading links around the world. Some of the artists represented include Thomas Daniell, Andrew Nicholl, Philip Alexis de Laszlo, Charles David Cobb, Charles Dixon. Location[ In the P&O London Head Office and offices in P&O Group companies. Viewing[ By prior arrangement only. Status[ Ongoing. Source[ Galleries, auctions. Selection[ In-house corporate staff person. Status[ Each request considered individually. Exhibitions[ Past loans to exhibitions at the National Maritime Museum. Bibliography[ Paul Atterbury. Capital Painting. London: Barbican Art Gallery, 1984. pp. 16, 38, 40, 44, 47-48. Category[ musfile, galfile
Personnel[ Governing[ Corporation Business[ operates North Sea ferries. Year[ 2001 Size[ Description[ In 2001, the company selected are for its two new cruise-ferries to service the Rotterdam-Europoort to Hull route -- the PMS Pride of Rotterdam and the MS Pride of Hull. Since the company is Dutch/British, the artists selected for the project are Dutch or British artists. Both the Pride of Rotterdam and the Pride of Hull were built in 2001, have 11 decks, and can carry 546 passengers. For the MS Pride of Rotterdam, over 20 artists were commissioned to create works for the on- board public areas including monumental glass mosaics by Barbara Broekman and neon columns by Titia Ex. For the cabins, 7 Dutch and 6 British artists made a limited edition of graphic art works. Some of the artists represented include: Ton Dubbeldam (NL); Susan Schildkamp (NL); Piet Warffemius (NL); Matthew Radford (GB); Tim Maguire (GB); Martin van Vreden (NL); Jan Hendrix (NL); Enric Adsera Riba (S/NL); Arjan van Arendonk (NL); Jacobien de Rooy (NL); Araun Gordijn (NL); Peter Dumas (NL); Hugo Kaagman (NL); Milou Honig (NL). The artists that created limited edition graphics included: Jan Cremer (NL) Harrie Gerritz (NL) Diana van Hal (NL) Ondine de Kroon (NL) Joost Minnigh (NL) Vincent van Ojen (NL) Martin van Vreden (NL) Bob Batchelor (GB) Ruth Beardsworth (GB) Susie Perring (GB) Trevor Price (GB) Willie Rodger (GB) Sonia Rollo (GB). For the MS Pride of Hull, The buffet restaurant has four floral painted 40" x 197" panels by the painter, Hennie Van der Vegt. Some of the artists represented include Barbara Broekman (NL), Titia Ex (NL), Susan Schildkamp (NL); Piet Warffemius (NL); Matthew Radford (GB); Tim Maguire (GB); Martin van Vreden (NL); Jan Hendrix (NL); Enric Adsera Riba (S/NL); Arjan van Arendonk (NL); Jacobien de Rooy (NL); Araun Gordijn (NL); Peter Dumas (NL); Hugo Kaagman (NL); Milou Honig (NL). The artists that created limited edition graphics included: Jan Cremer (NL) Harrie Gerritz (NL) Diana van Hal (NL) Ondine de Kroon (NL) Joost Minnigh (NL) Vincent van Ojen (NL) Martin van Vreden (NL) Bob Batchelor (GB) Ruth Beardsworth (GB) Susie Perring (GB) Trevor Price (GB) Willie Rodger (GB) Sonia Rollo (GB). Location[ Throughout the two ferries in public areas and cabins. Viewing[ In the public areas of the ferries Status[ completed . Bibliography[ new listing
Personnel[ President-Director General, Daniel Hmard; Director, Communication, Marc Boniface; Chef de Groupe Mcnat, J. P. River; Attach de Direction, Bernard Livry. Governing[ Corporation. Business[ Producer of liqueurs and spirits. Year[ 1988. Size[ Less than 50 works. Description of Activity[ A beginning collection of paintings (Ceccarelli, Tisseraud, Tommasini, Hurteau, Plagnol, etc.) and sculpture (Faud, Biz, Rispal), created since 1960. During 1988 the company initiated The Collection Pernod Mcnat, a series of monographic catalogues on contemporary French painters. The first monograph, which has already been published, presents the work of painter Jean-Jacques Ceccarelli. During 1989 monographs on Serge Plagnol and Philippe Hurteau were produced. Pernod plans to produce three or four catalogues yearly, each in an edition of 500 numbered copies. Location[ Located in the work areas of the company in Creteil. Viewing[ Available for viewing in public areas. Status of Collection Ongoing, with regular additions. Source[ Artists, galleries. Selection[ Art advisors. Status[ The company hopes to organize a traveling exhibitions of the collection in the future. Support[ Pernod sponsored the exhibition "Aspects of Abstract Art of the '50's" which opened in September at Pernod and circulated in France during 1989. The exhibit included works by de Nicholas Stal, Paul Jenkins, Serge Poliakoff, Hans Hartung, and others. During 1988 Pernod sponsored "Painters of the '80's," a group of about 300 works by 75 European artists, which traveled in Europe. Publications[ Internal brochures, catalogues, etc. Bibliography[ "Pernod's Publishing Project," Corporate ARTnews, April 1989, p. 4. Articles have appeared in Beaux Arts Magazine, Cimaise, and L'Oeil magazines.
Personnel[ Curator, Petro-Canada Art Programme, Pauline Lindland. Governing[ Corporation Business[ Oil and gas, Crowne Corporation. Year[ 1980. Size[ 1700 works. Description[ A collection of two-dimensional works of art in all media, by living Canadian artists. An attempt is made to represent all regions of Canada in the collection and the focus is to encourage the vitality of the visual arts across Canada. In early 2001, Petro-Canada downsized the collection by donating most of it to museums and other institutions. According to Hazel Gillespie, National Community Manager for the company, "The collection had gotten quite large and the maintenance costs were high," The works, including 26 rare First Nations masks, were considered one of the more significant corporate art collections. But, more important, the collection represented a sense of pride and nationalism- Canadian works of art collected by a Canadian company interested in investing in Canadian culture. Location[ In corporate offices across Canada. Viewing[ Arrangements may be made with the Curator to view the collection. Status[ Ongoing Source[ Artists, art dealers, art consultants. Selection[ Pauline Lindland. Review[ Will accept unsolicited material (slides, catalogs, etc); write or call before attempting to visit. Status[ Each request considered individually by the Curator. Programs[ Exhibitions of works from the collection are mounted in corporate spaces across the country. Publications[ Celebration 88, a catalogue on the corporate art collection, written by the Curator on the occasion of the 1988 Winter Olympics in Calgary. Bibliography[ "If axing the corporate art collection, company chef, and penthouse offices wasn't enough proof, Petro-Canada was cutting its red roots, " Tony Seskus, CanWest News, July 31, 2003. "Business Losing its Taste for Art," Tony Wong, Toronto Star, July 1, 2001, p. 1. "PetroCan Investing in Art," The Vancouver Province, November 18, 1980, p. 85. Keywords[Canadian artists, painting, works on paper, sculpture, graphics. Category[ musfile, galfile, artfile
Fax[ 95 221 51 07 Personnel[ Director Eugenio Chicano. Governing[ Ayuntamiento de Malaga. Business[ Cultural foundation. Year[ 1988. Size[ 229 inventoried works. Description[ A collection of oil paintings, prints, drawings, sculptures and ceramics from Pablo Ruiz Picasso. Donations from Luis Molledo. Artists represented include Rodolfo Alvarez Santalo, Enrique Queipo, Eugenio Chicano, Pilar Bringmann, Francisco Hidalgo, Manolo Morales, Paco Aguilar, Antonio Diazdel, Sebastian Navas, Francisco Hernandez, Maria Jose Vargas Machuca, Sebastian Camps, Diego Santos, Arne Haugen Sorensen, Perry Macon Oliver, Stefan, Enrique Bringmann, Rafael Gonzalez Alvarado, Jose Guevara Castro. Location[ In the foundation. Viewing[ Accessible. Status[ Ongoing. Source[ Acquisitions, donations, temporary loans. Selection[ Eugenio Chicano, Director of the Foundation. Status[ Each request considered individually. Exhibitions[ Past exhibitions have included "The Vollard Suite of Picasso," "Pablo Picasso[ Graphic Works from the Collection of the Pushkin Museum of Fine Arts in Moscow," both during 1991; "The Magic of Picasso[ 100 Photographs of David Douglas Duncan," in 1989. Programs[ "Octubres Picassianos," and "Los Lunes con Picasso." Traveling exhibitions. Support[ "The Pablo Ruiz Picasso Para las Artes Plasticas" grant. Publications[ Bulletin of the foundation; catalogues of "Octubres Picassianos," and annual exhibitions. Category[ musfile, galfile
Personnel[ Mrs. E. Gelderman. Governing[ Corporation. Business[ Banking. Year[ 1988. Size[ Less than 50 items. Description[ A collection of paintings and graphics by Dutch artists, created after 1960. Location[ In public areas of the bank. Viewing[ In public areas. Status[ Completed. Source[ Artists, galleries. Selection[ Committee of corporate personnel. Status[ Not available for loan.
Website Address[ http://www.philipmorrisinternational.com/pages/eng/community/Arts.asp In addition to the collection described under the United States Listings, the company has collections in other operating companies in Europe and Australia: Switzerland: Commissions: 1964 sculpture by Andre Ranseyer; 1971 sculpture by Angel Durate purchased by the Neuchatel factory of Swiss affiliate, Fabriques de Tabac Reunies S.A. Collection: 1977 Jean Arp's sculpture Torse-Chevalier. Australia: 1967 sculpture by Lenton Parr, commissioned for the Philip Morris manufacturing complex in Australia; 1974-present Philip Morris Arts Grants purchase funds of $150,000 to buy and exhibit works by innovative Australian artists for Philip Morris (Australia) Ltd. Germany: 1977 Hannsjorg Voth's painting Platz der Macht purchased for headquarters building, Munich, by Philip Morris GmbH Munich; 1978 Overly by Dorothea Reese-Heim: tapestry commissioned for administrative reception area of Philip Morris GmbH Munich. Canada: 1976 Outdoor Poster Art Display by Quebec artists Jean-Paul Mousseau, Edmund Allenyn, Denis Juneau, Claude Girard and Marcel Bellerive shown on company billboards; 1977 Billboard Art Display: original paintings created for billboard space by artists Jocelyn Jean, Jacques Hurtubise, Marcelin Cardinal, Peter Gnass and Robert Savoie, shown on company billboards. Netherlands: 1982 Rotating exhibitions: works from the Stedelijk Museum, Amsterdam, at Philip Morris Holland. Sponsorship[ The original ASEAN (Association of South East Asian Nations) Art Awards took place in 1994, after their evolution from the Singapore Art Awards the year before. The Awards, once confined to painting, include all two-dimensional forms of art and are chosen to compete in the ASEAN final through simultaneous national competitions that take place throughout Southeast Asia. Initially an annual event, the ASEAN Awards now take place every two years. They have entrants from eight countries, ranging from Malaysia to Vietnam, and are welcoming more nationalities as the years progress: Myanmar is the latest country to join the event, with its first national winners joining the 2002 ASEAN final in Bali, Indonesia. More than 18,000 works of art have been submitted to the competition since it started, and over 150,000 people have attended the awards. In 2002 the ASEAN regional exhibition also featured selected artworks from Cambodia and Laos. Philip Morris was a founding sponsor, and continues to support the awards along with the ASEAN Secretariat and 33 national art institutions throughout the region. Philip Morris also supports the 50-year-old Karlovy Vary International Film Festival in the Czech Republic. In 1999 the Freedom Film Festival presented the Philip Morris Freedom Award for the best film by a new director in the "East of the West" strand of the festival.
Personnel[ Interior Architect, Harry Rozemuller. Governing[ Corporation. Business[ Electrical product/components. Description[ A group of pre-19th century, 19th-century art by regional, Dutch and international artists. Media include graphics, paintings, sculpture, works on paper, mixed media, textiles, and historical artifacts. The company does not have a formal art program and has acquired artworks through the years on an informal and irregular basis. Generally new additions are made only per occasion and through different departments for renovations, or new building projects. Location[ Throughout the corporate headquarters. Viewing[ Not available for viewing. Status[ Ongoing. Source[ Artists, galleries. Selection[ In house-corporate staff person and outside consultants. Support[ The company has sponsored museum exhibitions; corporate member of Van Abbe Museum, Eindhoven, and the Stedelijk Museum, Amsterman. Category[ musfile PHILIPS NEW ZEALAND LTD. See Appendix
Personnel[ Public Relations. Governing[ Corporation Business[ One of the top ten British insurance companies. Description[ A small collection of portraits relevant to the company's history and area of activity. Exhibitions[ "Capital Painting, Pictures from Corporate Collections in the City of London," Barbican Art Gallery, 19 April to 10 June 1984, London. Bibliography[ Paul Atterbury. Capital Painting. London[ Barbican Art Gallery, 1984. pp. 16, 42.
Personnel[ Interior Designer, Linda Anderson. Governing[ Corporation. Business[ Banking (145 banks in Sweden) Year[ 1950's. Size[ Over 5000 works. Description[ A large collection of contemporary Swedish and international art. Media include graphics, paintings, sculpture, photography, works on paper, decorative arts, mixed media, textiles, crafts, folk art and memorabilia Location[ Throughout the headquarters and in bank offices throughout Sweden. Viewing[ Accessible for regular viewing. Status[ Ongoing. Source[ Artists, galleries, commissions. Selection[ Committee of corporate personnel. Status[ Works are available for loan; each request considered individually. Category[ musfile, galfile, artfile
Personnel[ Personnel Department, Lil Telostedt. Governing[ Corporation. Business[ Financing company. Year[ c. 1975. Description[ A group of contemporary art by Swedish and international artists. Media include graphics, paintings, photography, works on paper, textiles, and advertising art. Viewing[ Not accessible for public viewing. Status[ Ongoing with occasional additions. Source[ Galleries. Selection[ In-house staff person. Status[ Works are not available for loan. Programs[ The company sponsors an art club
Personnel[ Vice President and Controller: Ron Lehtovaara, Manager, Corporate Reporting: Tony Giardini. Governing[ Corporation Business[ Mining Size[ 50 works Description[ The collection includes paintings, sculpture and works on paper by well known Canadian artists such as A.Y. Jackson, Henri Masson, A.J. Casson, Gordon Smith, Goodridge Roberts, David Milne, Jean Paul Riopelle, Ivan Eyre, Norval Morrisseau and J.F. Lansdowne. Location[ The collection is distributed throughout the corporate headquarters in Vancouver and the branch office in Toronto, as well as in various other locations. Viewing[ The collection is not accessible for public viewing. Status[ The collection has been completed. Source[ Art dealers and consultants. Review[ Will not accept unsolicited material (slides, catalogues, etc). Loan[: Works are not loaned from the collection. Activities[ The corporation, in certain instances, donates works of art to museums and/or non-profit organizations. Keywords[Canadian artists, painting, sculpture, works on paper. Category[ musfile
Personnel[ General Manager, Roger Gorman; Sales Manager, Shariffah Flanagan. Governing[ Corporation. Business[ Hotel. Year[ 1987. Size[ Over 200 works. Description[ A collection of post-1945 art by New Zealand and international artists. Media include graphics, paintings, sculpture, works on paper, mixed media, crafts, and textile and fiber art. Location[ Throughout the hotel. Viewing[ Works are accessible for viewing. Status[ Ongoing. Source[ Artists, galleries, commissions. Selection[ Committee of corporate personnel and outside consultant. Status[ Each request considered individually. Programs[ Public areas of the hotel are made available to local artists to exhibit their work. Category[ artfile, galfile
Fax[ + 81-460-4-3108 The Pola Museum Annex is at 1-7-7 Ginza, Chuo-ku, Tokyo (tel 03-3563-5501; fax 03- 5250-4670). JAPAN. Website Address[ http://www.pola.com; website for the Pola Museum: http://www.polamuseum.or.jp/eng/collection/collection_main.html Email[ info@polamuseum.or.jp Personnel[ Director of the Pola Museum of Art. Governing[ Pola Art Foundation. Business[ Cosmetics company Year[ The museum opened in 2002. Size[ 9500 works Description[ The Pola Museum of Art opened in September 2002 in Sengokuhara located in the Fuji-Hakone-Izu National Park. The collections of the Pola Museum of Art number more than 9,500 works which were assembled over some forty years by the late owner of the Pola Group, Suzuki Tsuneshi (1930-2000). The collection's diverse array of genres and periods features 400 European paintings including works by the 19th century French Impressionists and Ecole de Paris artists, along with modern Japanese Western-style paintings, Japanese-style paintings, Oriental ceramics, modern Japanese ceramics, glass works, and cosmetic utensils. Acting on with corporate principle in mind, "POLA seeks to contribute to the prosperity and advancement of society through its work in the world of health and beauty", over the years the POLA Group has founded the POLA Research Institute of Beauty&Culture (est. 1976), the POLA Foundation for the Promotion of Traditional Japanese Culture(est. 1979), and the POLA Art Foundation(est. 1996). Through these organizations POLA seeks to further the research, dissemination, and promotion of Japanese arts and culture. The museum's primary role is to house and display the Pola art collection, amassed over 40 years by former Pola Group owner, the late Tsuneshi Suzuki. One of the greatest private collections in Japan, the collection of 9500 works focused on Impressionist and modern Japanese painting, eastern ceramics and western glassware. The rich collections include 20 paintings by Claude Monet, numerous examples by Renoir, Toulouse-Lautrec and Cezanne. It is the volume and quality of the Impressionist works that make it so exceptional. The museum was designed by Koichi Yasuda and Nikken Sekkei. The exhibition spaces total 2,050 square meters, a restaurant, cafe, shop and lecture theater. The POLA Museum of Art is dedicated to the artworks collected over a period of more than forty years by the late Suzuki Tsuneshi(1930-2000), the former owner of the POLA Group. Numbering approximately 9,500 in all, these works include examples of modern European painting, modern Japanese Western-style painting, contemporary Japanese-style painting, prints, sculpture, Oriental ceramics, modern and contemporary Japanese ceramics, glasswork, and cosmetic utensils from a variety of eras and regions of the world. Forming the nucleus of the collection are approximately four hundred modern Western paintings, chiefly works by Impressionists such as Monet and Renoir, Post-Impressionists such as Czanne and Gauguin, the painters of the Ecole de Paris such as Modigliani and Chagall, and twentieth-century painters such as Picasso and Kandinsky. The founding of the POLA Museum of Art has made it possible for this collection, previously not available for public viewing, to be shown in its entirety for the first time. Location[ In the Pola Museum of Art and the Pola Museum Annex. The bulding of the Museum was envisioned on the basis of a "symbiosis between Hakone's natural beauty and the works of art" concept. In this spirit, the majority of the Museum's structures are located underground, to both harmonize with the surrounding natural environment and to appear as if imbedded in the depths of the forest scenery. Similarly, the lighting used in the galleries use advanced fiber optic technology to allow each work of art to be seen at its best. Viewing[ During museum visiting hours: 9:00 am - 5:00 pm. Status[ Ongoing Exhibitions[ In September of 2002, the Pola Museum of Art was inaugurated with POLA Museum of Art Grand Opening Exhibition: Radiant Women, Radiant Light, an exhibition that introduced the entire scope of the collection. It has continued thereafter to organize special exhibitions focusing on different features of the collection. These are presented alongside the permanent exhibition, whose main objective is to give an overall introduction to the collection. The Belle Epoque: Art around 1900 is a special exhibition that follows Paris, City of Artists: Selected Works from the Collection. Featuring paintings, prints, sculptures, craft works, and cosmetic utensils from the collection selected to spotlight the Belle Epoque, it presents works of painting and crafts simultaneously and explores the relationship between art and literature through the works of Monet and Proust. The Belle Epoque - Art around 1900, September 27, 2003 - January 27, 2004(open daily) The Pola Museum Annex is located on the first and second floors of the Pola Ginza Building, and it will display exhibitions in tandem with the museum and occasionally introduce work by emerging local artists. Support[ Other cultural support includes the company's cultural research center (Pola Bunka Kenkyusho), the Pola Foundation for the Promotion of Traditional Japanese Culture (Pola Dento Bunka Shinko Zaidan), and the Pola Foundation for the Promotion of Art (Pola Bijutsu Shinko Zaidan) Bibliography[ New Pola Museum of Art Wows Art World," Japanese Art Scene Monitor, September 2002, issue # 26, page 3. Keywords[new listing, Impressionist, painting, decorative arts, folk art, ceramics Category[ musfile, galfile POLYSAR LIMITED See Novacor Chemicals (Canada) Ltd.
Personnel[ Chairman and Chief Executive Officer, Paul Desmarais; President, Andr Desmarais; Deputy Chairman, A. Frank Knowles. Governing[ Corporation. Business[ Holding company. Year[ 1964. Size[ 324 paintings, 40 sculpture, 56 drawings, 13 prints. Total of 433 works. Description[ A collection of Canadian artists and sculptors which includes one of the largest private collections of Cornelius Krieghoff, and a large collection of M. A. Suzor-Cote bronzes. The collection includes paintings by Canada's Group of Seven and a number of other internationally known artists. Other Canadian artists represented include Lemieux and Fortin. The collection was begun by Paul Desmarais, the Head of the Power Corporation Location[ Throughout the Head office in Montreal. Viewing[ The collection is not accessible for viewing. Status[ Ongoing Source[ Art dealers, auctions, private collectors. Selection[ In-house corporate staff person. Review[ Will not accept unsolicited material (slides, catalogs, etc); write or call before attempting to visit. Status[ Only to museums and noted institutions. Exhibitions[ Past loans to the Agnes Etherington Art Centre, Queen's University, Montreal Museum of Fine Arts, National Gallery of Canada, Toronto Art Gallery, and the Dixon Art Gallery in Memphis, Tennessee. Support[ Contributions to expansion projects of museums: Montral Museum of Fine Arts, Canadian Center for Architecture. Publications; Catalogue of 74 selected artworks from the collection, 1989. Bibliography[ An Essay on Private and Public Art Collecting in Canada, by Georges Loranger, 1985, Toronto, Canada. An essay written in 1985, following the award of an Explorations Grant from the Canada Council. 55 pages. Many articles in Canadian newspapers and exhibition catalogues of Canadian museums. Keywords[Canadian artists, sculpture, sculpture, works on paper, graphics. Category[ musfile, galfile
Personnel[ Accommodation Co-ordinator, Mrs. Annette Timms. Governing[ Corporation Business[ Utility company -- Electricity supply Size[ Approximately 80 works. Description[ A collection of original prints, crafts, paintings, Location[ Operational headquarters in Coventry. Viewing[ Not accessible. Status[ Ongoing Source[ Consultant Selection[ In-house corporate staff person. Review[ Selections are only made through art consultant. Status[ Works are not loaned from the collection. Keywords[graphics, works on paper, mixed media, painting, commissioned art
Personnel[ Madame Veronique Drucker, Madame Laure Brault. Governing[ Socit Anonyme. Business[ Department stores. Corporate Arts Support[ The organization of cultural exhibitions of museum or private collections. Since 1982, Printemps has sponsored a series of major Exhibitions[ "The Dawn of China, the Statues from the Mausoleum of Shi Huang Di," 1981; "Gold of the Incas," 1982, approximately 300 works from the Museum Oro del Peru of Lima; "Japanese Porcelain of the 17th and 18th centuries," 1982, loaned from the Saga and Arita Museums; "Masters of Japanese Print of the 18th and 19th centuries from the Sakai Collection," over 50 works; "Samurai[ Arms and Armour of the 16th - 19th centuries;" "Jewelry and Saris of India, 17-19th Century," 1983, over 200 works loaned from the Victoria and Albert Museum in London, and the Royal Art History Museum in Brussels. In 1989, the company sponsored three thematic exhibitions--Russian icons, maquettes and works by Gaudi, and Amazon Indian artifacts from from private collections. Location[ The exhibitions are displayed in the main store in Paris.
Fax[ +44 171-548-3850 Website Address[ http://www.prudential.co.uk Personnel[ Art Advisor, Tom Tempest-Radford; Chairman, Sir Martin Jacomb; Deputy Chairman, Michael Abrahams; Group Chief Executive, Peter J. Davis. Governing[ corporation. Business[ The United Kingdom's largest insurer. Year[ Acquisitions policy established in 1980. Size[ Approximately 250 works. Description[ A collection of more than 250 pieces by about 60 British artists, ranging from the 1760s to the present day. Some of the exceptional works in the collection include a view of Venice painted by William James in the 1760s. The foundations of the collection lie with the early commissioned portraits of company chairmen, which are still displayed today in the group head office in the City of London. An archive collection of watercolors and oil paintings of the architecture of Holborn and the surrounding areas was also established in the mid-19th century, and has now grown into a valuable record of urban change in the City over the past 150 years. An acquisitions policy was established in 1980, and early acquisitions were mainly Victorian, and this core group of works has turned into an important collection of watercolors and Victorian oils. A few years later the policy changed direction to incorporate British Impressionists such as Henry Tonks and Henry Herbert La Thangue as well as exponents of British Abstraction. Other works include a large theatrical watercolor by Edward Burra, 1947; The Gateway by L.S. Lowry, 1951; Southwold II, by John Piper, 1965; a landscape by John Tunnard; and an early 1970s portrait by Maggi Hambling. Other artists represented include Riccardo Cinalli, Peter Howson, Jenny Franklin, Howard Hodgkin, Helen Chadwick, Location[ In the company's offices. Viewing[ Only accessible in public areas. Status[ Ongoing. Source[ Galleries, art dealers, auction. Status[ Works from the collection have been loaned for museum exhibitions. . Bibliography[ "Brush with the Art World Maintains Link to the Past," by Joanna Pitman, Times of London, Saturday, November 30, 1996, business. Keywords[new listing, painting, 19th century, pre-19th century Category[ musfile, galfile
Personnel[ Managing Director, James Strong; Group Brands Manager, Donna Meredith; Art Advisor, Art Incorporate, Sydney, Australia. Governing[ Corporation. Business[ Airline. Year[ 1970. Description[ Beginning in 1995, to complement the new look Qantas Club Lounges, Qantas has made a commitment to the purchase of artworks by emerging and established Australian artists with a special emphasis on three-dimensional works. Qantas has purchased over 300 artists. Some of the artists represented include: ceramics by Jeff Mincham, Greg Daly, Ray Rogers, Simone Fraser; sculpture by Michael Mandelc, Terrance Plowright, Steven Glassborow, A. Wuridjal, J. Ngalukun; paintings by Chris Kenyon, Peter McQueeney, Naomi Lewis, Celia Perceval, Frank Hodgkinson, Peter Griffin; glass by Rob Wynne, Brian Hirst, Rob Knotenbelt, Mathew Curtis. The theme of the collection is artworks which reflect the essence of Australia through color, texture, and subject matter. Qantas continues to purchase artwork by Australian artists for display within their offices. The Qantas headquarters in Sydney became home to 40 new artworks in 1995. The collection includes works on paper, paintings, limited editions, and sculpture. Among the artists represented are Judith White, Jo Doring, Alun Leach Jones & Clem Millward. Location[ Qantas Club lounges domestic and international, throughout Australia. Viewing[ Throughout all lounge areas. Status[ Ongoing in Australia. Source[ Artworks are purchased from the artists through Art Incorporate Exhibitions[ 1995, in celebration of 75 years of operation as an airline and in recognition of 40 years of support to Australian art, an exhibition of key paintings from the Qantas collection was held at the Art Gallery of New South Wales, Sydney. Bibliography[ "Goldfish in the Waiting Room - The Evolution of Corporate Art Collections," Genevieve Murphy, Artwrite 2000, Issue # 20, University of South Wales (http://www.cofa.unsw.edu.au), ISSN 1441-5712. "Qantas Airlines Focuses on Emerging Australian Artists," Corporate ARTnews, April 1990, p. 2. "Art aficionados hit the galleries," by Megan Paris, Sunday Telegraph, September 18, 1983. "Qantas Acts to Save Standbys," by Terry Ingram, Australian Financial Review, April 12, 1979. "Bark Paintings - A Link with Primitive Man," by Neil Ainsworth, Q.V., October/November 1970, p. 11. Category[ musfile
Personnel[ Secretary, Art Committee, F H M van der Marck. Governing[ Co-operative association. Business[ Banking/financial services. Year[ Although art has been acquired for many years, the art program did not begin until 1984. Size[ 2,400 works. Description[ A collection of sculpture, paintings, tapestry (textile art), and graphics by contemporary Dutch artists. Some of the artists represented include Pieter Defesche, Jef Diederen, Ger Lataster, Nico Molenkamp, Paul de Nooijer, Jeanne Bieruma Oosting, Arthur Spronken, Wijnand Thnissen, Kees Verwey. Location[ In the offices of Rabobank Nederland. Viewing[ Not accessible for viewing. Status[ Ongoing. Source[ Artists, art dealers. Selection[ Committee of corporate personnel. Review Policy[ Will accept unsolicited material (slides, catalogues, etc.); Write or call before attempting to visit. Status[ Each request considered individually. Exhibitions[ Modern Art Travels East-West-Rotterdam-Singapore, 1990. "KUNSTzaken Amsterdam," December 1988. "KUNSTwerk," Jubilee Exhibition of the Stuyvesant Foundation, Turmac Tobacco Company, Zevenaar, November 1985. Programs[ 9 annual exhibitions in the Utrecht Head Office and 9 annual exhibitions in the Eindhoven Head Office. Support[ The exhibition at the Rembrandt House Museum was made possible with the help of a substantial financial donation made to the "Friends of the Rembrandt House" Association by Rabobank Nederland. Bibliography[ "Kunst in Het Bedrijf[ IV. De collectie van Rabobank Nederland," Tableau, Volume 14, Number 1, September 1991, pp. 113-116. Modern Art Travels-East-West, catalogue for the exhibition, 1990. KUNSTzaken, catalogue for the exhibition, 1988. KUNSTwerk, catalogue to the Jubilee Exhibition of the Peter Stuyvesant Foundation, 1985, Dutch language, pp. 110-119. LONDON BRANCH Personnel[ General Manager, W.J.R. Baron van Lynden. Description[ The London Branch of the Rabobank Nederland began collecting in 1985 and includes a collection of approximately 100 post-1960 works by British artists. Media include graphics, paintings, sculpture, works on paper and textile/fiber artworks. Works are primarily landscapes with agricultural themes. Location[ Throughout the London branch. Viewing[ Not accessible for public viewing. Status[ Ongoing with occasional acquisitions. Source[ Galleries. Selection[ Committee of corporate personnel. Status[ Works are not loaned from the collection. Category[ musfile, galfile
Mailing Address[ Postfach 520500, 2000 Hamburg 52, GERMANY. 40/8220542 Fax[ 40/8220-1831 Website Address[ http://www.reemtsma.com/de/ Tabakhistorische Sammlung Reemtsma Leiter/in: Prof. Hans Weckerle Governing[ Corporation. Business[ Cigarette manufacturer. Year[ 1928. Size[ Approximately 6000 works. Description[ Historical art, 19th century and early 20th century art. A thematic collection on the enjoyment, the history and the advertising of tobacco products: pipes, cigars, cigarettes. Media include graphics, sculpture, works on paper, crafts, folk art, photography, decorative arts, historical artifacts, advertising art. Some of the exceptional items in the collections include "Iserlohner" tobacco tins by J.H. Hamer and Keppelmann, Wedgwood tobacco jar, a Meissen pipe sledge, staffordshire snake pipes, Meissen, Berlin and Nymphenburg porcelain pipes, Carl Faberg cigarette case, Hans Christiansen cigarette case. Location[ In the headquarters and in a special corporate museum (Tabakhistorische Sammlung Reemtsma). Viewing[ Guided tours Monday - Friday by appointment. Status[ Ongoing with occasional additions. Source[ Art dealers, auctions. Selection[ In-house corporate staff. Status[ Only to non-profit organizations; each request considered individually. Exhibitions[ "Tabak und Rauchkultur," Hamburg, Hannover, Berlin, Mnchen, Braunschweng, during 1960-1962. "Blauer Dunst," Hamburg, 1964 and 1970. Publications[ Das Neue Tabagobuch, catalogue on the collection Category[ musfile, galfile
Personnel[ Hotel manager. Governing[ Part of the Four Seasons Group of hotels Business[ hotel. Year[ Size[ Description[ The hotel features a museum quality collection of Southeast Asian arts & antiques. Location[ On the grounds of the hotel. Viewing[ Available in public areas of the hotel. Status[ Ongoing.
Personnel[ Attache de Communication, Pascale Reinhardt; Directeur Gnral, Madame Dominique Heriard Dubreuil. Governing[ Corporation. Business[ Cognac. Year[ Beginning of the 20th century. Size[ Approximately 300 works. Description[ A collection of 20th century works by regional and French artists. Media include graphics, paintings, sculpture, photographs by Doisneau, works on paper. Also a collection of advertising art, memorabilia and historical artifacts relating to the history of the company. Location[ Throughout the building. Viewing[ Accessible on special occasions. Status[ Ongoing. Source[ Artists, galleries, auctions, commissions. Selection[ Committee of corporate personnel and exterior advisors. Status[ Not available for loan. Publications[ A publication is in progress. Category[ musfile, galfile
Personnel[ The Secretary. Governing[ Reserve Bank of Australia. Business[ Central banking. Year[ 1949. Size[ 400 works. Description[ Contemporary Australian artists including Grace Cossington-Smith, Ray Crooke, William Dobell, Russell Drysdale, Leonard French, Margo and Gerald Lewers, Rodney Milgate, Sidney Nolan, Margaret Preston, Clifton Pugh, Jeffrey Smart, Brett Whiteley. Aboriginal bark paintings from the Northern Territory. Sculpture by Margel Hinder on Martin Place plaza. Location[ Lobbies and executive offices at the head office in Sydney, and at branches in each state capital city; also London and New York. Viewing[ Limited access by special arrangement. Status[ Completed. Source[ Artists, art dealers. Selection[ In-house personnel. Status[ Each request considered individually. Exhibitions[ "Hidden Treasures," Art in Corporate Collections, SH Ervin Gallery, January- March 1996. "The Painters Progress," The Art Gallery of New South Wales and regional galleries, February - April 1997. "I had a dream: Australian art in the 1960's," National Gallery of Victoria, April-June 1997. "The Artists of Hill End," The Art Gallery of New South Wales and regional galleries, July 1995 - July 1996. "Dawn Sime retrospective," The University of Melbourne Museum of Art, April-May 1996. "Kathleen O'Connor Retrospective," Art Gallery of Western Australia, July-September 1996. "The Reserve Bank of Australia Collection," at the Reserve Bank in Sydney, August-October 1992; and the Reserve Bank in Melbourne, February-March 1993. Publications[ The Reserve Bank of Australia Collection, catalogue. Bibliography[ Hidden Treasures, Art in Corporate Collections, exhibition curator, Anne Loxley, published by The National Trust of Australia for the exhibition, 1996. "Gilt-Edged Investments," Bronwyn Watson, The Sydney Morning Herald, September 1992, p. 12. "The Market for Contemporary Art," Annette Van den Bosch, Art and Australia, Autumn 1992, pp. 316-324. "A Taste for the New," Annette Van den Bosch, Art and Australia, Summer 1992, pp. 226 - 237. "Corporate art--it's the image that matters," by Deborah Hope, The Sydney Morning Herald, Thursday December 15, 1983, p. 3. Category[ musfile, galfile
Personnel[ Sheila A. Berthon. Description[ No information is available. Exhibitions[ "Hidden Values - Contemporary Canadian Art in Corporate Collections, Edmonton Art Gallery, September - November 1994. Bibliography[ Hidden Values by Robert Swain, Douglas & McIntire, Vancouver/Toronto 1994, 164 pp, 100 illus. Keywords[Canadian artists.
Personnel[ Manager. Business[ Hotel Description[ A collection of paintings and furniture. Some of the artists represented include Ferdinand Hodler, Louis Buadit, Lucien Levy-Dhurmer and Virgile l'Hautel. Fine furnishings include a group of 15 lacquered wood chairs in Empire style, a pair of Regency sculpted wood tables, a Biedermeier cylinder desk, Louis XIV decorations, Napolon III chandeliers, and 18th century Venetian mirrors. Location[ In the public areas of the hotel. Viewing[ Available for viewing. Status[ Completed.
Personnel[ Afdeling Publiciteit, De heer N. Buis. Business[ Automation of shipping, industry, education, utilities, etc. Year[ C. 1965. Description[ A group of paintings by modern and contemporary Dutch artists. Some of the artists represented include Kees van Bohemen, Peter Klassen, Joe Tilson, Jacob Ritz van Kooten, Jaap Wagemaker, Burgert Kinijnendijk,Wilhelm Motz, Karel Appel, Jacob Zekveid, Wood van Amen, Wim Gijzen, Cor Kraats. Location[ Throughout the halls and office of the company in Rotterdam. Viewing[ Works located in public areas are accessible for viewing. Status[ Ongoing. Exhibitions[ Jubilee Exhibition of the Stuyvesant Foundation, Turmac Tobacco Company, Zevenaar, November 1985. Support[ The company has supported museums, universities and other charitable organizations. Publications[ KUNSTwerk, catalogue to the Jubilee Exhibition of the Peter Stuyvesant Foundation, 1985, Dutch language, pp. 120-129.
Personnel[ Manager, Corporate Communications, Mr. Ian Head; (215 Spring Street, Melbourne, VIC 3000; (03) 664 8594). Governing[ Corporation. Business[ Resource mining, processing. Year[ c. 1962. Size[ 900 works. Description[ Paintings, prints by Australian artists including Arthur Boyd, Russell Drysdale, Leonard French, Alun Leach-Jones, John Olsen. Photos of mining sites. "Pilbara Series" by Fred Williams. Gallery 11 of the National Gallery of Victoria in Austra lia is devoted to the Pilbara Series (1979-1981) by Fred Williams. This series represents the culmination of his exploration of the Australian landscape. Williams visited the Pilbara in Western Australia as a guest of CRA Limited (now Rio Tinto Limited) who acquired thirteen oil paintings and eighteen gouaches in 1982. Rio Tinto Limited donated the Pilbara Series to the NGV in August 2001 as a Centenary of Federation Gift to the people of Australia. Location[ Offices, 55 Collins Street, Melbourne. Viewing[ Not accessible. Status[ "The Pilbara Series" by Fred Williams has been on extensive tours. Exhibitions[ "Fred Williams, The Pilbara Series, 1979-1981," was exhibited in the state galleries of Western Australia, South Australia, Victoria, New South Wales, Queensland, and at the Australian National Gallery in Canberra, during 1983/1984. In 1985 the series was shown in Beijing, Shanghai, Seoul and Tokyo. Support[ Donations to Art Foundation of Victoria, and the Queensland Art Gallery Foundation. Provided rent subsidy to the Print Council of Australia, 1976-1986. Publications[ Fred Williams, The Pilbara Series, 1979-1981, catalogue of the exhibition, text by Patrick McGaughey, 1983, 52 pages. Bibliography[ "Paintings line up for redundancy," July 15 2003, Sydney Morning Herald. "A masterwork flows for Sydney," Nancy Borlase, Sydney. "The Art of Business," by Pamela Williams, Business Review Weekly, January 10, 1986, pp. 34-36. "The Iron Landscape, A Vision Splendid by Fred Williams," by Memory Holloway, The Age, Saturday, November 26, 1983. "Mixing Art and Industry Proves to be Good Business," by Terry Ingram, Australian Financial Review, May 22, 1978. Category[ musfile, galfile
Personnel[ Ms. Carolyn Landry. Exhibitions[ "Ontario Corporations Collect", McMichael Canadian Art Collection, Klienburg, Ontario, November 13, 1994 - February 5, 1995. Bibliography[ Hidden Values by Robert Swain, Douglas & McIntire, Vancouver/Toronto 1994, 164 pp, 100 illus. Keywords[Canadian artists
Personnel[ Baroness Philippine de Rothschild. (Contact Public Relations in the New York office for inquiries originating from North America). Governing[ Societ Anonyme. Business[ Wine company. Year[ 1924. Size[ 43 works. Description[ A collection of original paintings which have been used for labels for their vintage wines. The concept of label art originated with Baron Philippe de Rothschild in 1924 when he became the first French vintner to bottle his fine wines at the Chateau. To celebrate his marketing concept, he had the designer Jean Carlu produce an original label for the bottles. Since then, 43 artists have designed labels for the wine, including Cocteau, Leonor Fini, Braque, Dali, Masson, Matta, Moore, Alechinsky, Miro, Chagall, Kandinsky, Picasso, Motherwell, Warhol, Hartung, and Delvaux. Location[ In a traveling exhibition. Viewing[ Only available for viewing in the traveling exhibition. Status[ Ongoing. Source[ Artists. Selection[ Philippine de Rothschild. Review Policy[ Artists are selected by Philippine de Rothschild. Does not accept unsolicited material. Status[ Past loans for traveling exhibition. Exhibitions[ "Mouton Rothschild: Paintings for the Labels," was circulated by the Smithsonian Institution Traveling Exhibition Service (SITES) during 1989 and 1990. Bibliography[ "Rothschild Commissions Wine-Label for 1986 Vintage," Corporate ARTnews, March 1989, p. 5.
Personnel[ Franz Lorenz. Governing[ Corporation. Business[ Cigarettes, cigarette tobaccos, and pipe tobaccos, smokers accessories. Year[ 1972. Size[ 421 works. Description[ A collection of contemporary Canadian painting, prints and drawings, Inuit sculptures and prints. The collection represents some of the finest examples of the best of Canadian artists from the last 25 years, including Jack Bush, Dorothy Knowles, David Craven, Yves Gaucher, Gershon Iskowitz, William Perehydoff, Gordon Rayner and others. Location[ The major portion of the collection is located in the company headquarters. Selected works are in various other branches of the company. Viewing[ Not accessible. Status[ Completed. Review[ Will not accept unsolicited material. Status[ Works are not loaned. Bibliography[ The New Patrons of the Arts, Gideon Chagy, Harry N. Abrams, Inc, New York, 1972, pp. 106-107. Keywords[painting, graphics, works on paper, Native American art, sculpture, Canadian artists. Category[ musfile
Personnel[ Directeur/Prsident, J. G. de Vos; Consultant, Mrs. R. Hammacher-Van den Brande; Barbara Baarspul; Vice-President, R.J.P. de Leeuw. Governing[ Foundation. Business[ Tobacco products. Year[ c. 1960. Size[ Nearly 1000 works. Description[ A collection of modern art from 35 different countries in all media. Some of the artists represented include Karel Appel, Alessandro Algardi, Woody van Amen, Arman, Carel Balth, Carlo Battaglia, Jaap Berghuis, Hugo Duchateau, Marco Gastini, Noel Forster, Marc Dwade, Sam Gilliam, Giorgio Gritta, Dieter Haack, Bruce Nauman, Kenneth Noland, Manuel Rivera, Jan Schoonhoven. Location[ In the factory, offices and public spaces of the Rothmans Tobacco Company throughout Europe. Viewing[ Accessible for viewing in public areas in the Peter Stuyvesant factory in Zevenaar as well as the head office in Amsterdam. Status[ Ongoing. Exhibitions[ Portions of the collection have been exhibited in museums all over the world: over 40 exhibitions of the collection during the 1960's and during the 1970's, over 30 exhibitions. Exhibitions during 1992 included: "Art works," at "Fundacio Joan Miro in Barcelona; Palacio de la Lonja in Zaragoza; Museo Marques del Campo in Valencia; and Ecole des Beaux-Arts, Paris. "Art in the Factory," at the Pabellon de las Artes World Expo '92 in Seville. During 1989, 87 works from the collection were on tour to four chateaux in the Mdoc region of France, sponsored by Mcnat-Aquitaine, a foundation of wine growers. Programs[ The company often sponsors one-man exhibitions in the head office in Amsterdam. In 1980, the Peter Stuyvesant Graphic Collection was established, first and foremost to enable the employees of the Turmac Tobacco Company to acquire their own works of art of guaranteed quality. Publications[ L'Art dans l'usine, Institut Nerlandais, Paris, 1986, 70 pp, in French. Peter Stuyvesant Collectie/Peter Stuyvesant Collection/Collection Peter Stuyvesant, R. Hammacher-van den Brande, 1981. Bibliography[ Beaux Arts Magazine. Category[ musfile, galfile
Website Address[ http://collections.ic.gc.ca/bank_art/ http://www.rbc.com/community/art-collection/index.html Personnel[ Consultant and Curator, Robin Anthony. Governing[ Corporation. Business[ Banking and financial services. Year[ 1929. Size[ Over 2750 works, including approximately 1000 paintings, 1000 contemporary prints, 650 historical prints, and 100 sculptures. Description[ The collection was started in Montreal in 1929 by G.W. MacKimmie, who had a keen interest in pre-Confederation Canadian historical prints. More recently, an employee art committee has overseen development of the collection. Its objectives include encouragement and support of Canadian artists. The Royal Bank collection includes both abstract and representational works by artists across the country and includes such notable movements as the Group of Seven, the Automatistes, Painters Eleven and the Regina Five. The collection includes such world-renowned artists as Jane Ash Poitras, David Bierk, Paul-Emile Borduas, Emily Carr, Alex Colville, Marc-Aurle Fortin, Cornelius Krieghoff, Jean McEwen, David Milne, Christopher Pratt, Mary Pratt and Jean-Paul Riopelle. Our paintings, prints and sculptures are displayed in Royal Bank locations throughout Canada and in more than 30 countries around the world. Historical Canadian prints depicting sea and land battles, topographical scenes, portraits and maps. The painting collection focuses on Canadian painters and major artists include A. Y. Jackson, M. Cullen, M. A. Fortin, Suzor-Cote, R. Letendre, T. Onley, A. J. Casson, G. Roberts, W. J. Pilot. Some of the commissioned works for the Toronto headquarters include an outdoor sculpture by Catherine Widgery, tapestries by F. Arbuckle, and M.R. Vermette, and sculpture by Jesus R. Soto. Collection also includes works by living Canadians, such as Alex Colville, Christopher Pratt, William Perenheudoff, Ron Moppett, Yves Gaucher, and Gathic Falk. Other works in the collection include examples by lesser-known Canadian artists of the 1950s and 60s; early paintings by Vancouver abstractionists Jack Shadbolt and Jock MacDonald, as well as by Montreal painter John Lyman. Location[ In the Head office, district headquarters in Canada and select international locations. Viewing[ The collection is not available for public viewing since it is located in executive offices, and offices throughout the world. Status[ Ongoing. Source[ Artists, art dealers, consultants. Selection[ 6 person committee of corporate personnel and outside consultant: Ms Robin Anthony (514-874-2110). Status[ Only to museums for major exhibitions. Exhibitions[ "Historical Prints of Lower Canada," an exhibition at The Royal Bank of Canada, Atlantic Provinces Headquarters, June 1-30, 1984. "Canadian Historical Prints," an exhibition at Quebec House, New York, October 29- November 26, 1982. "Royal Bank of Canada, Selected Paintings," an exhibition at the Palais Des Congres de Montreal, September 1-4, 1983. Support[ The Bank was the sponsor of the Picasso Exhibition at the Museum of Fine Arts, Montreal, June 1985. Publications[ Brochure: Financial Square Art, discusses the art in the Montreal branch. Bibliography[ "Royal Bank of Canada Expands and Improves its Collection," Corporate ARTnews, January/February 1993, pp. 4-5. Chimo Magazine, December, 1980 Montreal Gazette, February 5, 1981. La Revue de Commerce, February, 1984 Le Collectionneur Magazine, Vol IV, No 16, 1983. Keywords[Canadian artists, historical documents, graphics, sculpture, painting, maps. Category[ musfile, galfile, artfile
Personnel[ Management Service Division. Governing[ Corporation. Business[ Banking/financial services to both personal and corporate customers. Corporate Arts Patronage[ The company was the recipient of the Award for Business Sponsors of the Arts for the Best Single Event[ a spectacular open-air firework concert of Handel's Water Music and Music for the Royal Fireworks was performed on July 13, 1985 with the Royal Philharmonic Orchestra, conducted by Andre Previn. Description[ A small collection of works by British artists of the 1950's and 1960's, as well as paintings relating to the Bank's history. Exhibitions[ "Capital Painting, Pictures from Corporate Collections in the City of London," Barbican Art Gallery, 19 April to 10 June 1984, London. Bibliography[ ASBA Annual Report 1985/86, Association for Business Sponsorship of the Arts, Colin Tweedy, November 1986, London. Paul Atterbury. Capital Painting. London[ Barbican Art Gallery, 1984. pp. 17, 55.
Personnel[ Art Committee is appointed in each centre from among the partners. Governing[ Partnership. Business[ Commercial law firm. Year[ 1984. Size[ Fewer than 50 items. Description[ A collection of post-1960 art, primarily by New Zealand artists. Media include graphics, paintings, photography, works on paper, and mixed media. Some of the artists features include Richard Killeen, John Reynods, Gordon Walters, Gordon Crook, Tony Lane, Reduan Tompkins, Julia Van Helden, Max Gimblett, Dennis Watkins, Neil Dawson, Elizabeth Thompson, Richard Frizzell, Lawrence Aberhart, Stanley Palmer, John Bevin Ford, Gordon MacIntyre, Ron Left, John Dappas, Patrick Hanley. Also included is a personal collection of New Zealand modern photography, assembled by one of the firm's partners. Artists represented include Ann Noble, Di French, Margaret Dawson, Fiona Pardington, and Gary Baigent. Location[ In the headquarters in Wellington and Auckland. Viewing[ Not accessible. Status[ Ongoing. Source[ Galleries. Selection[ Committee of corporate personnel. Status[ Each request considered individually.
Personnel[ Manager, Public Relations, Mrs. Anita Wallace. Business[ Banking. Year[ 1976. Size[ Over 400 items. Description[ Paintings and sculptures with emphasis on WA artists, including works by John Beard, Brian Blanchflower, Arthur Boyd, Russell Drysdale, Elizabeth Durack, Anne Greenhill, Guy Grey;-Smith, George Haynes, Hans Heysen, Robert Juniper, Brian McKay, Hal Missingham, Sidney Nolan, Lloyd Rees, Harald Vike. Location[ Head office, executive offices, regional offices and branches. Status[ Yes, request considered. Exhibitions[ Festival of Perth, 1979. "R & I Bank Art Collection," Art Gallery of WAL, Perth, October 17-December 6, 1988. Support[ Donation of work to Murdoch University, WA; Centre for Australian Studies, London; other State Banks; donations to Art Gallery of WA. Publications[ "The Rural and Industries Bank of Western Australia Art Collection," by Barbara Chapman, catalogue, 1988, 112 pages. Category[ musfile, galfile
Personnel[ Senior Partner, Mr. Laing Brown. Governing[ Partnership. Business[ Law firm. Year[ 1972 Size[ 70 works. Description[ The collection includes contemporary Canadian paintings, graphics and sculptures by such artists as Bill Reid, Jack Shadbolt, Gordon Smith, Gathie Falk, Molly Bobak, Al McWilliams, Allen Wood, Bill Perehudoff, Alex Coville, Tony Onley, Ted Godwin, David Sorenson. Location[ Throughout the offices of the firm. Viewing[ By appointment only. Status[ Ongoing. Source[ Art dealers. Selection[ Senior partner. Review[ Will accept unsolicited material. Write or call before attempting to visit. Status[ Art museums only. Exhibitions[ "Western Corporations Collect," The Edmonton Art Gallery, September 17 - November 6, 1994. Support[ Sponsorship of museum exhibitions. Publications[ Brief catalogue of significant works in the collection. Bibliography[ Hidden Values, by Robert Swain, Douglas & McIntyre, Vancouver/ Toronto 1994, 164 pages, 199 illus. Keywords[Canadian artists, Native American art, painting, graphics, sculpture. Category[ musfile
Personnel[ Purchasing Area, Rob Locke. Governing[ Corporation. Business[ Insurance. Year[ 1981. Size[ 120 works Description[ Contemporary art works including paintings, watercolors and graphics by Arthur Boyd, Guy Grey;-Smith, George Haynes, Nigel Hewitt, Robert Juniper, Alun Leach-Jones, Hal Missingham, John Olsen. Makigawa sculpture. Atrium entrance sculpture by David Jones. Location[ Head office, Perth. Viewing[ Only atrium foyer. Exhibitions[ "David Gregson Retrospective," University of WA, 1985. Programs[ Temporary exhibitions held in the atrium. Bibliography[ "Interior Decoration," by Murray Mason, The West Australian, Thursday, September 16, 1982.
Personnel[ Doris and Charles Saatchi. Business[ Advertising Description[ A private museum of contemporary art with works ranging from 1960's Pop art, Minimal Art, New Expressionism. Exhibitions[ "Julian Schnabel," Tate Gallery, June 30-September 5, 1982. "The First Show: Paintings and Sculpture from Eight Collections, 1940-1980," Museum of Contemporary Art, Los Angeles, 1983. Bibliography[ "New Book Chronicles Saatchi Collection,"Georgina Adam, Artnewsletter, January 24, 1995, Vol XX, No. 11, pp 3-4. Shark Infested Waters, Sarah Kent, 1995. "Saatchi and Saatchi Go Public," Don Hawthorne, ARTnews, May 1985, p. 72. The First Show: Paintings and Sculpture from Eight Collections 1940-1980, Julia Brown and Bridget Johnson, Museum of Contemporary Art, Los Angeles, 1983, 293 pages. "The Politics of Taste," Peter Schjeldahl, Vogue August 1985, p. 80. "The Saatchi Museum Opens," K. Baker, Art in America, July 1985, pp. 23-25+ "98A Boundary Road," Peter Schjeldahl, House and Garden, June 1985, p. 136.
Personnel[ Peter Hancock, Kim Thorp, Gavin Bradley. Governing[ Corporation. Business[ Advertising. Year[ 1988. Size[ Fewer than 50 items. Description[ A beginning collection of contemporary New Zealand art, although the company is potentially interested in all periods, and has not set limitation on period or style. Media include graphics, paintings, sculpture, works on paper and mixed media. Location[ Throughout the headquarters. Viewing[ Accessible on special occasions. Status[ Ongoing. Source[ Galleries, auctions. Selection[ Committee of corporate personnel. Status[ Non-profit organizations.
Personnel[ Arts Historian, Mrs. Moira Rudolf Hawey; Assistant, Mr. Richard Brown. Governing[ Special Trustees, St. Thomas' Hospital Business[ Hospital. Year[ 1975. Size[ Over 1000 items. Description[ A collection of 19th century and post-1960 art by British and international artists. The contemporary collection includes work by both emerging and established artists, such as Bridget Riley and John Piper, and there is also an ongoing program of restoration of the historical collection. Media include graphics, paintings, sculpture, works on paper, mixed media, textile/fiber artworks, and historical artifacts. As well as its contemporary art, the hospital has a fine collection of late Victorian tiled panels, 5 feet high by 2 feet, 6 inches wide, designed by Margaret Thompson and William Rowe at the Doulton works in Lambeth. Location[ Throughout the hospital. Viewing[ Accessible in public areas. Status[ Ongoing with regular acquisitions. Source[ Artists, galleries, commissions. Selection[ Committee of corporate personnel with in-house staff person. Support[ St. Thomas' Hospital was the recipient of an Art & Work Award in 1990 for its ongoing art collection. Status[ Each request considered individually. Bibliography[ "Healing Arts Enjoy a Welcome Renaissance," Robert S. Silver, Hospital Design Times of London, March 2, 1992, Features section. "Sixth Annual Art & Work Awards Presented in London," Corporate ARTnews, January 1991, p. 4. Keywords[19th century art, British artists, graphics, painting, sculpture, works on paper, mixed media, textile and fiber art, historical artifacts, decorative arts. Category[ artfile, galfile
Website Address[ http://www.sfoc.org/english/ and http://www.hoammuseum.org/english/info/main.html http://www.leeum.org Personnel[ Director of the Samsung Cultural Foundation; Chairman, Samsung Electronics, Kun-Hee Lee. Governing[ Samsung Cultural Foundation Business[ The Samsung Group consists of 25 affiliated companies. The Samsung Electronics division, is the world's largest manufacturer of dynamic random-access memory (DRAM) chips and flat-panel computer monitors (the division is also one of the world's largest manufacturers of DVD players and cell phones). Other affiliated companies include Samsung Life Insurance, Samsung Securities, and trading company Samsung Corporation. Year[ 1930s Size[ over 25,000 works. Description[ Three collections are managed by the Samsung Foundation of Culture The Ho- Am Art Museum began with the donation of over 1,200 artworks of Korean heritage collected over a period of more than 30 years by Mr Lee Byung-Chull, the late Chairman of the Samsung Group In April 1982, the building that now houses this collection opened in Yongin, approx. one hour south of Korea's capital city of Seoul. The Samsung Foundation of Culture inherited his vision and the mission of gathering the best works to prevent further dispersion and export of Korea's treasures, preserving and protecting them as invaluable assets belong to the people and the world -- currently its collection contains over 100 items that are classified as National Treasures. The Leeum, which opened in October 2004, is a combination of the family name of Samsung Group founder Lee Byung-Chul and the word museum. It is a complex of three interconnected buildings, each designed by a different architect. It replaced the Ho-Am Gallery, the museum near City Hall that hosted major exhibitions for more than 20 years before it closed in February 2004. The Foundation's Korean modern art collection begins with modern art's arrival on the Korean peninsula and includes a selection of works up until the present. The SFC collection carefully reflects each of the eras in Korea's modern art movement as well as the commitment to the acquisition of the most outstanding works by future leaders in Korea's art world. Some of the highlights of the Foundation's collection include the work of Park Soo-keun, who reflected the barren realities of his generation in gray monochrome and rough textured surfaces resembling granite stone. Among modern Korean sculptors, the terra cotta work of Kwon Jin-kyu is ranked as some of the most outstanding. The International collection starts chronologically with Rodin and his seminal works the The Burghers of Calais and The Gates of Hell. .Of the post 1945 art, one of the jewels of the collection is Rothko with his mysterious color/light configurations. Pop art and Minimalism, popular in the fifties and sixties, are other important movements represented in the collection. One of its pillars is the highly innovative work of Warhol, whose portraits of Marilyn Monroe reflected the emerging popular culture of the time. Leeum Museum: The Samsung Group recently opened a new public museum to display some of its extensive corporate art collection. After nine years of planning, and at an estimated cost of 130 billion won ($113 million), the Leeum Samsung Museum of Art, opened October 13, 2004, in Seoul. The 9,900 square meter museum is located on the slope of Mount. Namsan, flanked by a vista of the Han River. It is in the middle of a commercial district popular with tourists and close to Samsung Chairman Lee Kun-hee's own home. A fortress-like brick structure by the Swiss architect Mario Botta, known as Museum I, houses the company's important holdings of traditional Korean art. On display are 120 objects from the prehistoric era to the Chosun Dynasty (1395-1910). Museum 2, a sleek glass and steel structure by French architect Jean Nouvel, contains a stunning collection of modern art from 1910 to the present including important Korean and Western modern and contemporary art, from 1910 on. Among the works on view are major examples by Rothko. Stella, Judd, Beuys, Nam June Paik, Damien Hirst, Matthew Barney, Lee BuI and Do-Ho Suh. The third building, called the Black Box, designed by Amsterdam-based Rem Koolhaas, holds the Samsung Child Education and Culture Center, which contains classrooms as well as galleries for temporary exhibitions, and also serves as the museum's entry and links all its structures. The Leeum faced challenges even before construction began. To comply with a regulation limiting the height of structures in the district to 10 meters, a hole more than 20 meters deep was dug in order to build, in the case of Museum 1, what in effect is a seven-level building. The collections on display in the Leeum Samsung Museum of Art have, until now, been kept in the Ho-am Art Museum. The museum's well-manicured garden includes works by Louise Bourgeois and Alexander Calder's colorful, mesmerizing kinetic sculptures enhance the museum's green space. Visitors start with the entrance of the museum, which is reached by a descending ramp. The sunken, basement-level lobby area links the two museums and child and culture center together. One of the technological innovations of the exhibition spaces includes personal digital guides that provide narration and context for each of the works in the museum. The digital guide system, designed by Samsung Electronics, allows visitors to get brief interpretations of each piece in both audio and video, through a handheld device that receives signals from sensors built into the floor. Museum I Museum I features more than 120 Korean traditional works of art from the pre-historic era to the Joseon Dynasty (1395-1910). The building is a solid terracotta form designed by the Swiss architect Mario Botta, symbolizing the earth and fire used to mold ceramics. From the outside, Botta's design is reminiscent of an ancient Korean fortresses and his design for the Kyobo Gangnam Tower, completed last year. The trees on the top of the building are meant to evoke fluttering flags on medieval towers; the building's inverted cone is covered with a rotunda rooftop, a shape Botta has often used in his museum designs, including his San Francisco Museum of Modern Art. Built in a key shape, Museum 1 alternates between a long rectangular exhibition space and a rotunda area. Chiaroscuro lighting and freestanding display cases add drama to the historical objects that are thousands of years old. One of the most impressive aspects of Leeum is the scale of the museum's collection, which has never been shown to the public in its entirety. It was often rumored that Ho-Am's collections were never clearly detailed in order to avoid raising questions about the works' origins or their import routes. But given that the museum's official figure for its collection is over 15,000 pieces, visitors can well imagine that what they are seeing in Leeum is only a small portion of the collection. Some of the beautiful works on display include ceramics and pottery, Buddhist paintings, metal ware, traditional painting and calligraphy. Some exquisite works include a Celadon Gourd-Shaped Ewer with Underglaze Copper-Red Lotus Design (National Treasure No. 133); a Goryeo Dynasty (937-1392) Miniature Pagoda (National Treasure No. 213); Amitabha Triad (National Treasure No. 218), ) and a blue-and-white porcelain jar with plum and bamboo design (National Treasure No. 219). Most of the collection was acquired by Lee's father, Lee Byung-chul, who began acquiring traditional Korean arts in the 1930s. Dismayed by what he felt was a drain of important cultural artifacts from Korea and a lack of appreciation of its cultural heritage, he bought many objects from Japanese private collections in the years immediately following the end of that country's colonial rule of Korea in 1945. Museum 2 Museum 2 consists of masterworks dating from 1910 when Western modern art was officially introduced to Korea. The collection has been assembled largely by Hong Lee Ra-hee, the museum's new director and wife of the Samsung chairman. In addition to the work of leading artists of the early 20th century, and contemporary artists such as, Kim Whanki and Lee Ufan, the collection contains important works by such U.S. and European artists as Mark Rothko, Frank Stella, Donald Judd, Andy Warhol, Joseph Beuys, Matthew Barney and Damien Hirst. Samsung spent approximately $8.4 million on art and culture in 2003 and continues to collect energetically. Korean artists featured in the collection are the works of Lee Sang-beom (Cheong-jeon) and Byun Kwan-sik (So-jeong). Both artists are known for developing a modern pictorial style while maintaining traditional Korean painting methods. Also among the highlights are the works of Lee Joong-sup, Park Soo-keun and Chang Uc-cin, who are celebrated for their assimilation of Western painting techniques to express a uniquely Korean ethos. In addition, the collection introduces internationally acclaimed Korean artists from overseas, including the works of Kim Whanki, Paik Nam June and Lee Ufan as well as a new generation of Korean artists including Seo Do-ho and Lee Bul. There are plans to display works by emerging Korean artists around the museum and to raise awareness of Korean contemporary art overseas through links with Western commercial galleries. For his first project in Korea, Jean Nouvel enclosed Samsung's modern and contemporary art collection within an imposing and dramatic three-level structure. Nouvel's design features a mix of black and gray iron sunk into the ground. The overall layout employs contrasts between iron and glass for a startlingly modern look The top floor begins with Samsung's modern Korean art collection; the first floor shows post-World War II international art while the high-ceiling ed basement space shows international contemporary art. Nouvel created unique exhibition "boxes" that pierce the inner and outer walls of the museum and utilize glass and rusted, charcoal-colored steel. The structures create a series of variegated spaces reminiscent of side chapels that are devoted to individual artists. The structures also seem to function as a way to meld art and architecture: standing outside of them in the central open areas, the boxes create a kind of architectural picture frame around the viewers. Visitors themselves become works of art within Nouvel's building. The Black Box Black Box, the Samsung Child Education & Culture Center is a unique and visually striking building that will hold a number of special exhibitions each year, including international exhibitions. The first exhibition at Black Box that began on Oct. 19, 2004 will continue through April 9, 2005 to commemorate the new museum. This special exhibition, "Muse-Um : Companionship of Plurality," explores the world of architectural language and art by the three architects of Leeum, Samsung Museum of Art. Location[ The Ho-Am Museum is on a 19,800-square-meter site in Yongin. The museum is located in Sagandong, the district which is also home to many of Seoul's and museums such as the Kumho Museum of Art, the Kukje Gallery and Gallery Hyundai. The Leeum Samsung Museum of Art is located at 747-12, Hannam-dong, Seoul Korea Status[ Ongoing Status[ The Foundation will consider loans to museums and galleries. Activites[ Samsung, today one of the most active patrons of art in South Korea, founded its Samsung Foundation of Culture in 1965, to preserve and broaden the awareness of Korea's cultural heritage and its traditional and contemporary arts. It supports a large variety of cultural and artistic activities and academic research, and manages the Ho-Am Museum (which opened in 1982 in Kyeongkido to house a collection of 100 works), and the Rodin Gallery -- which opened in 1999 in central Seoul , displaying a permanent collection of the French sculptor's work, including versions of "The Burghers of Calais" and "The Gates of Hell.." The Leeum is the culmination of Samsung's efforts to bring together its vast collection of traditional, modern and contemporary art under one dazzling and well-designed roof. The Samsung Foundation of Culture has been actively involved in the discovery and preservation of Korea's precious cultural legacies. Using advanced techniques, the Foundation's excavation teams have searched out new archaeological sites and also re- investigated previous findings. In more than half a dozen excavation projects, the teams have come up with new evidence for the development of porcelain in the Koryo (981-1392) and Choson (1392-1910) dynasties. Information on the birth of punch'ong ware, a unique type of ceramic of the Choson dynasty, and on the tombs of the Unified Silla era (668-935) was obtained. The internet site for the Samsung Cultural Foundation is http://www.samsung.co.kr/social/support/support.html Support[ To ensure that culture and the arts thrive and develop to their fullest, the Samsung Foundation of Culture supports promising new talent and rewards established figures in such fields as music, dance, theater, cinema, visual arts, literature, and art administration. SFC supports many specific programs including The MAMPist Program, the Sejong Soloists, the annual Seoul Korean Traditional Music Contest, the Traditional Children's Song Festival, and the Samsung Prize for Literature. A chronology of the philanthropic art activities of the Samsung Group and the Samsung Cultural Foundation: 1965 -- The Chairman of the Samsung Group, Lee Byung-Chull, announced the creation of the Foundation. May 1969 -- The Foundation contributed 70 million won (US$240,000) to the renovation of Hyonch'ung Shrine in Asan, South Ch'ungch'ung Province. July 1976 -- Construction of the Ho-Am Art Museum began. October 1978 -- Chairman Lee Byung-Chull donated his collection to the museum, a total of 1,167 items. April 1982 -- The Ho-Am Art Museum opened. October 1984 --The Ho-Am Art Museum archaeological team began excavating a Koryo dynasty porcelain kiln site at Sori, Yongin. August 1988 -- To commemorate the Olympic Games, the Ho-Am Art Museum opened a special exhibit of folk paintings and Kaya relics. January 1992 -- The Foundation began to operate the Ho-Am Art Gallery. October 1992 -- Mr. Lee Kun-Hee became the chairman of the board of trustees of the Foundation. December 1992 -- The Foundation opened the Samsung Gallery at the Victoria & Albert Museum in London, England January 1995 -- Ra Hee Hong Lee Director General of the Ho-Am Art Museum. May 1995 -- Opening of the Samsung Children's Museum. May - June 1995 -- The George Segal exhibition at the Ho-Am Art Gallery. July - September 1995 -- The Great Koryo Exhibition at the Ho-Am Art Gallery. April 1996 -- The Foundation donated US$100,000 to UNESCO's World Heritage fund. December 1996 -- The "Treasures of the Early Choson Dynasty" exhibition. March 1997 -- An exhibit of works by Lee Sang-bom. The Foundation inaugurated the Musical Instrument Bank, a new scholarship program, and a Ho-Am Art Museum Internet May 1997 -- The Hee Won Traditional Garden opened. July 1997 -- The '160 Years of Photography" exhibition. October 1997 -- The "Contemporary Art in Transition" exhibit. January 1998 -- The "Art in the 20th Century" exhibit. March 1998 -- The "Art of Amitabha's Pure Land: Longings for Rebirth in Paradise" exhibit. June 1998 -- The "Arts of Korea" exhibition opened at the Metropolitan Museum. May 1999 -- The Rodin Gallery opened with a special exhibition "Rodin and the Gates of Hell". July 1999 -- The "Park Soo-keun and the Spirit of Korean Art" exhibition opened. October 1999 -- The Foundation is awarded the "Business in the Arts Award 1999" by the Korean Business Council for the Arts. December 1999 -- The "Koreans by Koreans: Portraits from Prehistory to Modern Times" exhibition opened. October 2004 - Opening of the Leeum Samsung Museum of Art in Seoul. Bibliography[ "Samsung Opens New Museum," Art in America, December 2004, Vol 92, No 11, page 160. "Samsung Puts its Vast Collection on Display," by Iain Robertson, The Art Newspaper, November 2004. "Big Names Build a Korean Museum (But Gehry Isn't One of Them)," Andrew Yang, New York Times, October 21, 2004 page F3 "Three Visions, One Museum," by Park Soo-mee (myfeast@joongang.co.kr) , JoongAng Daily, October 14, 2004. "Asian Futures: Status of South Korea in the Art World," by Richard Vine, Art in America, July 1998. "Samsung Museum of Art Seoul, South Korea: Frank O. Gehry & Associates," by Ned Cramer, Architecture, September 1997, Vol 86, No 9, pg 69. Keywords[new listing, ceramics, decorative arts, painting, sculpture Category[ musfile, galfile, artfile
Personnel[ Assistant Director, Mr. Howard Meadows. Governing[ Corporation. Business[ One of the leading merchant banks in London. Description[ The collection ranges from 18th century Old Masters and landscapes to works by contemporary artists. Some of the artists represented include Jan Van Os, Charles Towne, Charles Ginner, and Christo. The Collection is now part of the HSBC Holdings collection. Exhibitions[ "Capital Painting, Pictures from Corporate Collections in the City of London," Barbican Art Gallery, 19 April to 10 June 1984, London. Bibliography[ Paul Atterbury. Capital Painting. London: Barbican Art Gallery, 1984. pp. 16, 34-35, 56, 50.
Website Address[ http://www.sanlam.co.za/eng/aboutus/artgallery/art+gallery.htm Personnel[ Curator, Sanlam Art Gallery ; Chief Executive Officer of Sanlam, Leon Vermaak. Governing[ Corporation. Business[ Insurance. The Sanlam Group is a holding company providing financial services in South Africa. Its personal finance group offers life insurance, annuities, portfolio management, and trust services. Description[ Sanlam has an extensive corporate collection of works by South African artists. The collection includes paintings, drawings, graphics and sculptures. Selections from the collection are exhibited regularly in the company's art gallery at its head office in Bellville. In keeping with its South African identity, the collection has been directed to be representative of South African art. The collection spans the 20th century and many international art movements. Sanlam is aware of the social needs of contemporary South Africa and believes that the visual arts have a vital role to play in fostering cultural interaction, mutual understanding and respect, and in developing common values in our diverse society. If you would like more information about Sanlam's art collection, or if you have any enquiries, please contact the curator of the Sanlam art gallery. Some of the artists represented include: Ilona Anderson, Geoffrey Armstrong, Thomas Baines, Kenneth Bakker, Walter Batiss, Deborah Bell, Gregoire Boonzaier, Claude Bouscharain, Robert Brooks, Strat Caldecott, Christo, Trevor Coleman, Nerine Desmond, Pranas Domsaitis, John Dronsfield, Enslin Du Plessis, Paul Du Toit, Nel Erasmus, Emily Fern, Russell Harvey, Dorothy Kay, William Kentridge, Wolf Kibel, Moses Kottler, Freida Lock, Judith Mason, Leonard Matsoso, Hugo Naude, Frans Oerder, Fred Page, Stanley Pinker, Douglas Portway, Ruth Prowse, Harry Trevor, Alice Tennant, Jan Vermeiren, Peter Webber. Keywords[new listing, South African artists, painting, sculpture, graphic arts, mixed media Category[ musfile, galfile, artfile
Personnel[ Executive Housekeeper. Business[ Hotel. Year[ 1971. Size[ Over 200 works. Description[ A collection of post-1960 Norwegian art. Media include graphics, paintings, works on paper, textiles, and historical artifacts. Location[ Throughout the hotel. Viewing[ Accessible for viewing. Status[ Ongoing with regular acquisitions. Source[ Artists, galleries. Selection[ In-house corporate staff person. Status[ Art is not available for loan. Category[ galfile, artfile
Personnel[ Art Administrator, Maureen Reichert; Buildings Design, Shelley Miazga. Governing[ Corporation Business[: Communications Year[ 1981 Size[ 325 works, including paintings, drawings, prints and sculptures. Description[ In 1981, when SaskTel's new head office was opened in Regina, the decision was made to collect and display a diverse array of artworks created by Saskatchewan artists and artisans. The purpose was to enhance the public areas of SaskTel buildings and provide SaskTel employees with a pleasant working environment. It was also felt that SaskTel could demonstrate its role as a responsible corporate citizen by collecting, preserving and displaying art and craft objects whose quality had significance to the province. Location[ The collection is located throughout the province in Crown owned buildings. We try to place them in areas publically accessible such as our Telmark Stores. Contact the Administrator for details. Status[ Ongoing. Source[ Artists, art dealers and company sponsored art competitions. Selection[ Committee of corporate personel. Review[ Write or call before attempting to visit. Status[ Each request is considered individually. Exhibitions[ Represented in "Hidden Values", Edmonton Art Gallery, 1994;."Water Music," 1996-97. People of Saskatchewan," 1994-95). "Saskatchewan Dreaming," 1993-95., various locations throughout Saskatchewan. "The Urban Prairie," Mendel Art Gallery, Saskatoon. Activities[ Works with the Organization of Saskatchewan Arts Councils sponsoring travelling exhibitions from the SaskTel Art Collection. Publications[ Brochures & handouts for collection exhibits. Bibliography[ Hidden Values by Robert Swain, Douglas & McIntire, Vancouver/Toronto 1994, 164 pp, 100 illus. Keywords[painting, works on paper, graphics, sculpture, Canadian artists. Category[ musfile, galfile
Personnel[ Director, Mr. Duncan Grant. Governing[ Limited Company. Business[ Financial services company. Year[ 1965. Size[ Over 200 works. Description[ The collection began with the company's move to its quarters in 1965, and the most important part features the work of 20th century British artists, spanning from the early decades of the century to the 1960's. Some of the artists represented include Graham Sutherland, Walter Sickert, John Piper, Ceri Richards, Sir William Nicholson, David Bomberg, Ben Nicholson, Keith Vaughan, and Terry Frost. The collection also includes other works by contemporary British artists. Location[ Throughout its main office in London. Status[ Occasional loans to special exhibitions. Status[ Ongoing. Exhibitions[ "Rendez-Vous Dieppe," at the Brighton Museum and Art Gallery, May 1 - June 30, 1992. Sponsored by Sealink. "The New Patrons Exhibition of 20th Century Art from Corporate Collections," Christies, January 3 - 24, 1992. Sponsored by the National Art Collections Fund. "Capital Painting, Pictures from Corporate Collections in the City of London," Barbican Art Gallery, 19 April to 10 June 1984, London. Bibliography[ The New Patrons, the catalogue from the exhibition organized by the National Art Collections Fund at Christie's, London, January 3 - 24, 1992, pp. 58-59. The Dieppe Connection, the catalogue of the 1992 exhibition "Rendez-vous a Dieppe, Brighton Museum and Art Gallery, pp 59. Paul Atterbury. Capital Painting. London: Barbican Art Gallery, 1984. pp. 16, 50, 52-53, 55-56. Keywords[British artists, painting, works on paper, mixed media. Category[ musfile, galfile
Personnel[ Manager of the Hotel. Business[ Hotel. Description[ A selection of artworks by Swiss artists which includes watercolors, lithographs, etc. Location[ On every floor of the hotel. Viewing[ Accessible in public areas of the hotel.
Personnel[ General Manager Jean-Jacques Gauer. Business[ Hotel. Year[ 1939 Size[ Several hundred works. Description[ A fine collection of Swiss antiques, decorative arts, and folk art from the 18th century to 1960. Media include graphics, paintings, sculpture, works on paper, decorative arts, textiles, crafts, folk art, and memorabilia. Location[ Throughout the hotel in the halls, lobby and public areas and guest rooms. Viewing[ Available in public areas. Status[ Onoing. Status[ Only for museum exhibitions.
Personnel[ Konservatorin, Frau V. Widmer; Mitarbeiter, Herrn Andreas Karcher. Governing[ Corporation. Business[ Insurance. Year[ 1945. Size[ Over 500 items. Description[ A collection of primarily paintings, which features Swiss artists as well as artists from bordering countries, from the turn of the century to the present. Works include landscape paintings, city-scapes, interiors, self-portraits, figurative paintings, nudes, still lifes, allegorical and symbolic works, concrete paintings and constructivism, action painting and color. Location[ Throughout the headquarters building in Basel. Viewing[ Yes with prior appointment. Status[ Ongoing. Source[ Artists, galleries. Selection[ In-house corporate personnel. Status[ To non-profit organizations. Exhibitions[ "La grandi collezioni svizzere: una scelta, La Nazionale Svizzera Assicurazioni, Basilea," Pinacoteca Casa Rusca, Locarno, 1991. "Peintures du XXme sicle de la Collection Nationale Suisse Assurances, Bale," Centre Culturel Suisse, Paris, 1990. "Privatsachen I," Galerie Littmann, Basel, 1985. "Schweizer Malerei des 20. Jahrhunderts,' Galerei im Trudelhaus, Baden, 1983. "Bildwelt-Erlebniswelt: 100 Bilder aus der Sammlung der Schweizerischen National- Versicherungs-Gesellschaft in Basel-en Beitrag zum Kulturaustausch in der Egio." (The World of Painting, the World of Experience: 100 pictures from the collection of the Schweizerische National-Versicherungs-Gesellschaft in Basel - a contribution to cultural exchange in the region.) March 20 - May 3, 1981. Stdtische Museen, Augustinermuseum, Freiburg Im Breisgau, Germany. "Schweizer Malerei des 20. Jahrhunderts," Kunsthalle Basel, Basel, 1971. Programs[ Educational programs, exhibitions, internal publications, fine arts society. Publications[ Catalogue. Bibliography[ Bildwelt-Erlebniswelt[ 100 Bilder aus der Sammlung der Schweizerischen National-Versicherungs-Gesellschaft in Basel-en Beitrag zum Kulturaustausch in der Regio. Ausgewlt & Erlatert by Hans H. Hofstatter, 154 pp, illus, in German. Catalogue to the exhibition. Category[ musfile, galfile, artfile
Personnel[ Group Property Director, Tim Waddington. Governing[ Corporation. Business[ Insurance brokers. Year[ Long-term involvement. Size[ Under 100 works. Description[ A collection of post-1960 work by young and emerging artists from the region. Media include graphics, paintings, sculptures, photography, works on paper, textiles, and historical artifacts and documents. Location[ Throughout the head office and rotation among branches. Viewing[ Not accessible for viewing except on special occasions. Status[ Ongoing. Source[ artists, gallery, art advisory firm, commissions. Selection[ In-house corporate staff person. Status[ Each request considered individually. Programs[ The arrangement of works exhibited is changed at intervals during the year; the company sponsors an exhibition area for regional artists and art groups. Keywords[British artists, graphics, painting, sculpture, photography, works on paper, textile and fiber art, historical artifacts and documents.
Personnel[ Director, Kenichi Kinokuni. Seibu Ikebukuro Bldg., 1-16-15 Minami-Ikebukuro, Toshima-ku Tokyo 171-8530, Japan +81-3-3989-0111 ; Fax: +81-3-5396-5285 Website Address[ http://www.seibu.co.jp Chairman, Kotaro Matsumoto; President, Yukio Horiuchi Governing[ Foundation. Business[ Department stores, railroad. Seibu, with 25 stores in Japan, has restructured its holdings as a result of financial changes in the Saison Group, and has opened anchor stores in suburban shopping centers and buying out department store operator Sogo, a former rival with 13 locations. Year[ Foundation established in 1966. Size[ Former collection of Y. Tsutsumi: Size unknown; Contemporary art - approximately 300 works. Description[ A collection of 20th century art, and Yasujiro Tsutsumi Collection of antiques. Location[ In the Karuizawa Takanawa Museum listed above. Viewing[ From April 29 - November 3[ 10:00 - 6:00; closed on Thursdays except during July and August when the Museum is open 7 days a week. Status[ Ongoing Source[ Dealers, auctions, "Art Today" competition winners. Selection[ Museum curators. Status[ Loans are made to museums. Programs[ "Duchamp," "Picabia," "Christo," and "Art Today" exhibitions. The corporation has an active program of loan exhibitions and has also funded a variety of exhibitions organized by their own staff. Publications[ Catalogues of exhibitions. Bibliography[ Rand Castile. "The Great Corporate Art Collections of Japan." Corporate Design and Realty, v 4, no 8, Newton, Mass: Cahners Publishing Company. (October 1985):pp 58-60. Category[ musfile, galfile SHEARSON LEHMAN HUTTON INTERNATIONAL INC See Lehman Brothers
Personnel[ Supervisor, Office Services, Myrna Ichelson. Governing[ Corporation. Business[ Oil and gas resource industry. Size[ 1000 works. Description[ A collection of primarily contemporary Canadian artists with the majority of Western Canadian origin. Media include painting, sculpture, graphics, photography, works on paper, mixed media. Location[ In the corporate headquarters and other office locations in Calgary. Viewing[ The collection is not accessible for viewing since the art is placed in reception areas and hallways in office locations. Status[ Completed. Source[ Artists, art dealers. Selection[ Committee of corporate personnel. Status[ Art museums only. Keywords[painting, works on paper, graphics, mixed media, Canadian artists, photography Category[ musfile
Personnel[ Building Projects Manager, Tony Cunsolo. Governing[ Corporation. Business[ Petroleum industry. Year[ 1988. Size[ 25 works. Description[ A large commissioned aluminum sculpture by Charles Perry; and an Arthur Boyd mural for above the foyer. Collection of younger Australian artists include Stephen Bush, Sarah Curtis, Jon Campbell, John Firth-Smith, David Larwill, Mandy Martin, Paul Partos, Jenny Watson, John Young, Michael Shannon, Leornad French, Dale Frank, Philip Hunter, Peter Atkins, June Tupicoff, Rosslynd Piggott, Jan Nelson, Peter Westwood. Location[ 1 Spring Street, Melbourne. Viewing[ Building forecourt and foyer. Selection[ Art consultants[ Robert Lindsay, former Curator at the National Gallery of Victoria. Support[ Contributions to the Art Foundation of Victoria, Art Gallery of South Australia Foundation, Queensland Art Gallery Foundation. Sponsor of the Fremantle Print Award Exhibition since 1981. Bibliography[ "Building Art's future," by Ashley Crawford, Melbourne Herald, April 21, 1989, p. 17.
Personnel[ Hotel General Manager. Governing[ Corporation. Business[ Hotel. Year[ 1987. Description[ A collection of primarily work by internationally-known California artists. Included are prints by Sam Francis and Richard Diebenkorn as well as tapestries, ceramic wall reliefs, monotypes, and handmade-paper works by emerging artists. The reception area features three commissioned objects, including a fiberglass wall relief by Neda Alihilali, three mixed-media works by Laddie John Dill, and a paper and bamboo relief by Nance O'Banion. The hotel also features antiques and contemporary craft objects. Location[ Throughout the hotel. Viewing[ Works in public areas are available for viewing. Status[ Completed. Source[ Art Consultant: Anne Goodman, Anne Goodman Anne Goodman Art Consulting, 4337 Marina City Drive, Suite #739 E, Marina Del Rey, CA 90292 Publications[ A portfolio of photographs of the hotel is being collected into a hardcover book on the art and architecture of the hotel, to be available for purchase. Bibliography[ "A Yen for American Art," Corporate ARTnews, June 1988, pp. 4-5. "Grandeur on Tokyo Bay," Julie Goodman, Designers West, September 1989, pp. 106-115
Website Address[ http://www.rama9art.org/scb/index.html Personnel[ Olarn Chaipravat is a banker-economist, at one and the same time Chairman/Chief Executive Officer of the Siam Commercial Bank Governing[ Corporation Business[ Banking and financial services. Year[ 1979 Size[ Description[ Siam Commercial Bank Public Company Limited believes that art should not be limited to museum or art exhibitions, and they provide art to the public in various ways. The collection is divided into two categories: Public Art -- commissioned works for the bank's head office. All works present Thai culture. Ithipol Thangchalok ( no english title ) Mixed techniques, 305 x 2200 cm. Thawan Duchanee ( no english title ) Carved wood, 400 x 400 x 1200 cm. Chalermchai Kositpipat ( no english title ) Acrylic on canvas, 190 x 250 cm. Chalermchai Kositpipat ( no english title ) Acrylic on canvas, 190 x 250 cm. Preecha Thaothong ( no english title ) Acrylic on canvas, 400 x 300 cm. Panya Vijinthanasarn ( no english title ) Acrylic on canvas, 400 x 300 cm. 2. Contemporary Art Collection -- works selected by the executive from art competitions or exhibitions. They are now exhibited at the head and branches throughout the country. Under the Moon, Warariddh Riddhagni, Acrylic on canvas, 77.5 x 97.5 cm. The Ten Principles of Righteous Rule, Chantana Chamtim, Gold leaf on black lacquer, 150 x 150 cm. Thai Northern House, Sa-Ngad Pui-Ock, Oil on canvas, 77.5 x 120 cm Sea-flower, Winai Prabripoo, Acrylic on canvas, 102 x 138.7 cm. Dawn, Boonchai Methangkul, Oil on canvas, 87.5 x 86.2 cm. Abstract, Prinya Tantisuk, Acrylic on canvas, 117.5 x 175 cm. Twilight Field, Warariddh Riddhagni, Acrylic on canvas, 77.5 x 97.5 cm. Untitled, Praphan Srisouta, Oil on canvas, 120 x 160 cm. Untitled, M.L. Poum Malakoul, Oil on canvas, 54 x 62.5 cm. Beside the Church, Winai Phunumphon, Oil on canvas, 53 x 56 cm. Under His Majesty the King, Vasan Harimao, Mixed media, 150 x 120 cm Paying homage to His Majesty the King, Khemrat Gongsuk, Technique: Unknown, 50 x 50 x 150 cm. His Omnipresent Benevolence, Wijit Apichatkriengkrai, Technique: Unknown, 130 x 40 x 150 cm. Riverside Home, Anand Panin, Oil, 92 x 92 cm. Location[ In the Bank head office and branches throughout the country. Viewing[ In public areas of the bank Status[ Ongoing Source[ competitions, art exhibitions. Category[ musfile, galfile
Personnel[ Leiter des Kulturprogramme. Governing[ Corporation. Business[ Electronic components. Size[ Approximately 3,000 works. Description[ The art collection features German art since 1960. Media include graphics, sculpture, photography. The company`s goal is not to establish or present an art collection, but an art library. Today this art library consists of about 3,000 works of art, primarily two- dimensional. The company's intention is to mediate between the artists obtaining financial support, and thereby encourage Siemens' employees to participate in cultural life. The company also purchased about 40 sculptures between 1950 and 1986. The company is putting together a collection of contemporary photographic works that will be placed on permanent display in Munich's planned State Museum of Modern Art. Art and architectural projects represent another aspect of the company's cultural program. Individual artists or working groups consisting mainly of visual artists or architects are invited to design a project for a specific Siemens building or complex. The goal is not merely to place individual works of art in the workplace, but rather to realize a complete artistic concept designed specifically for that location. Each project is overseen by a curator proposed by the artist or artists. Some of the artists working on these projects include Florian Aicher, Wolfgang Flatz, Rolf Julius, Norbert Rademacher, Marie-Joe Lafontaine, and Ludger Gerdes. The Siemens-Museum in Munich shows the development and application of electro-technology from the beginnings to the present and into the future. Some of the special features of the museum include one of the earliest electric telegraphing devices (1847), the first TV receiver (1936), a track regulator whose operation is demonstrated by a model train, and a modern stage-lighting system. The future of technology is illustrated by the latest developments in computer technology, electro-medicine, communication via satellite and fiber-optics. Location[ In the Siemens-Museum in Munich. The art collection is located throughout the headquarters and rotated among branches. Art projects are also located throughout the city of Munich. Status of Art Collection[ Ongoing with regular acquisitions. Selection[ Outside consultant. Status[ Only to non-profit organizations. Programs[ A study room and archive are at the disposal of interested students at the Siemens Museum. A photography project begun in 1987 was recently concluded and began an international tour during the summer of 1992. For the project, 18 German photographers were invited to carry out research at 20 Siemens plants in Germany, and present their impressions of the relationships among people, environment, and technology. The artists were not concerned with simply photographing pieces of reality, but rather combined these pieces in ways that produced synthetic photographic works such as collages, montages, and text-picture combinations. Support[ Separate from the company's cultural program, is the Ernst von Siemens foundation, established in 1983 to promote the visual arts. Siemens supports the foundation through an art fund. The foundation provides financial assistance to public museums and collections for the purchase of artworks and to support exhibitions. The company was the recipient of the Corporate Art Preis in 1997. Bibliography[ "Conceptual Photo Art Project Highlights Siemens Program," Corporate ARTnews, April 1992, pp. 5-6. "Siemans Program Lends Hand to New German States," Corporate ARTnews, November 1992, p. 3. Gestaltete Raume in Mnchen, eine Dokumentation des BUro Orange, Siemens Mnchen, 1992, 87 pages. Category[ musfile, galfile
Personnel[ Dipl Ing Architekt, C. Schweickert. Governing[ Corporation. Business[ Electrotechnics and electronics. Year[ 1987. Size[ Less than 50 works. Description[ A collection of works by regional artists created since 1960 (by students of art academies). Media include graphics, paintings, sculptures, photography, works on paper, and mixed media. A small group of drawings related to the field of electronics is also included. Viewing[ Not available for viewing. Status[ Ongoing. Source[ Artists. Selection[ In-house corporate staff person. Status[ Not available for loan. Support[ The company has a policy of helping young graduates of art academies.
Personnel[ Public Relations. Governing[ Corporation. Business[ Brewing. Year[ 1820. Size[ Fewer than 50 items. Description[ A collection of pre-19th and 19th century art by Finnish artists. Media include graphics and paintings. Viewing[ Not accessible for viewing. Status[ Ongoing with only occasional additions. Status[ Each request considered individually.
Fax[ 44 / (0) 171 628-2070 Website Address[ http://www.simmons-simmons.com Personnel[ Partner, Stuart Evans (coordinator of the collection). Governing[ Partnership. Business[ Law firm. Year[ 1985 Description[ An integrated collection of 1990s art by young British artists working in London. It deals with issues of today -- "seeing the everyday with a new pair of eyes" -- and works are characterized by creativity, innovation, and dynamism. Much recent work by young British artists has been grounded in photography, so the focus of the collection has been broadened to include works by artists using photography as their medium. Some of the artists represented include Damien Hirst, Fiona Rae, Mat Collishaw, Tracey Emin, Angus Fairhurst, Sarah Jones, Michael Landy, Simon Patterson, Georgina Starr, Wolfgang Tillmans, Gillian Wearing, Rachel Whiteread, Paul Winstanley. A goal of the collection has been to bring young artists a showcase for their work, and to provide the firm and its clients the opportunity to see some of the most interesting elements in current British art. Location[ In client reception areas and suite of conference rooms in iits Wilson Street offices. Status[ Ongoing. Selection[ Through Stuart Evans. Status[ Works have been loaned for museum exhibitions in the past. Exhibitions[ "Made in London: An Exhibition of works by London based artists made in the 1990s," exhibited at Expo 98 in Lisbon, at the Museu de Electricidade, June 5-30, 1998. Sponsored by the British Council. Support[ The firm has also provided legal services for artists such as Damien Hirst, Tracey Emin, and Abigail Lane. Publications[ A website showcasing the collection is in planning and will be available during the latter part of 2000. Made in London, an exhibition brochure with essay by Richard Shone, April 1998. Published in conjunction with the exhibition at Expo 98 in Lisbon. A catalogue of the collection was published in 1996. Bibliography[ "Rare combination of talents graces walls of a law firm," by Joanna Pitman, Times of London, Saturday, June 22, 1966, features section. "Corporate art goes avant-garde," by Lynn MacRitchie, Financial Times Weekend, June 22 / June 1996. Keywords[new listing, photography, graphics, mixed media Category[ musfile, galfile, artfile
Personnel[ General Manager. Business[ Hotel. Description[ 120 Belgian artists (including Hugo Duchateau, William Sweetlove, and Jean de la Fontaine) were invited to help in the renovation of the hotel. The decoration of the hotel's rooms and lobby were entrusted to young painters, sculptors, and photographers. The main themes are travel and loneliness. Guests can request a room decorated by the artist of their choice. Location[ Throughout the hotel. Viewing[ Works are available for viewing. Bibliography[ "Briefly Noted," Corporate ARTnews, May 1989, p. 6.
Personnel[ Managing Director. Governing[ Corporation. Business[ Stockbrokers. Year[ 1987. Size[ Less than 50 works. Description[ A group of contemporary paintings and works on paper by British artists. Some of the artists include William Scott, Elizabeth Blackaddaser, Howard Hodgkin, Elizabeth Frink, John Hoyland. Location[ Throughout the corporate building. Viewing[ None. Status[ Ongoing. Source[ Art consultants. Selection[ In-house corporate staff person and outside consultants. Status[ None. Keywords[British artists, painting, works on paper.
Personnel[ Partner, Mr. Mark Brennan. Governing[ Partnership. Business[ Law firm. Year[ 1980 Size[ 60 works. Description[ Collection of contemporary Canadian art including works by Takao Tanabe, Andre Theroux, Carol Sutton, York Wilson, Andrea Bolley, Philip Craig, Jeffrey Armstrong, Kay Graham, Paul Fournier, Meorie McPhee, and Doris McCarthy. Location[ Throughout the firm's offices. Viewing[ By appointment Status[ Ongoing. Source[ Art dealers. Selection[ Corporate personnel & outside consultant. Review[ Will not accept unsolicited materials. Status[ Each request is considered individually. Exhibitions[ "Ontario Corporations Collection," McMichael Canadian Art Collection, Klienburg, Ontario, November 13, 1994 - February 5, 1995. Bibliography[ Hidden Values, by Robert Swain, Douglas & McIntyre, Vancouver/ Toronto 1994, 164 p., 100 illus. Keywords[graphics, painting, sculpture, photography, works on paper, mixed media, Canadian artists, Native American art, Inuit art
Personnel[ Company Secretary, Christopher Rule. Governing[ Corporation. Business[ Retail and distribution group. Year[ 1978. Size of Collection Approximately 60 items. Patronage[ The long-standing W.H. Smith Arts Programme primarily exists to introduce young people to the arts--especially literature, the theater, music and design. Support is also given by donation to the Royal Academy Trust, the National Art Collection Fund and the Tate Gallery. Description[ A collection has been formed to decorate the Head Offices. The artworks are by living British artists. Some of the artists represented include Dame Elisabeth Frink, David Hockney, Brian Organ, John Ward, R.A., Richard Smith, Peter Collingwood. Location[ In the Head Office Buildings in London, Swindon and Oxfordshire. Viewing[ Not generally accessible. Status of the Collection Ongoing. Source[ Art dealers. Selection[ In-house corporate staff person. Review Policy[ Will not accept unsolicited material. Status[ Each request considered individually. Exhibitions[ "The New Patrons Exhibition of 20th Century Art from Corporate Collections," Christies, January 3 - 24, 1992. Sponsored by the National Art Collections Fund. Evan Uglow Exhibition, Whitechapel Gallery, 1989. "Capital Painting, Pictures from Corporate Collections in the City of London," Barbican Art Gallery, 19 April to 10 June 1984, London. Bibliography[ The New Patrons, the catalogue from the exhibition organized by the National Art Collections Fund at Christie's, London, January 3 - 24, 1992, pp. 60-61. Paul Atterbury. Capital Painting. London: Barbican Art Gallery, 1984. pp. 16, 45, 57. Annual Report 1987/1988, Association for Business Sponsorship of the Arts, London, 1985. Keywords[British artists, painting, works on paper. Category[ musfile, galfile
Personnel[ Facilities Manager, Tom Riggs; Art Consultant, Peter Harris, International Art Consultants, Ltd. Governing[ Corporation. Business[ Healthcare. Year[ 1991. Size[ Approximately 300. Description[ The New Horizons Artworks Project focuses on works created by artists with disabilities from all around the world, reflecting the company's international spirit and belief in the talents and skills of all people. The result is an extremely diverse, interesting and innovative collection. Works have been produced in a wide range of media such as oils, watercolors, tapestries, and collages; and have been selected from the following countries to date[ Australia, Austria, Belgium, Brazil, Canada, Denmark, France, Germany, Greece, Holland, Hong Kong, India, Ireland, Israel, Italy, Luxembourg, Japan, Scotland, Spain UK and USA. In addition, the program is currently working with Ecuador, Egypt, Mexico, Norway and Sweden in search for further works. SmithKline Beecham's work with groups of artists with disabilities forms more than 90% of the New Horizons Artworks Collections. Other works displayed as part of the collection come from[ each of the company's offices around the world who have been asked to contribute a local work; employees who have achieved excellence in the company's annual photographic competition; and two pieces for the main recxeption area that were commissioned by SmithKline--a glass and metal sculpture by Danny Lane, an American artist who has studied and worked in the UK for the past 16 years, and a glass etching by artist Bush Hollyhead. In 1997, the company established an art collection for its offices in Harlow, which included a R&D laboratory and specialist pharmaceutical technology center. Art Consultant for the project was Peter Harris, International Art Consultants in London. The project included a series of new commissions -- abstractions for the R&D laboratory and figurative works for the technology center. The result is a group of cutting-edge classics that embrace both the traditional and the modern; the figurative and the abstract. Some of the commissioned works include a curved glass sculptured screen at the entrance of the laboratory, by Graham Jones; a painted glass sculpture for the entrance lobby by Julian Stocks; a series of sculptures by David Jacobson; large abstract wall tapestries by Sophie Pattinson; painted fiberglas bas-relief wall hanging by Louise Soloway. Location[ Throughout the company's world headquarters. Viewing[ Not accessible for viewing. Status[ Ongoing. Source[ Consultants, company sponsored art competitions. Selection[ Corporate personnel and outside consultant: Peter Harris, International Art Consultants Ltd, 15 Dock Street, London E1 8JL; tel +44 / 0171 481-1337; fax +44 / 0171 481-3425; email iac@artservs.demon.co.uk Status[ Each request considered individually. Exhibitions[ Laing Gallery for Northgate Hospital, Newcastle-upon-Tyne, October - December 1992. Other Corporate Arts Support: Sponsorship of Healthcare Gallery with the Science Museum in London. Visability Arts sponsored to create a mosaic as part of the collection. Publications[ A catalogue is currently being developed. Bibliography[ "Art Brings Splash of Colour to Sterile Surroundings; Hidden Assets," by Joanna Pitman, Times of London, Saturday, March 15, 1997. Keywords[glass works, sculpture, textile and fiber art, Category[ musfile, galfile, artfile
Fax[ (44) 01279 622 100 Personnel[ Ann Hayday. Governing[ Corporation. Business[ Pharmaceuticals. Year[ 1997 Size[ over 150 works of art Description[ .The collection includes works by Joe Tilson, Albert Irvin, Neil Canning, Jaume Ribas, Jules De Goele, Heidi Lichterman, Helyne Jennings, John Brown, Sophie Patterson, Richard Davies, Fred Langford Edwards, Julian Stocks, Louise Soloway, John Piper, Tracy Hillier, Peter Hayes and Eric Hewitson, and large canvases by Lincoln Seligman and Graham Jones. Included is a 63 meter square curved, freestanding glass wall by Graham Jones commissioned for the main entrance of the building. A mobile by Lincoln Seligman was also commissioned for the Pharmaceutical Technologies Building. Location[ Art is displayed in three buildings throughout the campus Viewing[ not accessible for viewing to the general public. Status[ The collection is being developed each year. There is a regular 3-month sculpture exhibition in the main building. Source[ Peter Harris, International Art Consultants Ltd, 15 Dock Street, London E1 8JL; tel +44 / 0171 481-1337; fax +44 / 0171 481-3425; email iac@artservs.demon.co.uk Publications[ A booklet about the art collection was published by the company in 1998. Keywords[new listing, painting,
Personnel[ Charge de Mission, Madame Catherine Debrabant. Governing[ Socit Nationale de Chemins de Fer - a public company. Business[ Transportation. Description[ Since 1986, A group of artworks have been installed under the jurisdiction of SNCF, and commissioned by the State[ 2 sculptures by Arman in the Gare Saint-Lazare, "L'Heure de Tour," and "Consigne Vie;" a monumental fountain by Michle Blondel in the Gare de l'Est; two acrylic paintings on wood by Valrio Adami, in the Gare d'Austerlitz; a group of frescoes created by Aillaud, Cueco, Klasen, Monory, Rieti and Tlmaque in the station Muse d'Orsay [line C of the RER]; and frescoes were commissioned from different artists for the Railway Valle de Marne. "Collection 2" is a collection of locomotives and historical vehicles deposited by the SNCF in the Muse Franais du Chemin de Fer, 2, rue Alfred de Glehn, 68200 Mulhouse, Dornach. [1969]
Personnel[ Service Informations, Responsable du Service, Mlle. Marie-Jos Barault. Governing[ Socit Anonyme. Business[ Building and public works. Description[ A group of sculptures which have been created for highways in France. These include[ "Le soleil sur l'autoroute" by Louis Leygue (A37); "Arc majeur" by Bernard Venet (A6); "Ouverture vers l'infini?" by Albert Feraud (A40); and "L'archodrome[ reconstitution grandeur nature des modes de vie de la prhistoire l'poque moderne" by the architect Valentin. Location[ Along highways in France. Viewing[ Available for public viewing. Bibliography[ "Des capacits sans limites," Le Mur Vivant, number 82-83, pp. 62-75.
Fax[ (44 171) 588 1437. Personnel[ Administration Department, Mike Bell. Governing[ Corporation. Business[ Banking and financial services. Year[ 1990. Size[ Over 100 works. Description[ The collection contains work by a large number of young British artists, bought directly from studio and degree exhibitions. There is an equal division between figurative work. The Italian artist, Ricardo Cinalli was commissioned to produce three large works for the reception area of the building. Alison Lambert was commissioned to paint a series of friezes which hang suspended from the ceiling in the dealing room. Oil paintings by Vanda Harvey and Lucy Ross are in the boardrooms Location[ The corporate headquarters in London. Viewing[ The more public areas of the building, where the Ricardo Cinalli works are displayed, can be seen by appointment with Long and Ryle. Status[ Completed. Source[ Artists, art dealers, degree exhibitions. Selection[ Committee of corporate personnel and outside consultant: Sarah Long, Long and Ryle Art International, 4 John Islip Street, London, SW1P 4PX; (44 171) 834-1434. Review Policy[ Will not accept unsolicited material. Status[ Each request considered individually. Exhibitions[ "The New Patrons Exhibition of 20th Century Art from Corporate Collections," Christies, January 3 - 24, 1992. Sponsored by the National Art Collections Fund. Bibliography[ "Inspiring Collection free of investment tag, by Joanna Pitman, Times of London, Saturday, July 6, 1996, business section. The New Patrons, the catalogue from the exhibition organized by the National Art Collections Fund at Christie's, London, January 3 - 24, 1992, pp. 62-63. Keywords[British artists, painting, works on paper, commissioned art.
Personnel[ Directeur de Production, Jean Tolon. Governing[ Socit Anonyme. Business[ Manufacturer of plumbing fixtures. Year[ 1983. Size[ Less than 50 items. Description[ Bronze sculpture by Bernard Bancillon, Le clapet de non retour; ink drawings of Burgundy landscapes. The company has sponsored an average of 4 or 5 exhibitions per year in its premises, and co-sponsored exhibitions with other companies in the region. By exhibiting the work of painters, sculptors, printmakers, designers and photographers, the company has encouraged a dialogue between their employees and the artists and has fostered a better understanding between the business world and the art world. Some of the artists featured include Bernard Bancillon (sculpture), Denis Jourdin, Danielle Raspini, Rnaud Contet, Pierre Gauthier, Christian Niepce, Pascal Guichard, Patrick di Maria, Philippe Meier, Joelle Lambert, Pierre Clment, Christine Celarier, Michle Clement, R. Jaros, Frdrique Vigoureux-Jacob. Location[ At the company headquarters in Chalon sur Saone. Viewing[ Available for viewing with prior arrangements, or on special occasions. Status[ Ongoing. Source[ Artists. Selection[ Art advisors. Status[ Each request considered individually. Support[ During 1988 the company sponsored the traveling exhibition, "L'Imagination au Lavoir," documents and photographs retracing the history of washhouses in the Saone et Loire regions. Sponsored the Prix du Crateur Urbain Europen during the festival[ "Chalon dans la Rue." Publications[ Les Rencontres . . . SOCLA.
Personnel[ Museum Director, Kunio Uehara. Governing[ Foundation. Business[ Department store. Year[ 1985. Size[ 250 works. Description[ Japanese paintings including oil paintings by Shintaro Suzuki, Nihonga (Japanese traditional art) by Kyuudon Yamamoto and prints by Kohei Morita. Location[ In the Sogo Museum located on the 6th floor of the Sogo Department Store. Viewing[ Closed to the public except during special exhibitions. Status[ Collecting activity is currently suspended until the policy is established. Activities[ The company also sponsors an exhibition in its stores in Chiba and Nara. The Chiba Sogo Museum of Art, Fujimi 2-3-1, Chuo-ku, Chiba-shi, Chiba Prefecture; and The Nara Sogo Museum of Art, Nijooji-Minamai 1-3-1, Nara-shi, Nara Prefecture. Exhibitions[ "The Renaissance and the Baroque," "Shintaro Suzuki" Exhibition, "Rembrandt and his contemporaries." Category[ musfile
Personnel[ Museum Director. Governing[ Foundation. Business[ Department store. Location[ In the Chiba Sogo Museum located in the Sogo Department Store. Viewing[ Closed to the public except during special exhibitions. Keywords[ Category[ musfile
Personnel[ Museum Director. Governing[ Foundation. Business[ Department store. Location[ In the Nara Sogo Museum located in the Sogo Department Store. Viewing[ Closed to the public except during special exhibitions. & Keywords[ Category[ musfile
Personnel[ Chairman and President, Christian Spengler. Governing[ Corporation. Business[ Clothing retailer. Year[ During the early 1970's Size[ Appproximately 400 works. Description[ A collection of works by European artists, primarily Swiss, which includes all media. Some of the artists represented include Jean Baier, Francis Bboux, Max Bill, Miguel Berrocal, Gian Casty, Charpentier, Eduardo Chillida, Le Corbusier, Michel Engel, Amadeo Gabino, Michael Grossert, Hans Jenny, Paul Klee, Fernand Lger, Robert Muller, Picasso, Serge Poliakoff, Alma Rossini. Some of the most important works include a 400 x 700 commissioned mosaic tile wall by Jean Baier located in the gymnasium; two commissioned stained glass works by Gian Casty; several large paintings by Hans Jenny of Basel, tapestries by Leger and Klee, a series of lithographs by Le Corbusier and Picasso, and several Rossini sculptures on the exterior of the headquarters. The headquarters building, designed in 1971 by Walter Frey, is expanding and the new construction will approximately double the size of the building. Location[ Throughout the corporate headquarters on three floors, in offices, reception areas, cafeteria and lounge areas. Viewing[ By prior appointment only. Status[ Ongoing. Source[ Galleries. Review[ Artworks are selected by the President of the company, Christian Spengler. Publications[ Kunst am Arbeitsplatz, 1977, catalogue of the collection. Category[ musfile, galfile
Personnel[ Manager of Premises Departmenr, Peter Staples. Governing[ Corporation. Business[ Banking/financial services. Description[ A small collection of paintings which reflect the Bank's historical associations with India and the Far East. Exhibitions[ "Capital Painting, Pictures from Corporate Collections in the City of London," Barbican Art Gallery, 19 April to 10 June 1984, London. Bibliography[ Paul Atterbury. Capital Painting. London: Barbican Art Gallery, 1984. pp. 16-17, 37, 39.
Year[ 1989. Description[ The choice of works reflects a broad and informed taste. Although there is no overall theme or style, there is a tendency towards abstract rather than figurative works, with an admiration for strong compositions. The emphasis has been on works by younger British artists, with examples by more established artists located in director's offices, boardrooms and public areas. Paintings and works on paper predominate, with additional works of sculpture, ceramics, and textiles. Some of the artists represented include Michael Blodget, Robert Mason, Leonard McComb, Therese Oulton, Michael Sandle, and John Virtue. Location[ In the offices, corridors and public areas of the building. Viewing[ With prior arrangement. Selection[ Contemporary Art Society with assistance from Eric Parry. Exhibitions[ "The New Patrons Exhibition of 20th Century Art from Corporate Collections," Christies, January 3 - 24, 1992. Sponsored by the National Art Collections Fund. Support[ The company were commended by the judges of the Sixth annual Art & Work awards in 1990, for their long-term commitment to including art in their working environment. Bibliography[ The New Patrons, 20th Century Art from Corporate Collections, from an exhibition organized by the National Art Collections Fund at Christie's, London, January 3 - 24, 1992. "Sixth Annual Art & Work Awards Presented in London," Corporate ARTnews, January 1991, p. 4. Keywords[British artists, painting, works on paper, sculpture, textile and fiber art, crafts
Personnel[ President, Bernhard Starkmann. Business[ Company distributes scholarly publications to European libraries Description[ A collection of works by contemporary British and international artists. Artists represented include Craig Wood, Hamish Fulton, Damien Hirst, Douglas Gordon, Angela Bulloch, Christine Borland, Carl Andre, Joseph Beuys, Richard Long, Wolfgang Laib,Rodney Graham, Dermot O'Brien. Location[ In the company's offices in a converted dairy in Lisson Grove in North London. Viewing[ Works in public areas are accessible. Status[ Ongoing. Source[ Artists, art deales. Selection[ Bernhard Starkmann. . Bibliography[ "Pinstripe Medicis," Independent, John Windsor, Saturday, May 30, 1998, page 36 Features. Art for Work: The New Renaissance in Corporate Collecting, by Marjory Jacobson, Thames and Hudson. Keywords[new listing, commissioned art, mixed media. Category[ musfile, galfile
Personnel[ Art consultant: Eileen Chanin, Macquarie Galleries (204 Clarence Street, Sydney NSW 2000; (02) 264-9787). Governing[ Corporation. Business[ Banking Year[ 1970's. Description[ Australian contemporary art of the 1980's with emphasis on flora and fauna themes, mostly acquired since 1984 for move into State Bank Centre. Includes paintings and prints by Bill Brown, Gunter Christmann, Fred Cress, John Firth-Smith, Robert JAcks, Colin Lanceley, David Malangi, John Peart, Ken Searle, Jorg Schmeisser, Guy Warren; sculpture by Peter Taylor; commissioned works: rugs designed by Lesley Dumbrell, Jenny Kee and Alun Leach-Jones, and tapestries designed by Jan Senbergs. Location[ Public lobbies and executive offices, 5 floors at State Bank Centre, Martin Place, Sydney. Viewing[ Public lobby areas. Exhibitions[ "Hidden Treasures," Art in Corporate Collections, SH Ervin Gallery, January- March 1996. Bibliography[ Hidden Treasures, Art in Corporate Collections, exhibition curator, Anne Loxley, published by The National Trust of Australia for the exhibition, 1996. "Zofrea mural shows man's ties to earth," by Gay Richardson, The Australian, Wednesday, December 4, 1985. Category[ musfile
Personnel[ Curator, Tommy Forss. Governing[ Corporation. Business[ Manufacturer of paper, pulp, wood products; mining and electric power. Year[ 1958. Description[ A collection of works be regional artists which includes graphics, painting, sculpture, works on paper, crafts, memorabilia, historical artifacts, documents and rare books, coins. The collection includes pre-19th and 19th century art; portraits of royalty, boardmembers, managing directors, and master-miners; illustrations from the life connected to the mine, everyday scenes as well as from solemn occasions; motives from industrial activities and regions (landscapes, towns); and prints. Location[ Corporate headquarters, museum and special galleries. Viewing[ The museum is open for visitors from May 1 - August 31 from 10:00 - 4:30; and from September 1 - April 31 from 12:30 - 4:30. Status[ Ongoing. Source[ Artists, art dealers. Selection[ In-house corporate staff person. Review Policy[ Write or call before attempting to visit. Status[ Each request considered individually. Exhibitions[ "Owls in Art," June - August 1991. "Portraits and Landscapes," Stora's Museum, May 1 - September 6, 1987. Programs[ The museum and art collection are occasionally shown in conjunction with special visits, dinners, etc; the company sponsors an exhibition gallery for the display of works by regional artists, and crafts such as wood, paper, silver. Support[ In 1988 Stora celebrated 200 years as a shareholding company and sponsored a cultural award; works of art are often donated from Stora, especially popular are works by local artists Stig Borglind, Axel Fridell, Hans Norsbo and Helge Zanden. Publications[ Chronicles - The Annals of STORA, Tommy Forss, 1991. "Stora Kopparbergs Bergslags Akticbolags Portrtt - och tavelsamlingen," August Hohr, 1921. "Vgledning genom konstsamlingen," Sixten Strmbom, 1956. Category[ musfile, galfile, artfile
Website Address[ http://kunst.storebrand.no/english.asp Personnel[ Art Administrator, Mr Audun Erikstad, tel. +47 906 59 431 Governing[ corporation Business[ Insurance and financial services company. Year[ The presentation collection was acquired in 1998 for the new Storebrand headquarters building in Oslo. Size[ Total of 539 works. In 1998, approximately 425 artworks were acquired, the majority were contemporary art from the last 20 years. A selection of about 100 older artworks was also made from the collection that Storebrand had built up through many years. Some new works have also been added to the collection after 1998. There are 127 artists represented in the collection Description[ This collection is a wide showcase of modern and contemporary art. The majority of the works were created after World War II, although there is also a large selection of works created during the early 20th century and the 19th century in Norway. In addition the collection also includes works by well known artists from Germany, France and other parts of Europe. There is a large variety of media, and works are included in painting, mixed media, graphics, sculpture, photography, and textiles. 539 works are shown on the company's website, and these works are known as the "Presentation Collection." Location[ Throughout the new headquarters in Oslo. The collection is available for viewing on the website listed below. Viewing[ The collection is permanently accessible on the Internet at the following website: http://kunst.storebrand.no/english.asp Further information about The Storebrand Art Collection and/or individual artworks can be obtained by contacting the Public Relations department, tel. +47 22 31 14 66 or the art administration directly, Mr Audun Erikstad, tel. +47 906 59 431 Status[ Ongoing. Over the next few years, the company will be expanding and developing the collection further, especially with new works from the 21st century. Source[ artists, art advisors, galleries, art dealers Selection[ The collection was selected by a curator from the Museet for Samtidskunst, Steinar Gjessing, in consultation with the Chief Executive Officer. Status[ Occasional loans to museum exhibitions. Exhibitions[ In 2003 a significant number of key works from the collection were exhibited at the Stenersen Museum in Oslo. Publications[ The entire collection can be viewed on the corporation's website: http://www.kunst.storebrand.no/english.asp Bibliography[ Contemporary Corporate Collecting , A talk with Peder Lund. From the website at: http://www.societyofcontrol.com/research/lund.htm. (interview in June 2001) Keywords[new listing, painting, drawing, graphics, sculpture, textiles, photography, mixed media, 19th century, 20th century Category[ musfile, galfile, artfile
Personnel[ Executive Secretary to the General Manager, Kirsi Petersen-Jessen. Governing[ Wrtsil, a ship-building firm and the owner of the hotel. Business[ Hotel. Year[ 1988. Description[ A collection of Finnish contemporary art. The guest rooms feature eight different series of original graphics by Finnish artists; two new plate services were designed and made by the Arabia Factory specially for the hotel; Pro-Arte glass and ceramic pieces decorate the corridors and the atrium area; and reproductions of furniture by Eliel Saarinen are featured in the Panorama and President suites. The most outstanding pieces, however, are the glass sculptures commissioned from two well-known Finnish glass artists, Professor Oiva Toikka and Markku Salo, for public spaces in the hotel. Both artists are affiliated with the Nuutajrvi glass factory, now part of Iittala, the major Finnish glass producer. Toikka's sculpture, Among Other Things, is part of the main staircase of the hotel. The sculpture by Markku Salo is located beside large windows overlooking the sea. The piece is composed of small glass elements, with varying textures and colors that can be rearranged to form different pieces. This sculpture is called Weather forecast for seamen and the four separate parts are called Storm warning, Sun shine, Fog, and Clearing. Location[ Throughout the hotel in public and guest areas. Viewing[ All works are accessible for viewing. Status[ Completed. Source[ Artists. Publications[ Ars Strand, illustrated booklet describes the collection. Bibliography[ Corporate ARTnews, July 1989, p. 3. "Art in the Strand," Juliana Balint, Space and Place (Finnish Furniture Exporter's Association, Helsinki, Finland), May, 1989. Category[ musfile
Personnel[ Director, Ikutaro Ito. Governing[ Foundation and Osaka City. Business[ Sumitomo Corporation is a trading company. Year[ The museum was founded in 1982. Size[ Approximately 1000 pieces. Description[ A fine collection of ancient Chinese and Korean ceramics. It was formerly the well-known Ataka collection, and was given to the city of Osaka by the 21 companies of the Sumitomo Group. This museum is one of the finest Far Eastern ceramic collections in the world. Location[ In the Museum of Oriental Ceramics. Viewing[ 9:30 - 5:00, closed Mondays. Status[ Ongoing. Source[ Individual collectors, dealers, auctions. Selection[ Curators. Status[ Occasional loans to museums. Exhibitions[ "Chinese Ceramics," 1986; "Lee Dynasty Ceramics," 1987. Programs[ Three special theme exhibitions which illustrate certain aspects of ceramic history, are sponsored each year in a special exhibition gallery. Publications[ An illustrated pamphlet on the collection is available in English. Bibliography[ Laurance P. Roberts. Roberts' Guide to Japanese Museums of Art and Archaeology. Tokyo, Japan[ Simul Press, 1987. Revised and updated edition. English. Category[ musfile, galfile
Personnel[ Building Services Supervisor: Mr. Angus MacMillanl. Governing[ Corporation. Business[ Assurance company. Year[ 1985. Size: approximately 40 works. Description[ A collection which was initiated when the company moved into three highrise buildings in downtown Calgary. Works are featured by regional artists including Margaret Sutherland, Jane Sartorelli, Illingworth Kerr, Wilt Perreault, Seka Owen, Dulcie Foo Fat. Location[ The collection is currently in storage. Status[ Currently not being added to. Source[ Art advisor, Norma Gibson, Calgary, Canada. Selection[ Committee of corporate personnel and in-house staff person. Review Policy[ Will not accept unsolicited slides, catalogues, etc. Status[ Works from the collection are not available for loan Programs[ The company has sponsored changing art exhibitions of works by Alberta artists. Bibliography[ "Commissions in Calgary," Corporate ARTnews, January 1988, p.5. Keywords[Canadian artists.
Personnel[ Deputy Chairman, Mr. R. M. M. Pryor; Dorothy Burrows. Governing[ Corporation. Business[ Insurance and pensions business. Description[ A collection of paintings, primarily local views by the Bristol School of artists, including Francis Danby, William James Mller and Samuel Jackson. Location[ In the Bristol headquarters. Exhibitions[ "Capital Painting, Pictures from Corporate Collections in the City of London," Barbican Art Gallery, 19 April to 10 June 1984, London. Support[ The company sponsored an exhibition of paintings by Edward Munch at Newcastle Polytechnic Gallery. Bibliography[ Paul Atterbury. Capital Painting. London[ Barbican Art Gallery, 1984. pp. 17, 36. Annual Report 1984/1985, Association for Business Sponsorship of the Arts, London, 1985. Keywords[painting, British artists.
Personnel[ Financial Director, Matti Guokas. Governing[ Corporation. Business[ Forest industry. Year[ 1938. Size[ Over 50 pieces. Description[ A collection of 19th century art by Finnish artists. Media include paintings, works on paper, and crafts. Most of the mill and work areas were designed by Alvar Aalto. Location[ Throughout the building and in a special gallery. Viewing[ Accessible with prior appointment. Status[ Ongoing with occasional acquisitions. Source[ Commissions. Selection[ Committee of corporate personnel. Status[ Each request considered individually. Category[ musfile, galfile
Fax[ +81-3-3470-9186 Website Address[ http:/www.suntory.co.jp/sma/english/index.html and http://www.suntory.com/culture/culture.html Personnel[ Chairman/President and CEO, Suntory Ltd, Nobutada Gary Saji; Director of the Suntory Museum of Art, Keizo Saji; General Secretary, Yoshio Tsuchiya. Governing[ Suntory, Ltd Business[ Producer of whiskey and other liquors. Suntory is a 100-year-old diversified firm that produced Japan's first whiskey. Hibiki, Kakubin, and Old are some of the whiskies Suntory distills in Japan. It also distills Midori melon liqueur. Domestic products are complemented by over 1,500 wines and 100 spirits (such as Jack Daniels and Kahlua) imported by Suntory, which also makes beer, wine, and nonalcoholic drinks. Suntory is a top US distributor of bottled water, and its joint venture with PepsiCo, Pepsi Bottling Ventures, is Pepsi's third-largest bottler. Suntory's other units include food, flowers, pharmaceuticals, publishing, resorts, and restaurants. Year[ 1961. Size[ 3,000 works. Description[ The Suntory Museum of Art was founded in November 1961 by Keizo Saji, then President and Chairman of Suntory, Ltd. Taking as its theme "beauty in everyday life," the Museum has concentrated on collecting and showing the arts and crafts of early Japan. From its original location in the Palace Building in the Marunouchi district of Tokyo, the Museum moved in May 1975 to its present home in the Suntory Building, Akasaka, Tokyo, where today it continues to offer a wide-ranging exhibition program.The collection includes Japanese lacquer, glass, ceramics, iron teakettles, masks, costumes, paintings and prints. Also featured is antique glassware from several countries and is especially noted for its 15th century Viennese glass. The prints include examples by most of the major 18th and 19th century artists of the ukiyo-e school. The museum specializes in the collecting of objects from the Edo Period (c. 1600-1868). As one of its 90th anniversary projects, Suntory opened Suntory Museum TEMPOZAN of art and design in Osaka's first waterfront development in fall 1994, as one of the area's cultural and commercial facilities. The museum houses a wide range of exhibits mainly consisting of poster collections and glassworks in addition to the fields of graphics, industrial design, architecture, sculpture, interior design, fashion, music, and other genres. The complex also includes an IMAX 3-D Theater, a museum shop, a southern European restaurant and a Sky Lounge. Location[ In the Suntory Museum of Art in the Tokyo Suntory Building. Viewing[ 10:00 -5:00 during the week (10:00 - 7:00 on Fridays); closed Mondays. Status[ Ongoing. Source[ Dealers, collectors. Selection[ Curator and outside advisors. Status[ Whenever possible. The Museum has an active external exhibition program. Works from its collection have been shown at art museums nationwide, while its exhibitions of Japanese traditional arts have also be shown in Mexico City, New York, Moscow, and other centers overseas. Exhibitions[ Loan exhibitions in the United States, Mexico, the Soviet Union and throughout Europe have been successful in introducing Japanese art to the West. Some of the exhibitions during 2001 and 2002 included: 1200 Years of Japanese Pottery: from Nara Sansai, Imari and Nabeshima Ware through Ninsei and Kenzan, Dec.4 2001 - Feb.3 2002 ; Okinawan Textiles: The Colors and Designs of a Southern Land Seen in Dyework and the Magical Floating Image Weave Feb 12 - March 24, 2002; Delightful Pursuits: Highlights from the Lee Institute for Japanese Art at the Clark Center April 16 - May 19,2002; Two Thousand Years of Light and Color: Painted Glass from Ancient Egypt to Art Glass July 16 - Sept 1, 2002 ; Warrior Aesthetics: The Tale of the Heike and its Period Sept 10 - Oct 20 , 2002 ; Kawabata Yasunari -- A World of Beauty Loved by a Literary Legend Oct 29 - Dec 8, 2002; Felicitations-- The Arts of Celebration and Good Fortune, Dec 17, 2002 - Feb 9, 2003. "Kazari: Decoration and Display in Japan, 15th-19th Centuries." An exhibition organized by Japan Society and The British Museum in association with the Suntory Museum of Art in Tokyo. Japan Society Gallery from October 10 - Dec. 31, and at The British Museum in London from Feb. 4 - April 13, 2003. Works were loaned from the Suntory collection. Programs[ One of the major activities of the museum is to host approximately 7 loan exhibitions per year, for which the collection often forms a base. The museum also includes a small library, a reading room and a tea-ceremony room. Support[ In 1988, it established the Suntory Museum Prize to foster creativity, awarding it annually for outstanding international works of modern art in ceramics, lacquerware, metal, glass and textiles. The Suntory Music Foundation was established in 1969 to promote and stimulate enthusiasm for western classical music. In addition to sponsoring concerts year-round by world-famous performers at Suntory Hall, the foundation also places great emphasis on commissioning new works and sponsoring the concerts of local artists. The foundation holds the annual Suntory Music Award to recognize outstanding musical achievements. A cash prize of five million yen, plus opportunities to perform in concerts in major cities around the country, are given to the person judged as having rendered the greatest service to music and culture in Japan. The Suntory Foundation was established on Suntory's 80th anniversary in 1979 to promote cultural relations through exchanges between Japan and other nations. The foundation supports international cultural projects and organizes symposiums on a variety of international issues; it has also published books on the social sciences and cultural topics in several languages to promote understanding of Japan, and it supports cross-cultural and interdisciplinary research between Japan and the rest of the world. The foundation also awards prizes for cultural achievements and subsidizes activities that foster international understanding. Suntory Hall opened in October 1986 as the realization of the company's ambition to build a world-class concert hall with the best acoustics, comfort, facilities and decor. The hall has been highly acclaimed by both audiences and performers, which have so far included the late Herbert von Karajan and the Vienna and Berlin philharmonic orchestras. . Publications[ An illustrated pamphlet on the museum is available in English and Japanese. Bibliography[ Laurance P. Roberts. Roberts' Guide to Japanese Museums of Art and Archaeology. Tokyo, Japan: Simul Press, 1987. Revised and updated edition. English. Rand Castile. "The Great Corporate Art Collections of Japan." Corporate Design and Realty, v 4, no 8 (October 1985):pp 58-60. Newton, Mass: Cahners Publishing Company. Susan Chira. "Art Inc., Japanese businessmen pay top yen all over the world to stock their corporate museums." New York Times Magazine, (May 3, 1987):pp 39, 55-56. New York: New York Times Publishing Company. Category[ musfile, galfile
Website Address[ http://www.suntory.co.jp/suntorymuseum-e.html +81-6-6346-1150 Fax[ +81-6-6345-1169 Personnel[ Executive Vice President of General Affairs, Personnel, Secretarial and Cultural Activities, Kazuaki Tsuda. Year[ 1994 Description[ A rich collection of commercial and advertising art from around the world. commercial and advertising art. The Suntory Museum in the Tempozan Harbor Village is set amidst the bustle of the Osaka Aquarium and Marketplace. Tadao Ando designed the museum, a complex of cultural facilities incorporating a gallery, IMAX movie theater, shop, restaurant, and garden bar. It is architecturally unique, consisting of a drum shaped as an inverted cone embracing a sphere, from which two parallel pipes jut toward the sea. The museum takes in views of Osaka Bay and Mount Rokko. Viewing[ the museum is open daily from 10:00 am - 5 pm, closed Mondays. Keywords[new listing Category[ musfile, galfile
Personnel[ Director of the Museum, Kiheita Okano. Governing[ Foundation (private collection of Kiichiro Okano, Chief Executive Officer of Suruga Bank, donated to the Foundation). Business[ Banking. Year[ The museum opened in 1973. Size[ 800 works. Description[ Oil and watercolor paintings, prints, sculptures by Bernard Buffet, the French artist. Location[ In the Bernard Buffet Museum. Viewing[ 9:00 - 5:00 from March through October; 10:00 - 4:30 from November through February; closed on Mondays. Status[ Ongoing. Source[ Dealers. Selection[ Kiichiro Okano. Status[ Works are not loaned from the collection. Publications[ Catalogues of the collection. Category[ musfile, galfile
Personnel[ Mr. J. H. Scott. Governing[ The Swire Group is a multinational, multi-disciplined, commercial group. Its principal areas of operation are in Asia, the Pacific Rim , Australia and the USA, with additional interests in the UK. Founded in Liverpool, England in 1816, the Group's privately- owned parent company, John Swire & Sons Limited, is headquartered in London. Business[ The Swire Group's core businesses in Hong Kong are held by the publicly-quoted Swire Pacific Limited, which is organised into five divisions: property, aviation, beverages, trading and industrial, and marine services. Description[ A collection of paintings that reflects the company's areas of interest and activity, and includes many works by English artists working in the Far East. Island East Artwalk, created by Swire Properties in Hong Kong, has a collection of commissioned sculpture and artworks. See the separate listings under Butterfields and Island East. Location[ In offices of the company throughout the world. Exhibitions[ "Capital Painting, Pictures from Corporate Collections in the City of London," Barbican Art Gallery, 19 April to 10 June 1984, London. Corporate Arts Patronage[ The company has given financial assistance to the Dulwich Picture Gallery, the Courtauld Institute of Art Fund and the National Art-Collections Fund. Bibliography[ Paul Atterbury. Capital Painting. London: Barbican Art Gallery, 1984. pp. 17, 40. Annual Report 1984/1985, Association for Business Sponsorship of the Arts, London, 1985. Keywords[painting, sculpture, commissioned art, 19th century
Personnel[ Foundation Museum Director, Manuel J. Borja-Villel. Governing[ Foundation. Year[ 1990. Size[ 346 original works and 518 graphic works. Description[ Primarily a collection of works by Antoni Tapies, with additional examples by other artists[ Tapies is represented by 81 paintings, 27 sculptures, 8 ceramics, 82 drawings, and 518 graphics; with additional works by Broto, K. Wodiczko, J. Kounellis. Location[ In the foundation in Barcelona. Status[ Ongoing. Source[ The majority of the works were donated by Antoni Tapies. Selection[ Antoni Tapies, the artist, and the staff of the foundation. Status[ Works are occasionally available for loan. Exhibitions[ Some of the recent exhibitions have included "Hlio Oiticica" (1992); "Jannis Kounellis," (1992); "Gary Winogrand[ (1991); "Louise Bourgeois" (1991). Programs[ Conferences. Publications[ Numerous publications and catalogues for exhibitions. Category[ musfile, galfile
Personnel[ Corporate Curator, Sarah Ivory. Governing[ Corporation. Business[ International telecommunications services. Year[ 1976. Size[ 450 works. Description[ The collection consists primarily of works by contemporary Canadian including paintings, prints, sculptures, works on paper, mixed media, and decorative arts. Location[ In the head office, cable and earth satellite stations and international centers. Viewing[ Exhibitions are sponsored each year to which the business and art communities are invited. Status[ Ongoing. Source[ Artists, art dealers. Selection[ Committee of corporate personnel. Review[ Write or call before attempting to visit. Status[ Occasional loans to public art museums. Exhibitions[ "Contemporary Prints by Quebec Artists," "From Sea to Sea," "The Four Seasons," "Colours and Concepts," "Contemporary Indian and Inuit Art at Teleglobe Canada," and "Personnages." Programs[ Employee-artist meetings are organized, as well as outings to local museums and galleries. Support[ The corporation has been very active in the sponsorship of performing arts in Montreal and Toronto. Keywords[painting, graphics, sculpture, works on paper, glass, textile and fiber art, mixed media, decorative arts, Canadian artists, Inuit art and artifacts, Native American art. Category[ musfile, galfile
Governing[ Art and Technology Foundation [Gran Via 28, 28013 Madria; tel 531 10 03; fax 531 71 06]. Business[ Telecommunications. Year[ Gallery opened in January 1993. Size[ Over 100 works. Description[ The collection features the work of five contemporary Spanish artists[ Chillida, Luis Fernandex, Gris, Picasso, and Tapies. Eduardo Chillida is represented by 17 drawings, 9 collages, 32 sculptures and 2 etchings; Luis Fernandez by 1 water color, 1 etching, 1 gouache, and 17 oils; Juan Gris by 1 pencil drawing, 1 gouache, and 10 oils; Pablo Picasso with 4 drawings; and Antoni Tapies with 2 etchings, 1 serigraph, and 19 mixed media works. Location[ Pernament collection is at Fuencarral 1, Madrid. Viewing[ The permanent collection can be seen at Fuencarral 1, in Madrid. There are also additional exhibition galleries which show the history of the Spanish telephone from its beginnings until the present. Exhibitions[ The entire collection has been exhibited at the Fundacion Santillana in Madrid; Palacio de la Virreina in Barcelona; Villa Stuck, Munich; IVAM, Valencia; and the Fundacion Calouste Gulbenkian in Lisbon. Individual works from the collection have been loaned to the Museo Nacional Centro de Arte Reina Sofia, Madrid; Bienal de Venecia, Venice;Whitechapel Art Gallery, London; Fundacion Serralves, Oporto, Portugal; Hayward Gallery, London; Neuer Berliner Kunstverein, Berlin; Fundacion Miro, Barcelona; Museo de Bellas Artes de Buenos Aires, Argentina; Museo Municipal de Santander; Staatsgalerie, Stuttgart; Krller- Mller, Otterlo; and Centro Cultural de la Villa, Madrid. Programs[ Temporary exhibitions, research on the artists in the collection. Publications[ Aproximacion a Gris, 8 marcos para 11 cuadros, Foundation[ L. Ishi-Kawa. Selected Bibliography La Coleccion de Arte de Telefonica en el Palacio de la Virreina. La Coleccion de Arte de Telefonica en el IVAM. La Coleccion de Arte de Telefonica en el Museo Villa Stuck. La Coleccion de Arte de Telefonica en la Fundacion Gulbenkian. Variaciones en Gris, 11 works by Juan Gris, interpreted by artist-tecnologos internacionales (Fax-Art, Copy-Art, Video-Art, Musica Electroacustica). Category[ musfile
Website Address[ http://www.telenor.com/fornebu/art/ Personnel[ Chief Executive Officer, Jon Fredrik Baksaas; Chief Press spokesman, Dag Melgaard (Tel. +47 67 89 26 71) Governing[ Corporation Business[ telecommunications and communications company. The company is one of the world's largest suppliers of mobile satellite communication, and the leading satellite broadcaster within the Nordic region. Year[ 2000 Size[ Over 3000 individual works, and numerous commissioned works for the new Fornebu headquarters buildings. Description[ A collection of International and Nordic contemporary art. In September 2002, Telenor ASA officially opened its new Fornebu headquarters, designed by Architect Scott Wyatt. The company budgeted approximately NOK 35 million for artistic decoration for the headquarters. Telenor had a strong focus on decoration for the complex -- the building has a unified design, while each block and building has its own distinguishing features. The use of colour and material in the atriums is to different from those used in the working areas, so as to create variation. Some of the artists who were commissioned to create artistic decorations included : Daniel Burn (France, 1938- ), was responsible for the decorations in the Telenor Square. At the Telenor Square, he created 92 illuminated pillars that served as an extension of the parking facility pillar. Jon Arne Mogstad (Norway, 1950- ), professor of art at the Trondheim Academy of Fine Art. His work "Transitions" won the competition for decorating the south-facing wall, both the interior and exterior surfaces of the E-building. Jenny Holzer (USA, 1950- ) was commissioned to create the artworks of the cornice on the northern boulevard's facade -- illuminated art combined with thought-provoking word art: the work is called "Running letters." Eight other artists were each asked to decorate one part of the building. Block 1, A-building: Liam Gillick (England, 1964- ), a sculptor and installation artist (creating both texts and pictures). At Fornebu he decorated the ceilings above floor 6 in the entrance area, a partition wall facing the cafeteria and a cube suspended from the ceiling, using material such as painted texts. Block 1, B-building: Olav Christopher Jenssen (Norway, 1954- ), a professor of painting at the Hochschule fr Bildende Knste in Hamburg, Germany. Jensen created a wall section measuring 88 m2 in the entrance of the B-building. On one side of the wall there is a glass mosaic consisting of approximately one million glass pieces from Italy. Block 2, C-building: 150 m2 of the floor in the entrance area and atrium is decorated with a floor decoration consisting of wood inlaid in stone by Peter Halley (USA, 1963- ). Block 3, J-building: Jone Kvie (Norway, 1971- ), created a 6 meter high sculpture, for the entrance. Block 3, K-building: Douglas Gordon (Scotland, 1966- ), created a projection show - a sort of digital fresco - which will be shown on a 5 x 7 metre screen by the entrance to the atrium. The projection is based on the 1953 John Ford film "The Searchers". The projected pictures change so slowly that it will take five years to show the whole film/projection show. Block 4, L-building: Richard Wright (England), is painting the ceilings, walls and pillars. Block 4, M-building: Maria Miesenberger (Sweden, 1965- ), works mainly with photography and sculpture. For the cafeteria in Block 4 she has created a seven-metre-tall sculpture of aluminium and textiles, which has been made in Thailand. The company has also purchased individual works, such as the textile "Draumkvedet" by Toralv Moseid, (which, due to strict climate requirements, will only be displayed for short periods several times a year), paintings by Arne Ekeland, Hkan Rehnberg and Bjarne Melgaard, photographs by Tom Sandberg and Esko Mnnik. In addition, the various units relocating to Fornebu have their own art collections. Some pieces will be hung in the new headquarters, while others are being displayed elsewhere within Telenor. Location[ Throughout the corporate headquarters in Fornebu Viewing[ works in public areas are accessible for viewing. Status[ Ongoing. Source[ Claes Soderquist managed the headquarters design project, and Peder Andreas Lund was art advisor for the project. Publications[ .Digital images of some of the commissioned art can be found at: http://www.telenor.com/fornebu/photos/press_photos/#kunst Bibliography[ Contemporary Corporate Collecting , A talk with Peder Andreas Lund. From the website at: http://www.societyofcontrol.com/research/lund.htm. (interview in June 2001) Keywords[new listing, painting, drawing, graphics, sculpture, textiles, photography, mixed media, 20th century, commissioned art. Category[ musfile, galfile, artfile
Personnel[ Corporate Communications. Governing[ Thorn EMI Properties Ltd. Business[ Property management. Year[ 1988. Size[ 40 works. Description[ Original work by Tessanna Hoare and a collection of prints including screenprints, lithographs and etchings. Location[ The Quadrangle, West Mount Centre, Uxbridge Road, Hayes. Viewing[ None. Status[ Completed. Source[ Grenville Gibbs Corporate Art, Studio One, 50 Sulivan Road, London SW6 3DX; telephone[ 01-731 8450. Review Policy[ Through Grenville Gibbs Corporate Art. Support[ The company is a corporate member of the Royal Academy of Arts, and the Tate Gallery. Status[ None
Personnel[ Chief Executive Officer, Ken Thomson. Governing[ corporation. Business[ Publishing Year[ Size[ Description[ A select collection of paintings by Krieghoff, sculpted miniatures, including Gothic and Byzantine ivories, and 16th century statuettes. In May, 2001, Thomson broke the Canadian record for the highest price ever paid for a painting with his successful $2.2 million bid for Lawren Harris' Baffin Island. Location[ In a small museum in the company's head office on Queen Street West. Viewing[ Status[ Ongoing Source[ Selection[ Ken Thomson Review[ Status[ Exhibitions[ Support[ Publications[ . Bibliography[ "Business Losing its Taste for Art," Tony Wong, Toronto Star, July 1, 2001, p. 1. Keywords[paintings, 19th century art, pre-19th century, sculpture Category[ musfile
Governing[ Corporation. Description[ The company has commissioned and acquired works of art from leading contemporary artists to continue the theme of "allowing individuals to achieve their independence," and uses the artwork for annual reports. Some of the artists commissioned have included Sir Eduardo Paolozzi, 1988; Bridget Riley, 1989; John Hoyland, 1990, and John Hubbard, 1991. Each work than hangs in the reception area of the head office in London. Viewing[ Accessible for viewing. Status[ Ongoing. Source[ Artists. Exhibitions[ "The New Patrons Exhibition of 20th Century Art from Corporate Collections," Christies, January 3 - 24, 1992. Sponsored by the National Art Collections Fund. Support[ Corporate member of the Barbican Arts Centre, Royal Academy of Arts. Bibliography[ The New Patrons, 20th Century Art from Corporate Collections, from an exhibition organized by the National Art Collections Fund at Christie's, London, January 3 - 24, 1992.
Fax[ +81 3 3400 2436 Website Address[ http://www.nezu-muse.or.jp/index_e.html Personnel[ Hisao Sugahara. Governing[ Foundation. Business[ Railways Year[ Museum opened in 1940. Size[ 7,000 works. Description[ In 1940, Kaichiro Nezu Sr. founded the Nezu Institute, which had its opening the following year. The core of the museum's collection consists of those Oriental art objects assembled by the founder during his lifetime. It includes works of art from different periods:-- paintings, calligraphy, sculpture, ceramics, textiles and archaeological materials, as well as objects in lacquer, metal, wood and Buddhist art in particular are known world-wide for their rich variety and high quality. The collection's Chinese bronzes of the Shang and Zhou dynastiesare also of international renown. The collection also includes Gandhara sculptures, Korean ceramics, and a small selection of European clocks. The Nezu Art Museum has also been fortunate in that it has become the beneficiary of several distinguished private collectors whose collections are known for their unique works of art. The Akiyama collection, donated to the museum in 1975, is noted for its selection of calligraphy by the monk Ryokan and for its Korean ceramics of Koryo and Yi dynasties. The Kobayashi collection, given to the museum in 1981, is famed as a comprehensive grouping of paintings indispensable to the fundamental understanding of ink painting of the Muromachi period. The Fukushima collection, donated also in 1981, consists of arts and crafts of more recent periods. All of these newly granted works have enriched and broadened the scope of the museum's holdings. In 1991, an additional gallery was constructed in the adjoining space, to commemorate the 50th anniversary of the museum's opening, and shares with seven tea houses a garden compound of 21,627 square meters. Location[ In the Nezu Institute of Fine Arts. Viewing[ 9:30 - 4:30, closed Mondays. Status[ Each request considered individually. Exhibitions[ Special exhibitions are held once or twice a year. Publications[ There is an illustrated handbook of the collection, and illustrated booklets on some of the major aspects of the collection. Bibliography[ Laurance P. Roberts. Roberts' Guide to Japanese Museums of Art and Archaeology. Tokyo, Japan: Simul Press, 1987. Revised and updated edition. English. pp. 231-232. Rand Castile. "The Great Corporate Art Collections of Japan." Corporate Design and Realty, v 4, no 8 (October 1985):pp 58-60. Newton, Mass: Cahners Publishing Company. Tobu Museum of Art 1-11-1 Nishi-Ikebukuro, Toshima-ku, Tokyo 171-0021, JAPAN Website Address[ http://www.tobu.co.jp/art/ie.html Email[ tmal@jb3.so-net.ne.jp Description[ The Tobu Museum of Art is located in Ikebukuro in northwest Tokyo. Its missions is to contribute to the cultural life of the area by mounting works of art from a wide range of genre and periods in the best possible conditions. Ikebukuro, which was known as the Montparnasse of Tokyo some 60 to 70 years ago, began to develop as a new centre for the arts and entertainment in the early 1980s. Its cultural importance took a major step forward in the autumn of 1990 with the opening of the Tokyo Metropolitan Art Space, a complex which includes a 1,887-seat concert hall and an 850-seat theatre. This was followed in June of 1992 by the opening of the Tobu Museum of Art. The inspiration for the museum came from Kaichiro Nezu, the founder of the Tobu Group of companies and partron of the arts. The same spirit of service to the community through the appreciation of art led to the founding of the Tobu Museum of Art. The museum comprises 2,200 aquare metres of space on the first three floors of the Metropolitan Plaza adjacent to Ikebukuro Station. To meet the conditions of the Agency for Cultural Affairs for displaying of national treasures, it is completely self-contained with its own public access from street level. Location[ The Tobu Museum of Art is located in Ikebukuro in northwest Tokyo. Viewing[ Hours10:00 a.m. - 7:00 p.m. (no admission after 6:30 p.m.) ClosedWednesday Activities[ The museum has sponsored an active program of changing exhibitions since its opening on June 10, 1992. The museum mounts exhibitions of outstanding works of art from Japan or abroad of any genre, period or region. As part of its contribution to the promotion of cultural activities in the community, the museum's focus is on exhibitions with themes which will be of interest to everyone. Upcoming exhibitions include: "Henri Matisse and his Models," July 13 - September 3, 2000; "Treasures of the Sanzen-In Temple," Celebrating the recent renovations, September 15 - October 22, 2000; "Landscapes in the Making ---Dutch and Flemish Sixteenth Century Drawings from the Courtauld Gallery," November 3 - December 24, 2000; "Toulouse- Lautrec," commemorating the 100th anniversary of his death, January 2 - March 4, 2001. Category[ musfile, galfile
Personnel[ Chairman, Mr. John D. Todd; Public Relations, Mr. W. Roberts; Company Secretary, Mr. R. King. Governing[ Corporation. Business[ Petroleum industry and mining. Year[ 1971. Size[ 45 pieces. Description[ The collection is made up of oils, watercolours, and prints by modern and contemporary New Zealand artists. It was initiated to provide decorative elements for the Cafeteria and Administration blocks of Todd Motors Ltd in Porirua [since sold to Mitsubishi Motors Ltd]. The collection has now moved in to Wellington and will be housed in a new building - The Todd building, due for occupation in March 1988. Location[ Corporate headquarters. Viewing[ Not accessible for viewing. Status[ Ongoing. Source[ Artists, art dealers, consultants, auctions. Selection[ Committee of corporate personnel and outside consultants. Status[ Each request considered individually. Support[ The company has supported travelling exhibitions of artists in the collection by lending their works.
Fax[ +81-3-3470-5994 Personnel[ Director, Motoji Ohta. Governing[ Foundation. Business[ Insurance company. Year[ Museum opened in 1977. Size[ 12,000 prints and paintings. Description[ The large collection of ukiyo-e prints and paintings was assembled by the late Mr. Ota Seizo, the founder of the Toho Seimei Life Insurance Company. Virtually every ukiyo-e artist is represented, with 30 prints by Utamaro, 10 by Sharaku, and 15 paintings by the Kaigetsudo. Location[ In the Ota Memorial Museum of Art in Tokyo. Viewing[ 10:30 - 5:30; closed Mondays, and from the 25th of every month (exhibitions are changed). Status[ Completed. Status[ Each request considered individually. Exhibitions[ Permanent exhibition display changes monthly. Programs[ Lectures on exhibitions. Publications[ An illustrated pamphlet in English and Japanese is available about the museum. Bibliography[ Laurance P. Roberts. Roberts' Guide to Japanese Museums of Art and Archaeology. Tokyo, Japan[ Simul Press, 1987. Revised and updated edition. English. Category[ musfile, galfile
Fax[ +81-3-3703-0440 Website Address[ http://www.dnp.co.jp/museum/gotoh-e.html Personnel[ Hisayasu Ishii. Governing[ Foundation. Business[ Railroad line, hotel and department store chain. Year[ Museum opened in 1960. Size[ 2,000 works. Description[ The museum was founded by the late Keita Gotoh, president and founder of the Tokyu Railway Corporation. The collection includes Chinese and Japanese paintings, calligraphy, sutras, and ceramics; Japanese tea-ceremony, lacquer, and archaeological objects; Chinese mirrors and early jades; and Korean ceramics. The most important work in the collection is a group of sections from the Genji Monogatari. The Goto Museum is housed in a building designed in 1960 by Isoya Yoshida. Location[ The collection is located in the Gotoh Museum in Tokyo Viewing[ 9:30 - 4:30; closed Mondays Status[ Completed. Status[ Loans to museum exhibitions. Exhibitions[ 7 works were loaned to Chinese Ceramics from Japanese Collections, an exhibition of Chinese ceramics from public and private collections in Japan, organized by The Asia Society, 1977. This exhibition traveled to the Asia House Gallery, Seattle Art Museum, Kimbell Art Museum, and the Asian Art Museum of San Francisco. Programs[ The museum sponsors a series of special loan exhibitions. The Dai-Tokyo Memorial Library of Chinese and Japanese books is housed in the museum building, and a tea-house is in the garden. Publications[ An illustrated pamphlet in English describes the collection. Bibliography[ Rand Castile. "The Great Corporate Art Collections of Japan." Corporate Design and Realty, v 4, no Newton, Mass: Cahners Publishing Company.8 (October 1985):pp 58-60. Laurance P. Roberts. Roberts' Guide to Japanese Museums of Art and Archaeology. Tokyo, Japan: Simul Press, 1987. Revised and updated edition. English. Category[ musfile, galfile
Fax[ 416-392-0572 Website Address[ http://www.city.toronto.on.ca Personnel[ Curator, Pamela Wachna. Governing[ Corporation. Business[ Municipal government. Year[ 1851. Size[ 1400 works of art. Description[ The City of Toronto's fine art collection documents Toronto's historical and cultural development. A wide variety of 19th and 20th century landscapes and portraits by internationally-recognized artists reflect the artistic accomplishments and cultural community of the City of Toronto. Location[ City Hall and The Market Gallery at South St. Lawrence Market, 95 Front Street East, Toronto, Ontario M5E 1C2. Viewing[ The collection is on permanent view throughout City Hall. Status[ Ongoing. Source[ Artists, art dealers, consultants, auctions. Selection[ In-house corporate staff person. Review Policy[ Will accept unsolicited material (slides, catalogues, etc.); write or call before attempting to visit. Status[ Each request considered individually. Exhibitions[ "A Toronto Decade: Contemporary Paintings of the City," 1995 "A Century Ago: Art in Toronto 1890-1910," 1994. "Toronto Impressions: Historical and Contemporary Prints from the City's Collection, 1993. "Urban Images, Canadian Painting," Kingston, 1990. "Paul Peel," London Regional Art Gallery, 1986. Programs[ The Market Gallery maintains the intellectual control of the collection and coordinates its administration including research, loans and conservation. Support[ The City of Toronto through the Toronto Arts Council supports an extensive arts program. Publications[ Many catalogues are available from the Market Gallery. Guide to the City of Toronto Archives; Face to Face with Toronto's History. Bibliography[ From the Shadows: A Portrayal of Toronto in the 30's and 40's, 1985. Interiors and Exteriors, Contemporary Art from the City's Collection, 1985. Keywords[sculpture, mixed media, works by regional artists (Toronto), contemporary and modern art (20th century), historical documents, 19th century art, painting, works on paper, Canadian artists. Category[ musfile, galfile, artfile
Fax[ 416-308-1060 Personnel[ Curator, Natalie Ribkoff. Governing[ Corporation. Business[ Banking and financial services. Year[ 1961. Size[ 6700 works. Description[ The Inuit Collection was assembled prior to 1967 as a project for Canada's Centennial Year (1967). It consists of approximately 700 stone, bone and ivory carvings and a selection of early prints, and reflects the post-war period of transition when "southern" culture and technology became accepted in Arctic communities. The Contemporary Collection is an ongoing project started in 1961 and focuses on the art of emerging and mature Canadian artists. It spans the period 1918 to the present, with emphasis on the past 20 years. It includes paintings, sculpture, works on paper and original prints. Works are acquired according to merit, on a national basis. A dispersal program introduces and shares works with TD Bank locations across the country. Works usually hang in their region of origin. The Toronto Dominion Centre Five Towers, which became the home of the Head Office in 1967, was designed by Mies Van der Rohe. Toronto Dominion sold the building in 2001. Location[ The Contemporary Art Collection is shown throughout Bank offices and branches in Canada and internationally. The Inuit Collection is exhibited in its own gallery in the Toronto Dominion Centre's Maritime Life Tower in Toronto and in small exhibitions in selected branches. Viewing[ The Canadian Art Collection works at the head office are available for viewing by appointment. The Inuit Gallery hours are Monday-Friday, 8 AM-6 PM; Saturday and Sunday 10 AM-4 PM. Status[ Both collections are being added to selectively. Source[ Artists, art dealers, occasionally consultants. Selection[ Curator of Art. Review[ Will accept unsolicited material (slides, catalogs, etc); write or call before attempting to visit; selections are made only through art curator. Status[ Art museums only; each request considered individually. Exhibitions[ "Paterson Ewen, Biennale Di Venezia," National Gallery of Canada, 1982. "Jean-Paul Riopelle," retrospective at the Centre Georges Pompidou, Paris, France, 1981. "Eskimo Collection of the Toronto Dominion Bank," De Young Memorial Museum, San Francisco, 1972. Programs[ Toronto Dominion Centre completed one of the most significant commission projects in Canada in 1985. It includes major works from 7 contemporary Canadian artists. Publications[ Catalogue and brochure for the TD Centre commissioned art project, October 85. Inuit Art Collection, January, 1986. Toronto Dominion Bank Collection of Canadian Art, January, 1978. Bibliography[ "Business Losing its Taste for Art," Tony Wong, Toronto Star, July 1, 2001, p. 1. "Creation of a Gallery: A Study in Corporate Commitment to Art," The Business Quarterly, Winter 1985/86, pp. 8-11. "The Toronto Dominion Gallery of Inuit Art, Permanent Collection, " Inuit Art Quarterly, Number 2, Summer 1986, Exhibition Review: Marshall Webb "Why do they buy it? Inuit Art Collecting in the Corporate World, Inuit Art Quarterly, Number 3, fall 1986. Feature: Reissa Schrager. "Banking on the Visual Arts," Arnold Edinborough, The Canadian Banker & ICB Review, October 1982, pp. 50-52. "And Now a Word from Our Sponsor," Claire Gerus, The Financial Post Magazine, July- August, 1981, pp. A20-22. "Fresh Delights From Inuit Legacy," Kay Kritzwiser, Globe and Mail, August 23, 1978. Keywords[Native American art and artifacts, painting, Canadian artists, sculpture, works on paper, graphics, mixed media. Category[ musfile, galfile
Fax[ 416-480-6002 Website Address[ http://www.tscc.on.ca Personnel[ Director of Operations, Mr. Garth Matheson. Business[ Cancer Treatment Centre Year[ 1994 Size[ 190 works Description[ A Collection of paintings, graphics, sculpture, works on paper, and fiber art by Canadian artists. Location[ Throughout the Centre's public areas. Viewing[ The Collection can be seen in the public areas of the Centre. Status[ Ongoing. Source[ Donors, artists. Selection[ Volunteer interdisciplinary art committee. Review[ Will accept unsolicited material, write or call before attempting to visit. Activities[ There is currently a proposed artist-in-residence program under consideration. & Keywords[ Canadian artists, painting, graphics, sculpture, works on paper, crafts, textile and fiber art. Category[ galfile
Personnel[ Art Consultant: Fela Grunwald. Governing[ partnership Business[ Law firm Year[ 1975 Size[ 300 works. Description[ The collection contains Canadian graphics, paintings, sculpture, photography, works on paper and mixed media. Most of the work is contemporary. Some works were commissioned. Location[ Head Office. Viewing[ By appointment. Status[ Ongoing. Source[ Artists, art dealers, consultants, and auctions. Selection[ Committee of corporate personnel and outside consultant. Review[ Selections are only made through art consultant: Fela Grunwald, 180 Wychwood Avenue, Toronto, ON, M6C 2T3; telephone (416) 653-3902; fax (416) 653-3900. Status[ Each request is considered individually. Exhibitions[ "Ontario Corporation Collects", McMichael Canadian Art Collection, Kleinburg, Ontario, November 13, 1994 - February 5, 1995. Bibliography[ Hidden Values by Robert Swain, Douglas & McIntire, Vancouver/Toronto 1994, 164 pp, 100 illus. Keywords[Canadian artists, painting, sculpture, photography, works on paper, mixed media, commissioned art. Category[ galfile
Website Address[ http://www.transfield.com.au/ Personnel[ Manager, Group Communications, Lee Meredith. Franco Belgiorno-Nettis, Founding Chairman; Guido Belgiorno-Nettis, Managing Director Governing[ Corporation. Business[ Engineering and construction. Year[ 1961. Size[ 60 works. Description[ The Transfield Art Collection ranges through from the early 60s to the present day. The company has supported the visual arts through the Transfield Art Prize 1961-1970 and its sponsorship of the Biennale of Sydney (1973-present). The collection includes paintings and sculptures by contemporary Australian artists including David Aspden, Nancy Borlase, Aleksander Danko, Roger Kemp, Elwyn Lynn, Jon Molvig, Peter Powditch, Ken Reinhard, Ron Robertson-Swann, Anetjari Tjakamarra, Fred Williams. Location[ Head office, North Sydney. Viewing[ Not accessible. Status[ Ongoing. Source[ Winners of the Transfield Art Prize form the core of the collection. Exhibitions[ "Transfield Sculpture Prize Exhibitions," Hyde Park, Sydney, November 1986. Exhibitions of works from the collection have been shown in regional galleries. Programs[ Art Gallery Society of NSW "Private Eye" tour of collection, April 1988. Support[ Sponsorship started with the Transfield Art Prize instituted in 1960 and running from 1961-71. In 1973, the Prize was transferred to become the Biennale of Sydney, an international exhibition of contemporary art, which had its inaugural showing in conjunction with the opening of the Sydney Opera House. There have been nine Biennales since 1973, each with consistent support from this founding sponsor. The company donated work to the Auckland City Art Gallery, New Zealand, 1986, and sponsored "The Transfield Project" for exhibit and purchase of work to Auckland City Art Gallery, NZ every two years. It established the "Transfield Sculpture Foundry" for Australian artists working on a large scale. It has also sponsored the Open Prize, Wyong Festival of Art and the Open Prize, Mudgee Annual Art Exhibition. Franco Belgiorno-Nettis came to Australia with EPT in August 1951 on a contract to build the country's first steel transmission lines. He was a distinguished engineering graduate of the University of Turin. Soon after arriving he set his sights on establishing his own business. In June 1956 Franco Belgiorno-Nettis founded Transfield Pty Ltd and very shortly afterwards won his first contract - the extension of a slab mill at Australian Iron & Steel (now BHP Billiton) at Port Kembla, NSW. The company founded the Transfield Art Prize in 1961 in recognition of the company's first five years, and as a way of bridging the gap between the artist, the engineer and the community. In 1973 Franco Belgiorno-Nettis conceived the idea of a Biennale of Sydney and subsequently received recognition and support from the Federal and NSW Governments and the City of Sydney. Today Transfield remains a principal supporter of the Biennale of Sydney and is also a strong supporter of performing arts, such as the Australian Chamber Orchestra. In March 2001 Marco Belgiorno-Zegna sold his interests in Transfield to the other family members. Mr Guido Belgiorno-Nettis and Mr Luca Belgiorno-Nettis were appointed Managing Director and Associate Managing Director. Bibliography[ "Franco Belgiorno-Nettis, Australia's Modern Medici," by Tony Sarno, Sydney Morning Herald--Good Weekend, Saturday, June 21, 1986. "The Transfield Project," by Ann Elais, Art New Zealand, No. 36, 1986. Keywords[painting, sculpture, Australian artists. Category[ musfile, galfile
Personnel[ Cheif Executive Officer, Arthur Labatt; Marketing: Julia Porter. Governing[ Corporation Business[ Investment Management Description[ Additional information is not available. Exhibitions[ "Ontario Corporations Collect", McMichael Canadian Art Collection, Klienburg, Ontario, November 13, 1994 - February 5, 1995 Activities[ Produced "Quebec Corporations Collect (the video)" which was screened in conjunction with the exhibition "The Lavalin Collection of the Musee d'art contemporain de Montreal", April 30 - October 23, 1994, also sponsored by Trimark. Bibliography[ "Hidden Values" by Robert Swain, Douglas & McIntyre, Vancouver/ Toronto 1994, 164p, 100 ill. Keywords[
Personnel[ Chairman, Sir Nicholas Goodison, Graham Wallace, Manager of Media Relations. Governing[ Corporation Size[ About 100 works Description[ A collection of abstract contemporary British art that identifies newly emerging artists, as well as more established creators. Artists include Glen Williams, John Nash, Barbara Ray, Mick Rooney, Carol Weight, Derek Hyatt, and Elizabeth Frink. TSB Group acquired Hill Samuel in 1987. Location[ Throughout the headquarters in London. Viewing[ By prior appointment Status[ Ongoing Source[ Galleries, artists Selection[ Chairman Exhibitions[ "The New Patrons Exhibition of 20th Century Art from Corporate Collections," Christies, January 3 - 24, 1992. Sponsored by the National Art Collections Fund. Support[ Past sponsorship and support have included the Barbican Art Gallery, National Art Collections Fund, the British Library, Museum of London, National Maritime Museum. Bibliography[ "TSB Collection of Abstract Art: A Committee of One," Corporate ARTnews, June 1992, pp 4-5. Keywords[British artists, painting, mixed media, works on paper, sculpture. TURMAC TOBACCO COMPANY BV See Rothmans Tobacco Company bv
Website Address[ http://www.ubs.com Personnel[ Associate Manager: Susan Dahlgren. Governing[ Corporation Business[ Banking services - Private Banking Services Year[ 1985 Size[ 82 works Description[ Contemporary Canadian art including graphics, paintings, sculpture, photography, works on paper and mixed media. Location[ Head Office. Viewing[ by appointment. Status[ Ongoing. Source[ Art Dealers, consultant. Selection[ Outside consultant. Review[ Selections are only made through art consultant Patricia James, 92 Heddington Avenue, Toronto, M5N 2K8. Telephone (416) 482-0514; fax 416-486-7090. Status[ Each request considered individually. Exhibitions[ "Ontario Corporations Collect", McMichael Canadian Art Collection, Kleinbur, Ontario, November 13, 1994 - February 5, 1995. Activities[ Artist's talks to employees; Art Banking Department Bibliography[ Hidden Values by Robert Swain, Douglas & McIntyre, Vancouer/Toronto, 1994. Keywords[graphics, painting, sculpture, photography, works on paper, mixed media, Canadian artists, Native American art, Inuit art. Category[ galfile
Personnel[ Managing Director, Brian Johnstone. Governing[ Corporation. Business[ Financial services. Year[ 1987. Size[ Over 50 works. Description[ A collection of 20th century art by New Zealand and international artists. Media include graphics, paintings, works on paper, mixed media, crafts, and textile and fiber art. Location[ In the corporate headquarters. Viewing[ Not accessible. Status[ Ongoing. Source[ Artists, galleries, auctions, commissions. Selection[ Committee of corporate personnel and outside consultant. Status[ To art museums only.
Personnel[ Art Administrator, Mrs. M. Miller. Governing[ Corporation. Business[ Manufacturing and marketing of consumer and industrial products. Patronage[ The company has provided support for many arts organizations and institutions including the Royal Academy of Arts Trust, and the National Art-Collections Fund. Other recent sponsorships include the New South Exhibition in 1996; the Whitechapel Open in 1996; the Jain art exhibition at the Victoria and Albert in 1995, and the London Group in 1995. Year[ 1980. Size[ Approximately 400 works. Description[ A collection of British contemporary art, primarily paintings by young artists, has been formed during the 1980's. The building also houses other works and artifacts collected or donated over a long period from many countries. Media include graphics, paintings, sculpture, photography, works on paper, and mixed media. The main purposes of the collection are to add a lively and stimulating element to the working environment, and to support young artists by purchasing their work. Location[ Unilever House in London. Viewing[ Accessible for special occasions. Status[ Ongoing. Source[ Artists, galleries, art dealers, art competitions sponsored by company. Selection[ Company personnel. Status[ Each request considered individually. Exhibitions[ "The New Patrons Exhibition of 20th Century Art from Corporate Collections," Christies, January 3 - 24, 1992. Sponsored by the National Art Collections Fund. "Passionate Instincts," Alex Hunter, Auckland, New Zealand, June/December 1989. "The Owls Dinner," Paula Rego, Lisbon, Portugal, May 5 -- June 30, 1988. "Capital Painting, Pictures from Corporate Collections in the City of London," Barbican Art Gallery, 19 April to 10 June 1984, London. Publications[ Catalogue available: Unilever House London Contemporary Art Collection: The First Twelve Years. Bibliography[ "Unilever's Collection of Young British Artists Still Growing, Corporate ARTnews, April 1992, p. 4. The New Patrons, the catalogue from the exhibition organized by the National Art Collections Fund at Christie's, London, January 3 - 24, 1992, pp. 74-77. "Time Off," Cob Stenham, Management Today Journal, 1987. ASBA Annual Report 1985/86, Association for Business Sponsorship of the Arts, Colin Tweedy, November 1986, London. Annual Report 1984/1985, Association for Business Sponsorship of the Arts, London, 1985. Keywords[British artists, painting, graphics, sculpture, photography, works on paper, mixed media. Category[ musfile, galfile, artfile
Mailing Address[ Postfach 10 15 09, 2000 Hamburg 1, GERMANY. (040) 34 90 0 Personnel[ Geschftsleitung. Governing[ Corporation. Business[ Manufacturer of consumer and industrial products. Year[ 1963. Size[ Over 200 works. Description[ A collection of post-1960 art by German artists. Media include graphics, sculpture, works on paper, crafts, folk art, paintings, photography, decorative art, and textiles. Location[ Throughout the headquarters. Viewing[ Not accessible. Status[ Ongoing with only occasional additions. Source[ Artists, galleries, auctions. Selection[ Committee of corporate personnel and outside consultants. Status[ Not available for loan.
Personnel[ Prokuristen, Kunstbeauftragte der Bank, Christine Gebhardt-Berger. Governing[ Corporation. Business[ Banking and financial services Year[ About 1965. Size[ Over 5000 works. Description[ A collection of works created since 1960 by Swiss artists. Media include graphics, paintings, sculpture, and works on paper. The art collection in New York City was begun in 1980 and includes approximately 200 works. It is a highly selective collection of Swiss artists residing in New York and throughout the United States. Some of the artists included are Gregoire Muller, Not Vital, Rosemarie Koczy and Hans Falk. The art advisor for the New York collection is Joan Kaplan. Location[ In the corporate headquarters and in branches throughout Switzerland. Viewing[ Accessible in public areas. Status[ Ongoing. Source[ Artists, galleries. Selection[ Corporate art person. Art Program[ The Bank has continued a diversified art program for over 10 years. To celebrate its 125th anniversary, the Bank sponsored "Ferdinand Hdler: Landscapes," which has been touring the United States. During the fall of 1987, it sponsored an exhibition of paintings by artists from Switzerland and Luxembourg, which was displayed in Luxembourg City. The Bank and the City of Zurich also jointly administer a program which brings four artists to New York for six-month periods twice each year. The program provides the artists an opportunity to live and work in New York City. Support[ Sponsorship of museum exhibitions, corporate membership support of arts and cultural institutions, weekly series of classical music radio broadcasts. Recent and current sponsorships include: In April 2003, the Cirque du Soleil returned to Switzerland, and UBS was the title sponsor of its performance of Saltimbanco. Then, from September 19, the Canadian troupe will make its fourth appearance in Wallisellen/Zurich. The partnership between Cirque du Soleil and UBS, began in 1996. The UBS relationship with Art Basel began in 1994, and has since become a cornerstone of the company's cultural program. UBS further consolidated the partnership in 2000, when Art Basel founded a new platform called Art Unlimited. This section provides artists with an additional hall in which to exhibit their work which could not be presented at the regular stands due to lack of space, prohibitive costs or conceptional and technical restrictions. Finally, the partnership was expanded last year to include the inaugural Art Basel Miami Beach art show, which took place in December 2002. Website: http://www.artbasel.com Cruel & Tender. This is the first exhibition held at Tate dedicated entirely to photography and includes many familiar images of the twentieth century. The exhibition will run from 5 June to 7 September 2003. In addition to sponsoring Cruel and Tender, UBS contributed some of its own collection to the exhibition. Works from the collection by photographers, Andreas Gursky and Thomas Ruff, will be on loan to the Tate for the duration of the exhibition. The UBS Art Award for the year 2000, the first of its kind, goes to Martina Gmr, University of applied sciences, Basel, Switzerland. This Award is an international art competition in which graduating students from 20 art colleges in ten countries were invited to participate. Supporting young artists reflects the commitment of UBS Private Banking to promoting young talents and to contributing to the painting of tomorrow (December 8). UBS is one of the main sponsors of the Fotomuseum Winterthur, which opened in 1993, and it supports a special exhibition annually. The Fotomuseum presents photography in all its immediacy and diversity and, through the topics reflected in the photographs on display, it also serves as a record of culture and society. With its revolving exhibitions and the outstanding collection it has built up, the Fotomuseum Winterthur has established itself as a center of excellence for photographic exhibitions and information. This year the UBS sponsored exhibition was "If on a Winter's night.Roni Horn" Bibliography[ "Focus on the Swiss," Corporate ARTnews, v 4, no 3 (July 1987), pp. 1,3. Category[ musfile, galfile, artfle
Personnel[ Directeur de la Communication, F. Vikar; Responsable Mcenat, Brigitte Fontaine. Business[ Insurance Corporate Arts Support[ The company has an active program of support for the arts[ music, theater, dance, cinema, historic preservation, and visual arts. Exhibitions[ Since 1984, the Union des Assurances has regularly organized exhibitions for the "Espace Vendme." The goal of the exhibition area is to introduce art into the business environment, and it features a great variety in exhibitions, not only well-known artists, but also young talent. Each exhibition is accompanied by a full press service, the creation of posters and catalogues, an opening reception, and insurance on the exhibited works. Some of the past exhibitions have included[ Paintings by Ismael de la Serna, Art and Jewelry, Painters and Sculptors of the Union des Assurances de Paris, History of the Place Vendme, Stories and Legends of the Ballet of the Opra of Paris, Works by Yan Pei-Ming and Ru Xiao-Fan, A look at Africa, Naive Art in Brazil, Haitian Painters, The Horse in Art, as well as many one-man exhibitions.
Personnel[ Curator, Fenosa Art Biennal, Luis Caruncho; Publicity Director, Fenosa Art Biennal, Ramon Barro. Governing[ Committee Advisor. Business[ Electric company. Year[ 1989. Size[ Approximately 55 works. Description[ Gallego and Spanish contemporary art; sculptures and paintings. Location[ La Corua. Electric Museum UNION FENOSA Viewing[ Not accessible at this time. Status[ Ongoing. Source[ Mostra de Union Fenosa (Annual). Selection[ Jury. Status[ Each request considered individually Programs[ Conferences, music programs. Support[ Artistic grants for gallegos artists only.
Personnel[ Interior Designer, Michael Lamb; Art Consultant, Lisa M. Allen-Cull. Governing[ Corporation. Business[ Supplier of information technology systems and support services. Year[ 1987. Size[ Fewer than 50 items. Description[ A collection of post-1960 art by New Zealand and international artists. This is the first collection dedicated to New Zealand abstract art from 1960 to the present. Currently the collection includes numerous works by John Drawbridge, Allen Maddox, Leon Van Den Eykel, Dean Buchanan, and Phillipa Blair. Location[ In the corporate headquarters. Viewing[ Not accessible. Status[ Ongoing. Source[ Artists. Selection[ Outside consultant: Lisa M. Allen-Cull, 159 Karori Road, Wellington, New Zealand; (011644) 884921. Status[ Each request considered individually.
Personnel[ Chairman, Lord Macfarlane. Description[ A collection of Scottish works that were originally acquired by Guinness, and Dewar's that includes Monarch of the Glen, by Landseer; and The NacNab by Sir Henry Raeburn. The company has also acquired works by contemporary Scottish artists. Location[ Throughout Distillers' House in Edinburgh. Status[ Ongoing. Viewing[ The works in public areas of Distillers' House are accessible for viewing. Suppport[ The company has also been active in aponsoring events, such as the Royal Academy's summer exhibition. Status[ Works have been loaned for museum and travelling exhibitions. Exhibitions[ Fine Arts Society, 1990, Glasgow. Bibliography[ "Artful ways of investing," Management Today, February 1995, p. 12. "Raise the Company's Colours: Glasgow Collection of Fine Art," Andrew Gibbon Williams, Times of London, January 31, 1990, Features section. Keywords[Scottish artists, painting.
Personnel[ President, Vice Chairman and CEO, Robert Crevrier. Governing[ Corporation. Business[ Wholesale distribution. Year[ 1976. Size[ 310 works. Description[ A growing collection of contemporary Canadian art which is representative of the multi-faceted Canadian art scene. Some of the artists represented include Dorothy Knowles, Otto Rogers, Jean McEwen, Carol Sutton, Charles Gagnon, Jack Bush, Leopold Plotek, David Bolduc, William Perchudoff and Joseph Drapell. Location[ Corporate headquarters and Westburne branches. Viewing[ Available for viewing. Status[ Ongoing. Source[ Artists, art dealers. Selection[ Committee of corporate personnel and outside consultant. Review[ Will accept unsolicited material (slides, catalogs, etc); write or call before attempting to visit. Status[ Each request considered individually. Exhibitions[ "Selections from the Westburne Collection" a traveling exhibition organized by the Edmonton Art Gallery. The large exhibition was on display at the Edmonton Art Gallery in 1982; an abbreviated selection of 21 paintings then traveled to the Nickle Arts Museum, Calgary; Rodman Hall Arts Center, St. Catharines; Dalhousie University Art Gallery, Halifax; Oakville Galleries, Oakville, Ontario; Owens Art Gallery, Mount Allison University, Sackville, New Brunswick; and Sir George Williams Art Galleries, Concordia University, Montreal. Support[ The corporation sponsors museum and traveling exhibitions and has donated works of art to non-profit organizations. Publications[ Selections from the Westburne Collection, Karen Wilkin, Edmonton Art Gallery, 1982, 48 pages, 11 black and white illustrations, 16 color illustrations. ISBN 0- 88950-029-0. Bibliography[ "Business and Art, a Fruitful Marriage," Bilans (Qubec Order of Chartered Accountants' Magazine), Volume 6, Number 3, June 1990, p. 16. "Corporations back on collecting bandwagon," Montreal Gazette, December 3, 1983, p. B 10. Keywords[Canadian artists, painting, works on paper, mixed media, graphics. Category[ musfile, galfile
Personnel[ Public Relations. Governing[ Corporation. Business[ Peat and timber industry. Year[ 1984. Size[ Fewer than 50 items. Description[ A collection of post-1960 Finnish art. Media include graphics and paintings. Location[ Throughout the building in public and staff areas. Viewing[ Not accessible for viewing. Status[ Ongoing with only occasional acquisitions. Source[ Galleries. Status[ Not accessible for loans.
Fax[ (46) 8 17 85 06 Personnel[ Chairman, Dag Klackenberg; President and CEO, Lars G. Josefsson. Website Address[ http://www.vattenfall.se Business[ Vattenfall supplies and distributes electricity to 5.7 million retail customers in Sweden, Germany, Finland, and Poland. The company is the Nordic region's largest utility group.The State River Board of Sweden. Vattenfall is owned by the Swedish government. Size[ Approximately 3200 works. Description[ A collection of about 200 pre-19th century and approximately 2,000 post-1945 Swedish paintings, graphics, sculpture and weavings. The board's policy is to acquire original prints for employee offices, and approximately 10-20 paintings each year that refer towaterfalls or other subjects of interest. Location[ Throughout the headquarters. Viewing[ Not accessible to the public. Status[ Ongoing with regular acquisitions. Source[ Galleries and auctions. Selection[ In-house corporate staff person. Status[ Will consider loans to art museums only. Programs[ Sponsors an exhibition gallery in the facilities for the display of work by regional artists. Category[ musfile, galfile
Governing[ Corporation. Business[ Oil/mineral company. Size[ Over 100 examples. Description[ A collection of post-1960 German and international art which includes graphics, mixed media and painting. Location[ Corporate headquarters. Viewing[ Not accessible. Status[ Ongoing with only occasion additions. Source[ Artists. Selection[ Committee of corporate personnel and outside consultants. Status[ Not available for loan. Programs[ The company sponsors an exhibition area in the facilities for the display of exhibitions by regional artists.
Personnel[ Information Manager, Rtta Vuontisjri. Governing[ Corporation. Business[ Forest industry. Size[ Nearly 200 works. Description[ A collection of 20th century Finnish art which includes graphics, paintings, sculpture, works on paper, and textile and fiber art. Location[ Throughout the building. Viewing[ Not accessible. Status[ Ongoing with only occasional acquisitions. Source[ Artists. Selection[ In-house corporate staff person. Status[ To art museums only. Publications[ A brochure on the collection is currently being prepared.
Personnel[ Director, Denis Cohn; Managing Director, Bil Vernon. Governing[ Corporation Business[ Creator of collections management software for museums. Year[ 1986. Size[ over 200 works. Description[ A collection of post 1960 art by New Zealand and international artists; examples of tribal art. Media include graphics, paintings, photography, sculpture, works on paper and decorative arts. Some of the New Zealand artists represented include Colin McCahon, Tony Fomison, Alan Maddox, Flora Scales, Robert McCleod, Rodney Fumpston, Terry Stringer, Mart Szirmay, Milan Mrkusich. Internationally known artists represented include David Hockney, Rauschenberg, Marini, Karl Appel. Location[ Throughout the company offices and public spaces. Viewing[ Not accessible for public viewing Status[ Ongoing. Source[ Artists, auctions, galleries, commissions. Selection[ Committee of corporate personnel. Status[ Loans to art museums only. Exhibitions[ Sphere 1 by Neil Dawsen to the National Gallery of Art, Wellington, October 1989-February 1990. Phillips the Chemist, by Peter Siddell, to the Fisher Gallery, Auckland, February 1988. Untitled by Alan Maddox to the Auckland City Gallery traveling exhibition, 1985-1986. Programs[ Education program for employees and internal exhibitions. The firm has also donated works of art to museums. Category[ musfile, galfile
Fax[ (46) 31 54 57 72 Website Address[ http://www.volvo.com Personnel[ Chairman, Finn Johnsson; President and Director, CEO Volvo Group, Leif Johansson; Senior Vice President, Chief Financial Officer, Stefan Johnsson. Director of Corporate Profile & Identity, Mr. I. Westerlund. Governing[ Corporation. Business[ The company is a leading maker of trucks, buses, and construction equipment, as well as marine, aircraft, and industrial engines. The company's most widely known business -- automobile making -- has been sold to US-based carmaker, Ford Motor Company. Size[ Over 250 works. Description[ The company has a large art collection of 20th century and contemporary Swedish and international art in all media in its new international headquarters near Gteborg. The new headquarters is a modern and innovative structure designed by Romaldo Giurgola, of Mitchell/Giurgola Architects. One of the commissions for the new headquarters is a series of site works by Jennifer Bartlett. Location[ Throughout the corporate headquarters. Viewing[ Not accessible. Status[ Ongoing. Source[ Artists and galleries. Activities[ The company sponsors an art club. Publications[ Corporate brochure briefly describes the collection. Bibliography[ "Site Sensitivity," Roberta Smith, House and Garden, May 1985, p. 156+ Category[ musfile, galfile
Personnel[ Marketing Department. Governing[ Corporation. Business[ Merchant banking. Size[ Over 200 works. Description[ A collection of per-19th century and 20th century art by British and international artists. Media include graphics, paintings, photography, and works on paper. Location[ Throughout the corporate headquarters. Viewing[ Not accessible for viewing. Status[ Ongoing with occasional acquisitions. Source[ Galleries. Selection[ Committee of corporate personnel. Status[ Each request considered individually.
Fax[ (46) 86400594 Website Address[ http://www.2wglobal.com Personnel[ President and CEO, Ingar Skaug; COO, Head Ocean Services, Raymond F. Fitzgerald; Vice President of Corporate Communications, Carl Sommerholt. Governing[ Corporation. Business[ Shipping. One of the largest roll-on/roll-off transportation companies in the world. Wallenius transports more than 2 million vehicles each year. The company's fleet includes about 260 vessels. Year[ c. 1965. Size[ Over 2000 works. Description[ A collection of contemporary Swedish art which includes graphics, paintings, works on paper, mixed media, decorative arts, and textiles. Location[ Throughout the headquarters and on the company's ships. Viewing[ Not accessible. Status[ Ongoing with occasional additions. Source[ Artists, galleries. Selection[ In-house corporate staff person. Status[ Not available for loan. Category[ musfile, galfile, artfile
Personnel[ General Manager, Operational Services, Mrs. L. Evans; Clinical Manager Accident and Emergency Dept, Mrs. P. Gatherum. Governing[ Wansbeck Arts Trust Committee Business[ Hospital Year[ 1992 Size[ 40 works Description[ A collection of works by Northumberland artists. Media include crafts, painting, decorative arts. Some works have been commissioned. Status[ Ongoing Source[ Artists Selection[ Committee of corporate personnel & outside consultants Review[ Art consultant: Northumberland Arts Council, Head of Arts, Hilary Elder, (44 1670- 511 156. Keywords[painting, crafts, decorative arts.
Personnel[ Supervisor, Office Services: Barb Rogers; Communications Coordinator: Diane Goski. Governing[ Corporation Business[ Oil & Gas exploration & Production (Petroleum industry). Year[ 1986 Size[ 12 works Description[ Mainly Saskatchewan artists are represented in the collection. Media include prints, paintings, and sculpture. Location[ Head Office. Viewing[ The collection is not accessible for public viewing expept for the Fafard bronze in the building foyer. Status[ Completed. Source[ Artists and art dealers. Selection[ Committee of corporate personel. Review[ Will not accept unsolicited material. Status[ Each request is considered individually. Exhibitions[ "Canadian Western Agribition", Regina, SK., November 25 - December 1, 1995. "Western Corporations Collect", The Edmonton Art Gallery, September 17 - November 6, 1994. Bibliography[ Hidden Values, by Robert Swain, Douglas & McIntyre, Vancouver/ Toronto 1994, 164p,, 100 ill. Keywords[graphics, painting, sculpture, Canadian artists,
Website Address[ http://www.fairmont.com Personnel[ General Manager: Kiaran MacDonald; Art Consultants: Trudy Pekarsky and Beth Noble, (Pekarsky Noble & Associates). Governing[ Corporation Business[ Luxury hotel Year[ 1990 Size[ 50 works Description[ The Fairmont Waterfront Hotel unveiled its major commissioned art work and collection of original paintings and sculptures in July of 1991. Each piece that was selected and purchased was specifically chosen for this property. The result is an eclectic collection of art that represents the diversity and history of our culture. "We wanted works from local artists that not only complemented the hotel but also showed Marathon's further commitment to the arts in Vancouver and British Columbia" says Graeme Stamp, General Manager of Development for Marathon Realty - the developer of the hotel. The collection includes original works from local artists such as Jack Shadbolt, Geoff Rees, Pat Service, George Schmerholz, Art Lucs and Audrey Capel Doray. Location[ The collection is distributed in public areas around the hotel. Viewing[ While there are no guided tours scheduled, a written tour is available. Special art tours can be arranged for groups upon request. Status[ Works are continually being added to the collection. Source[ Artists and consultants. Selection[ Committee of corporate personnel and outside consultants. Review[ Selections are only made through art consultants: Pekarsky Noble & Associates, Vancouver. Status[ Works are not loaned from the collection. Support[ The Waterfront Fairmont Hotel maintains strong involvement with the arts, culture and entertainment community in Vancouver through various sponsorship commitments such as the Vancouver Board of Trade Arts Awards and support to various travelling exhibitions organized by local galleries and museums. Publications[ Brief biographies and artist's statement is available as a hand-out for the self-guided tour. Keywords[graphics, painting, sculpture, works on paper, mixed media, decorative arts, textile and fiber art, memorabilia, historical artifacts, documents and rare books, Canadian artists, commissioned art, Native American art and artifacts.
Personnel[ Partnership Secretary, Trevor Freeguard. Governing[ R. Watson and Sons. Business[ Actuaries and consultants. Year[ 1988. Size[ 60 works. Description[ A selection of commissioned works by contemporary British artists including Tom Cross, Gordon Walrd, Alexander Creswell, David Curtis. A collection of limited edition prints including screenprints, lithographs, and ethchings. Location[ London Road, Reigate. Viewing[ By appointment. Status[ Ongoing. Source[ Grenville Gibbs Corporate Art, Studio One, 50 Sulivan Road, London SW6 3DX; telephone: (44 171) 731 8450. Selection[ John Martin, senior partner, and art committee. Review Policy[ Through Grenville Gibbs Corporate Art. Keywords[commissioned art, British artists, graphics, painting, sculpture.
Mailing Address[ GPO Box M 978, Perth WA 6001 AUSTRALIA. (61 9) 327-4211; fax (61 9) 327-4290 Personnel[ Managing Director, Michael A. Chaney; Art Curator, Fiona M. Kalaf. Governing[ Corporation. Business[ Rural interests, industrial, manufacturing, finance. Year[ 1977. Size[ 550 paintings. Description[ A representative collection of Australian art: Colonial to Contemporary, including paintings by Arthur Boyd, Rupert Bunny, William Delafield Cook, Russell Drysdale, Elioth Gruner, George Haynes, Sali Herman, Hans Heysen, J. J. Hilder, Frederick McCubbin, Sidney Nolan, Tom Roberts, Tim Storrier, Arthur Streeton, Fred Williams, Conrad Martens, Eugene von Guerard. The collection spans the history of Australian painting. The works in the collection symbolize a synergy of interests as their pastoral landscapes refer directly to Wesfarmers business of wool and cattle brokerage. Location[ Head office, Perth. Viewing[ Not accessible. Support[ "Wesfarmers Painting Prize," Geraldton Art Awards, 1985. Bibliography[ "Goldfish in the Waiting Room - The Evolution of Corporate Art Collections," Genevieve Murphy, Artwrite 2000, Issue # 20, University of South Wales (http://www.cofa.unsw.edu.au), ISSN 1441-5712. Keywords[Australian artists, painting, works on paper, graphics, 19th century art.. Category[ musfile, galfile
Personnel[ Senior Manager, Public Relations, A. Dawson. Governing[ Corporation. Business[ Banking. Year[ 1970. Size[ 600 pieces. Description[ Australian art with three main themes: history, masters, and contemporary. Artists include: Marshall Claxton, Grace Cossington-Smith, Hans Heysen, John Coburn, Fred Williams, Pro Hart. In 1982 merger with Commercial Bank of Australia, paintings, sculptures and prints were acquired of Arthur Boyd, Fred Cress, Leonard French, Roger Kemp, Clifford Last, John Olsen, Jeffery Smart, Albert Tucker, Brett Whiteley. Location[ 60 Martin Place, Sydney, some city branches and interstate head offices. CBA Centre collection at 60 Margaret Street, Sydney. Viewing[ Selected periodic exhibitions of bank's collection are held at Westpac Museum, The Rocks, Sydney. Status[ Have lent to exhibitions in the past. Exhibitions[ "Hidden Treasures, Art in Corporate Collections", exhibition, 1995. "Banking with Art," Westpac Museum, October/November 1988. Support[ Sponsor of Westpac Gallery at the Victorian Arts Centre, Melbourne. Bibliography[ "Paintings leave the boardroom walls for first public showing," by Terry Ingram, Australian Financial Review, September 10, 1980. Category[ musfile, galfile
Personnel[ Archivist, Nick Redman. Governing[ Corporation. Business[ Brewery. Patronage[ The company has been the recipient of a Business Sponsors of the Arts Award. The company has sponsored literary awards and have encouraged their development for approximately 15 years. Description[ The group of paintings which have been acquired over the years, and which reflect their areas of activity. In addition, since 1947 the company has also been commissioning twelve paintings for their calendar, from leading contemporary artists. This collection of several hundred paintings includes works by Norman Wilkinson, Lionel Edwards, Claude Muncaster, Rowland Hilder, Anna Zinkeisen and others. Exhibitions[ "Capital Painting, Pictures from Corporate Collections in the City of London," Barbican Art Gallery, 19 April to 10 June 1984, London. Programs[ Every year since 1947, the company has commissioned from leading contemporary artists, twelve paintings for their calendar. Bibliography[ Paul Atterbury. Capital Painting. London: Barbican Art Gallery, 1984. pp. 17, 47-48, 52. Annual Report 1984/1985, Association for Business Sponsorship of the Arts, London, 1985. Keywords[painting, commissioned art, British artists
Personnel[ Manager, Tore Ringvold. Governing[ Corporation. Business[ Agents, distributors. Year[ c. 1960. Size[ Fewer than 50 items. Description[ A collection of ancient, pre-19th, 19th-century and contemporary Norwegian art. Media include paintings, sculpture, works on paper, crafts, historical artifacts. Location[ Throughout the building. Viewing[ Not accessible. Status[ Ongoing with only occasional additions. Source[ Artists, galleries, auctions, art competitions sponsored by museums, donations. Selection[ Committee of corporate personnel. Status[ Each request considered individually. WINSTONE LIMITED Acquired by Fletcher Challenge |
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